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Surface Detail (Culture) Hardcover – October 28, 2010

174 customer reviews

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Editorial Reviews

From Publishers Weekly

Banks's labyrinthine and devious ninth Culture space opera novel (after 2008's Matter) adeptly shifts perspective between vast concepts and individual passions. The blissfully disorganized, galaxy-spanning Culture has fabulous technology that gives human and alien entities freedom to choose who and what they want to be. When sex slave Lededje Y'breq is murdered by a politician on the planet Sichult, the artificial intelligence running one of the Culture's immense starships resurrects her so she can seek revenge. Meanwhile, the Culture is uneasily watching the conflict over whether to preserve virtual Hells for the souls of "sinners" or give them the release of death. Leaping with jaw-dropping speed from character to character and from reality to virtuality, the narrative swiftly pulls these concerns together. New readers may be taken aback by the rapid pace, but fans will dive right in and won't come up for air until the final page. (Nov.) (c)
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From Bookmarks Magazine

Iain M. Banks’s Culture novels, one suspects, won’t be fully appreciated by any but avid SF readers for quite some time, even if the author routinely reaches beyond classification. His world building is never less than spectacular. The AI components of his stories prompt comparisons to Philip K. Dick; his rich backdrops certainly influenced those of Alastair Reynolds and China Mieville. Yet what separates Banks from the ranks of other SF writers is the human component that thrives postsingularity—after technology has made its creators obsolete. Banks’s trademark—big ideas and equally compelling individual stories mingling seamlessly—is on full display here.
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Product Details

  • Series: Culture
  • Hardcover: 640 pages
  • Publisher: Orbit; 1 edition (October 28, 2010)
  • Language: English
  • ISBN-10: 0316123404
  • ISBN-13: 978-0316123402
  • Product Dimensions: 6.5 x 2 x 9.8 inches
  • Shipping Weight: 2.4 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (174 customer reviews)
  • Amazon Best Sellers Rank: #279,837 in Books (See Top 100 in Books)

More About the Author

Iain Banks came to widespread and controversial public notice with the publication of his first novel, The Wasp Factory, in 1984. Consider Phlebas, his first science fiction novel, was published under the name Iain M. Banks in 1987. He is now acclaimed as one of the most powerful, innovative, and exciting writers of his generation. Iain Banks lives in Fife, Scotland. Find out more about him at www.iainbanks.net.

Customer Reviews

Most Helpful Customer Reviews

107 of 113 people found the following review helpful By Ripple on October 15, 2010
Format: Hardcover
It is perhaps appropriate for a book that centres around the battle for the afterlife to begin this review with a confession: this was my first encounter with Iain M Banks' Culture series of science fiction novels. At first, I worried that this put me at a significant disadvantage as for the first 100 or so pages, I spend most of the time being completely confused about what was going on. However, as the strands started to come together, it became apparent that this is partly Banks' style and indeed it's one he uses in his non-science fiction books too. Keep going, it does come together.

As in his non-sci fi works, Banks juggles stories and characters with dazzling effect. He takes a number of characters whose stories may or may not ultimately come together and switches between their stories. And just when you think one line of story is not going anywhere in particular, he twists it round and it all makes perfect sense. The confusion is compounded by the fact that he is covering both the `Real' and `virtual' worlds, and particularly in the virtual worlds, characters may take on different roles and identities. Sound confusing? Well, it is at first but it's also highly entertaining, not to mention clever.

To the uninitiated, the Culture is a fictional interstellar enlightened, socialist, and utopian society operating amongst other, less benevolent and lesser civilized civilizations. This is at least the eighth book to feature the Culture, which first started with Consider Phlebas featuring the Culture's religious war against the Idiran Empire. We are told that the events of Surface Detail occur a millennium and a half after this war.
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45 of 48 people found the following review helpful By Nigel Seel on October 19, 2010
Format: Hardcover
If you can create an immersive virtual reality indistinguishable from the Real then you can build Heaven ... or Hell. Inevitably some civilizations will build their own Hells, to punish sinners and encourage the virtuous. Equally inevitably, other civilizations will want to abolish these virtual arenas of unending torment.

In "Surface Detail", Iain M. Banks' new Culture novel, there is a war in progress on this very issue. Waged for decades in virtuality, the losing side is preparing to cheat and move the war into the Real. Suddenly this issue could drag everybody in.

This novel of 627 pages provides plenty of space for a multitude of story lines to develop and coalesce as the big picture comes slowly into focus. We start, in medias res, with the tattooed girl Lededje fleeing her overbearing boss. We cut to the conscript Vatueil, part of a mediaeval army besieging a castle in an opaque war. We cut to an overwhelming `equivalent tech' assault upon a Culture Orbital and meet Yime Nsokyi fighting in the last ditch. Not all of these events are happening in the Real.

It's a challenge to write compelling descriptions of Hell: how many words for torment are there in the language? How many gruesome tortures do you need to describe? How can you get the reader to empathise with suffering? Banks' solution is to apply a paced plot-driven structure to excursions into the netherworld: we encounter agonies from repeatedly unexpected directions.

Towards the end, as battle fleets assemble, the novel picks up pace and Banks has a lot of fun with the Abominator Class General Offensive Unit "Falling Outside The Normal Moral Constraints". This is a ship which could probably destroy a whole galactic spiral arm without really trying and boy, does it waste the bad guys!
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6 of 6 people found the following review helpful By John Kwok HALL OF FAME on June 10, 2013
Format: Hardcover
To say that Iain M. Banks opted to forsake modern literary fiction merely to write epic space opera science fiction novels within his acclaimed "Culture" universe, would be making light of him as a writer and criticizing his rationale for abandoning mainstream literary fiction. In plain English, to borrow William Gibson's phrase, Banks felt science fiction had a much better "tool kit" to tell epic tales rooted in morality and philosophy than contemporary mainstream literary fiction. He didn't abandon mainstream literary fiction merely to write genre fiction that would displease many hard-nosed literary critics and writers who remain dismissive of science fiction and fantasy. Instead, he effortlessly combined the convention and style of literary mainstream fiction with the toolkit of science fiction, producing a memorable body of work that will be hailed and remembered as the finest literary space opera science fiction ever written, and demonstrating that, at the time of his death from inoperable cancer on June 9, 2013, he was still among the most important voices in contemporary Anglo-American literature irrespective of genre.

"Surface Detail", one of Banks's last "Culture" novels, is definitely among his best, memorable as a riveting epic tale of revenge and murder played out in the far reaches of Culture-dominated space, replete with ample digressions into faith, philosophy and politics. Banks gives readers a most riveting meditation on the natures of reality and individuality, cloaked in a fast-paced thriller-tinged space opera.
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