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And this is not my very favorite Bob album (thats reserved for Catch a Fire - you know what they say: you never forget your first)BUT: Survival is an absolute brilliant piece of music-making. From the clarion call of the opening track to "Wake up and Live, ya'll - wake up and live...." to the repeated admonition to "tell the children the truth" in Babylon System, the lyrics on this album are Bob at his very best: passionate, angry, caring, concerned, moving, persuasive, original: with an almost Biblical authority and a heartfelt authenticity that makes you feel as if Bob is speaking directly to YOU, straight outta Yard. Marley's ability to truly connect through these lyrics with everyone (from subarban white Americans to Moari tribespeople and everyone in between) while remaining true to himself and his heritage as a jamaican and member of the african diaspora is on bravura display throughout. For example: 'they bribe us with their guns, spare parts and money... and if you want to get some food, your brother's got to be your enemy..." A more succint and pointed description and indictment of superpower "realpolitik" foriegn policies would be harder to imagine.
And that's just the lyrics. The riddims between Bob, Carly and Familyman on this collection are SO hard, SO right & tight, SO in the pocket, it's hard to describe without simply throwing superlatives at it in a lame attempt to put into words what must be heard to be understood. The album makes extensive yet tasteful use of additional percussion (i.e. the african agogo bells in Ride Natty Ride) throughout, musically reflecting and enhancing the albums' lyrical focus on afrocentric concerns.
The saxaphone is also very heavily used, and it comes off great: I don't know who the soloist is, but he makes that horn growl and wail like a slave under the whip.
Another high point of the collection is the general songwriting. The melodies and structures of the songs reflect Bob's place as one of THE PREMIER pop songwriters ever - up there in Lennon/McCartney, Leiber/Stoller, Goffin/King, Rogers/Hart, territory - he drops out the 3-4 minute gem as naturally as breathing. Ever notice how Bob had distinct verse, chorus AND bridge sections in his mature output...? And still maintains the intergrity of the reggae form.
This album is worth repeated listening for Bob fans, reggae fans, pop music fans, and any lover of music with open ears. If anyone ever argues against Bob's place in music (i.e. he ONLY did reggae, his songs are simple, reggae is all the same, his lyrics stink, he was too "pop", he wasn't "pop" enough, etc), throw this on, adjust the bass up a notch or two and CRANK it.
If they don't change their mind, then they don't know anything about music...
It seems to me that the Marley albums fall into only two categories, the five star and the four star albums, (see my ratings below). Though I am very stingy with the five star rating, Survival easily makes five stars, and it may even be the best Marley album, and quite possibly the greatest album of all time.
How can this be? Well, every song on the album is just irresistible, with great lyrices, impassioned performance, superb orchestration, catchy hooks... just a superb package. I honestly do not believe that anyone who listens to this album will not find it a life changing experience. Well, to be honest, there are probably lots of people who would fall into that category, but my remarks apply to those with discriminating taste and well developed sensibilities.
OK, I am running on, but this is just a great, great album. 'Nuff said.
* A really worthless CD
** A CD that has some good stuff, but some major defects.
*** An OK CD that will please fans of the artist in question.
**** An excellent CD that represents the best work of the artist in question and can be bought with confidence.
***** An absolute classic that is the best, or among the best, of its genre. Your collection should start here.