Susar

Indukti | Format: Audio CD

Product Details

• Audio CD (September 6, 2005)
• Original Release Date: 2005
• Number of Discs: 1
• Label: Laser's Edge
• ASIN: B000AMYJH8
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #186,073 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars Sounds like Tool Meets Crimson and yet is still original, September 26, 2005

By 

David Baker (DC Metro) - See all my reviews
(REAL NAME)   

This review is from: Susar (Audio CD)

I am really enjoying this cd. I think the KC and Tool influences are obvious but I love this cd and I do not love Tool or King Crimson. Go figure! The musicianship is stellar with not much (if any) wanking. The production and sound are first rate and the songs are very strong. A little on the heavy side - which is fine with me. Many odd time arrangements which are great and not too forced. The violin is a valuable addition to this cd where the vocals are not. To be fair, I'm not a fan of the group Riverside where the vocalist is from. I'd have preferred it to be completely instrumental. Just my two cents. But, again, the violinist is really excellent and I hope the next cd has more of the same. For that matter, I hope there is another cd. This won't be the next Dream Theater. I just hope they achieve some success and keep putting out music like this. Two big thumbs up from me!

3 of 3 people found the following review helpful:

5.0 out of 5 stars The future looks bright..., May 16, 2007

By 

Boris Kaplun "asmox" (Reston, VA) - See all my reviews

This review is from: Susar (Audio CD)

Indukti cite Tool, Neurosis, and King Crimson as primary influences. That bit of information alone should either have you screaming bloody murder or crying tears of bliss... or it might leave you with a blank expression on your face, which is rather unlikely since you've somehow managed to find your way to this album.

I happen to love all three of the above bands, but I can't say that Indukti really sound like any of them. Certainly, there are some lines that can be drawn - the echoing, chiming, harmonically complex clean guitars give off some semblance of 80's-era King Crimson; the sinuous and rather disorienting effect where bass and guitar bounce between overlapping time signatures at the lower end of the fretboard is employed occasionally and is decidedly reminiscent of Tool (think the introductory and middle sections of Tool's "46 & 2" if you're not sure what effect I'm trying to describe); and I suppose some of the more ambient sections as well as the noisier parts could sort of be compared to something that Neurosis has done at one point or another, but even that seems like a stretch in my eyes - I don't find much of a resemblance at all between Indukti and Neurosis. Regardless, the big picture produced by Indukti on this album is much, much more than the sum of its parts.

Firstly, everything is accentuated by violin (another allusion to King Crimson, I suppose) - or almost everything. Rather than just providing flourishes here and there for mood and effect, Ewa Jablonska is a full-fledged and prominent member of the band and the music, though she does have a tendency to fade away throughout some of the heavier portions of the album. She coats the overall sound with a smooth, organic warmth and provides something of an ethnic Eastern European flavor. She also creates some striking aural dichotomies, such as in songs like "No. 11812" and "No. 11811", where dark aggression is punctuated by sublime violin interplay.

Secondly, there's a harp played by guest Anna Faber. I've never been much of a harp fan, but I mostly attribute that to lack of exposure. Hearing it in use on this album has opened my eyes, so to speak. It's simply beautiful. The sounds that emanate from those gently plucked strings momentarily take you away to some celestial, enchanted utopia. So absolutely peaceful, tranquil, and mysterious that you feel genuine regret at being rudely pulled away by the arrival of the remainder of the band. Unfortunately, these moments of blissful harping are generally found only at the beginning or the end of a given song. There is a section in the middle of the song "Uluru" which sees the harp come together with the rest of the band for a fairly stunning, if rather brief, instrumental portion... but that's the only time you'll hear the harp in any prominent role together with the band. For the most part, Anna only performs solo pieces here and there - though the transition that she makes from "Cold Inside... I" to "No. 11812" is especially magnificent, and she does mingle with the band for a bit there, as well.

Thirdly, this is mostly instrumental. There are some vocals performed by guest Mariusz Duda of Riverside - he adds some wordless, tribal-esque vocal melodies on opener "Freder", and takes on more straightforward vocal duties on "Cold Inside" and "Shade" - but the majority of the album lacks any kind of vocal presence. I can't say whether this is overly positive or negative. The instrumental tracks are definitely more impressive from a songwriting and creative point of view, as well as in terms of technicality, but the vocal performances are quite strong and come across as very moving and soulful.

The remainder of the band is solid. Twin guitars provide a thick sound, but not one that's too overbearing. The heavier distorted portions are brought forward with a very crisp production that actually kind of sucks out some of the heaviness, opting instead for a more polished presentation (still quite heavy, though). The clean portions are also incredibly crisp and rich. There isn't much in the way of solos or leads... most of the guitar work centers around layers of clean arpeggiated chords and mid-tempo riffing with focus on beautiful harmony. The bass is powerful and audible, throwing in stretches of droning pulses alongside slap techniques and occasional transitions from purely rhythmic backing to more melodic interactions. A mighty bass presence overall, and one that adds a welcome and noticeable warmth to the music. The drums are fairly technical and very active, plowing through metric changes and rhythmic permutations with ease while avoiding complete sterility and keeping things musical with flourishing cymbal work and a competent sense of synergy and dynamics. As a whole, the band does a great job of staying together as one and building off of each other as opposed to going off on wild tangents and indulging in solo spots. A very cohesive sound.

S.U.S.A.R. is a commendable album from this Polish band. At once heavy, tranquil, abrasive, warm, and mesmerizing. There are some great ideas throughout that don't get developed as much as I would have liked, but that's alright for a debut album and it leaves plenty of room for improvement on future releases. I have high hopes for Indukti's future.

2 of 2 people found the following review helpful:

4.0 out of 5 stars Tool in crimson, September 7, 2005

By 

Kamil - See all my reviews

This review is from: Susar (Audio CD)

A very interesting debut by a promising polish band. Music of Indukti lies somewhere between Larks' era King Crimson's visionary and Tool's complexity. And while not sounding either as adventurous as the former or spiritual as the latter, they develop a very intriguing sound.

There are seven songs on S.U.S.A.R. and most of them are instrumental. Freder starts off with harp intro and futures a marvelous vocalization in the middle of the composition by Riverside front man Mariusz Duda. His guest appearance is also notable on two other songs: Cold Inside...I and Shade. Both no. 11812 and no. 11811 are very Crimson sounding (with an excellent violin work by Ewa Jablonska), while Uluru and ...and Weak II reminds more Tool with its aggressive and crunchy dual guitar assault.

S.U.S.A.R. has some flaws, though. Some o the compositions are undeveloped. The musicians sometimes overspill tunes into extra minutes that were never needed. The most notable examples are the two last tracks. Despite this, Indukti's debut is very powerful (to retain the energy of a live performance, S.U.S.A.R. was recorded live in the studio) and I hope to hear more of them soon.