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5 of 6 people found the following review helpful:
3.0 out of 5 stars
More of a son's fond tribute than a documentary, April 11, 2005
I found this to be a loving but oddly incomplete biography of Sven Nyquist by his son, Carl-Gustav (Erland Josephson is the film's narrator). It's a shame that the great cinematographer has been silenced by his aphasia; the parade of on-camera interviews must serve as a substitute for what Nyquist cannot say for himself, and they are a great testament to the influence of his talent on several generations of actors and directors. This short film (75 minutes) is filled with many family photos and rare on-set stills. There are also clips from a haphazard array of films, strangely uncredited, and it is left a great deal on the interviews (Bergman, Ullman, Polanski and many others) to discuss his technique and the effect of light on Mr. Nyquist's work. This is obviously a son's tribute to his father, and enjoyable, but anyone looking for more film-by-film analysis should look elsewhere.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
Poetic, Yet Aloof, Tribute To A Genius: Not as Enlighteneing About the Man Or His Craft As I Expected, October 21, 2011
From 2000, "Light Keeps Me Company" is an intriguing and artful tribute to perhaps the most esteemed cinematographer in the history of cinema, Sven Nykvist. Gentle and somewhat aloof, this is more of a open-ended tribute film made by Nykvist's son than either a tangible biography or an exploration of his craft. With plenty of stagnant shots, melancholic music, and a framing device utilizing Hermann Hesse's Siddharta--the movie may not be for everyone. In fact, the poetic Siddharta shots were a bit too obvious for my taste. I'm not sure that I understand Nykvist more as a man or as an artist, however, even though I really wanted to. The most successful moments of the film are the reminisces of Ingmar Bergman and the actors of his films. They are the most intimate recollections and offer glimpses of the real Nykvist. Other inclusions are more sketchy and seem to agree that Nykvist was amiable and somewhat naive--not really groundbreaking stuff. Most painful moment--a two sentence Melanie Griffith quote that includes both "for his age" and "a cool guy." Essential only for those truly interested in Nykvist. KGHarris, 10/11.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
With one eye he cries, November 17, 2005
This documentary is beautiful and informative on many levels. It should entertain anyone with an interest in (fan or admirer of) Sven Nykvist, Ingmar Bergman and their movies. Nykvist's life is covered both personally and professionally; many famous directors and actors with whom Nykvist has worked [Ingmar Bergman, Liv Ullmann, Roman Polanski, Woody Allen, Susan Sarandon and Julia Roberts to name only a few] talk about his craft, while childhood friends discuss Sven's youth and family. The documentary, directed by Sven Nykvist's son Carl-Gustaf, is partly narrated by Erland Josephson, and I cannot suggest how it could have been made better, but just as in the case of Kino's DVD edition of "The Sacrifice," (which at the time of my buying it was the only available edition of the movie) "Light Keeps Me Company" has NON-OPTIONAL subtitles. They're glued on. When I try to shut them off, my DVD player informs me that they already are off. I find this disturbing as FRF's is the only available DVD edition of this documentary, and as my mother tongue is Swedish, which here is mainly the spoken language. Either way I never watch movies (Swedish or English) with subtitles; aside from their blocking out part of the picture, the translation is often, as in this case, clumsy, partly misleading, even incorrect, contains type-o's, and not always there when it should. The full filmography of Sven Nykvist (117 films between 1943 and 1999) is a useful extra, but I don't think the trailer for the totally unrelated "Live Nude Girls" is necessary on this disc. However, the DVD edition aside, this is a rich and wonderful documentary (which alone, I would give full points,) and I will recommend it to people who work within--or are interested in--any aspect of filmmaking.
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