Swamp Thing Vol. 3: The Curse [Paperback]

Alan Moore (Author)

Product Details

• Paperback: 192 pages
• Publisher: Vertigo (December 1, 2000)
• Language: English
• ISBN-10: 1563896974
• ISBN-13: 978-1563896972
• Product Dimensions: 6.7 x 0.4 x 10.2 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #263,880 in Books (See Top 100 in Books)

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Customer Reviews

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15 of 16 people found the following review helpful:

5.0 out of 5 stars The Best of Swamp Thing, May 28, 2001

By 

Jonathan Schaper (Melbourne, Australia) - See all my reviews
(REAL NAME)   

This review is from: Swamp Thing Vol. 3: The Curse (Paperback)

This collection reprints the best issues of Swamp Thing. For those not at all familier with the character, it is an excellently written and drawn comic about a good swamp monster battling evil (and is much better than that description makes it sound).

Notable in this third volume of the series, which reprints the beginning of the "American Gothic" story arc, is Moore's greater use of social critique, elevating these stories above mere entertaining, well-written horror stories. By combining fantastic horrors to such real-life horrors as racism and sexism, these stories are far more effective than any in the earlier collections at terrifying the reader.

In "American Gothic", Swamp Thing is sent scurrying to different parts of the U.S. by a manipulative figure (Jon Constantine) to battle all of the classic horror figures (vampires, werewolves, zombies, etc.), but each are handled in an absolutely brilliantly unique and new manner. For example, there is a whole town of vampires living underwater, completely shielded from the sun, in the process of, for the first time, living communally and cooperating to breed a second generation of vampires that are more powerful and horrific (the dedication of the vampires to family is contrasted by the dysfunctional families of the normal humans). The title story, "The Curse", is a unique Werewolf story, tying in the monthly transformation according to the phases of the moon to the menstrual cycle. The Curse was controversial due to its misinterpretation by illiterate readers as being a sexist comment on PMS when in reality it is an extremely feminist story condemning society for its male-driven fear and shunning of the feminine, and the subjugation of women into sexual objects or housewives.

The American Gothic story arc does not conclude in this issue (although the individual stories can be enjoyed on their own) so hopefully a volume 4 will follow.

By this point, Moore was also using word games in his text more frequently (read carefully) adding an extra level of enjoyment. This collection also contains the first appearance of Jon Constantine, and it is a period I miss. Here Constantine is a totally mysterious, manipulative character whose only real power is his mysteriously obtained knowledge and who always adds an element of dark humour (he is still a great character, but far less mysterious, and he now has magical skills, the extent of which appear to change from appearance to appearance).

This collection represents, if not Moore's best, then the best of Swamp Thing.

16 of 18 people found the following review helpful:

5.0 out of 5 stars The Elemental Awakens, April 27, 2003

By 

doomsdayer520 (Pennsylvania) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 1000 REVIEWER)   

This review is from: Swamp Thing Vol. 3: The Curse (Paperback)

In this third collection of Alan Moore's important and groundbreaking run on the Swamp Thing series, both character development and sheer gothic American horror become the keys. During this period (original issues #35-42), Swamp Thing learns that he is an elemental spirit in true communion with the plant kingdom. This would become monumentally important to the further development of the character. Moore was tackling both social issues and horror devices at this point, and he was delivering tremendous plotlines in all areas. There are werewolves, vampires, and zombies appearing in the series during this stretch, but this is not cheap slasher fare but strong and innovative literary horror writing. On the social commentary side, the first two installments here, "The Nukeface Papers Parts I and II" tackle chemical and nuclear dumping. Moore dives into women's issues quite believably in "The Curse" (an extreme rarity in comics even today), while "Southern Change" and "Strange Fruit" are very disturbing examinations of slavery and racism in the Deep South. This edition of the Swamp Thing series does not contain any written introductions, but there is a gallery of individual covers featuring the always amazing art of Stephen Bissette and John Totleben. For some reason only four of the eight relevant covers are included, and the withholding of cover art is an overall disappointment in this series of graphic novels. However, that is ultimately a minor concern as the incredible work of Moore, Bissette, Totleben, and their other important colleagues has the power to blow the minds of readers of any kind of fiction.

9 of 9 people found the following review helpful:

4.0 out of 5 stars Swamp Thing in Transition, March 31, 2001

By 

"colinbi" (Seattle, WA USA) - See all my reviews

This review is from: Swamp Thing Vol. 3: The Curse (Paperback)

Alan Moore, one of the legends of comics writers, made his mark on mainstream comics during his long run in the 1980s on the "Swamp Thing" title. His work on the title transformed it from a more-or-less straightforward superhero title into a mythic saga, unafraid to tackle adult topics and themes.

Originally, the Swamp Thing was a man killed in a lab accident in the Louisiana Swamps, somehow resurrected as a living plant, who battled the usual assortment of villains. Moore's Swamp Thing became a plant elemental, an aspect of a worldwide, Gaian web of plant life called The Green. Moore emphasized Swamp Thing's continued connection to humanity by giving him a human lover, Abigail, and a quest for self-knowledge that Joseph Campbell would have recognized instantly.

DC Comics is republishing Moore's work on Swamp Thing under their Vertigo imprint, as a series of collected graphic novels. This is the third in the series, and probably won't make much sense without having read the first two. It continues the changes in Swamp Thing's character and brings new complexity to the plot and themes of the Swamp Thing's story.

It says a great deal for Moore that even his minor characters can take on a life of their own. In one of the issues reprinted here, Moore and the artists created legendary Vertigo character John Constantine, as a mysterious young Englishman (revealed later as a magician, although that's not explicitly stated in this book) who travels the world, knows a great deal about the Swamp Thing, and is willing to share that knowledge for a price. Constantine proved so popular that DC Comics later made him the star of his own long-running comic book, called "Hellblazer."

Fans of "Hellblazer" will find Constantine's introduction most amusing in retrospect, both for his appearance and his attitude. As originally drawn, Constantine looks a great deal like Sting in the "Synchronicity" days, and his character lacks the blood-bought wisdom and ghosts of his failures that are the hallmark of the later series.

Constantine's appearance signals the start of one of Moore's longest and most mythic sagas, as a Lovecraftian evil arises to challenge all Creation. Only hints of the tale to come appear here, but the introduction itself is worth the price of admission.

If you've never read Moore's work before, start with "V For Vendetta" or "Watchmen," which are self-contained stories (and masterpieces.) If you know Moore's work, but not on the "Swamp Thing" title, start with "Saga of the Swamp Thing" and buy all three collected editions currently in print, including this one. These are classics, and worth the price.

Note: As of the time I wrote this review, Amazon.com listed Moore, Rick Veitch, and Ron Randall as "creators" of this book. Moore was sole writer of these comics when they were first published, but he worked with many artists, some of whom aren't properly credited here.