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Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi
Stephen Sondheim has said that if people insist on putting "Sweeney Todd" into a category it would be black comic operetta, which is as good a way as any of defining its uniqueness. If you are going to have a barber who slits the throats of his customer team up with a woman who bakes the corpses into meat pies, then black comedy would be the way to go. But what makes "Sweeney Todd" so marvelous is that it mixes the dark comedy with chilling horror. For the most part the comedy is carried by Lansbury's Mrs. Lovett, starting with "The Worst Pies in Lond," while Hearn's Todd provides the chills, beginning with the hauntingly beautiful "My Friends," sung to his razors. Of course, it is "A Little Priest" that brings these two elements together, but while it is no doubt the show's signature piece it is not the supreme dramatic moment.
... Read more ›Although I usually curse Warner Brothers for having the worst track record of any major studio for not releasing their extensive library of films to DVD, today I applaud them for giving us back this wonderful show with its delightful performances on DVD. Not only can we relish Angela Lansbury in her Tony-winning role as Mrs. Lovett, but we get the extra bonus of seeing George Hearn as Sweeney, to my mind the best Sweeney I've ever seen (and I've seen two others as well -- Len Cariou, who originated the role on Broadway and was probably the sexiest Sweeney (making Lovett's attraction for him perfectly understandable), but without Hearn's depth and a bit too American (or rather, Canadian), and Denis Quilley, who performed the role in London. Although Quilley's acting and singing talents were a match for Hearn's, he was physically not exactly right.
As for the Mrs. Lovetts I've seen, the West End production's Sheila Hancock will always be my favorite for her ability to capture all the comedic aspects of the role (as Angela Lansbury does too) while still managing to plumb the pure evil depths and total amorality of the character. Ms. Hancock had the ability to make the theatre-goer laugh his head off one moment, and then to send chills down his spine the next. But who could not love Angela as well? And aside from Ms.
... Read more ›One person here commented that he could not hear the audience. The audience is there in the extreme left and right channels just as always. Maybe you need to get your sound system tweaked? Or use the 2 channel stereo mix. But it's all there.
Best of all this transfer brings out details in the orchestra that were never heard before.
The performances remain as vivid as when this production was first broadcast in 1982. I have always had minor reservations about Betsy Joslyn's cross-eyed Joanna and some of the cuts made in the show: The tooth-pulling section of "The Contest", the Judge's whipping number, and most of the "Parlour Songs" were trimmed form the show due to overlength. The road tour set is not as elaborate as the one used on Broadway (in the opening and closing numbers Sweeney Todd rose out of the stage on a lift... very effective!) but this is the SWEENEY TODD that Hal Prince staged.
One other bit of good news that no one else here has mentioned: There are subtitles so you can follow along the trickier lyrics. Strange that there are none on the DVD's of INTO THE WOODS, PASSION or SUNDAY IN THE PARK. It's most welcome on SWEENEY TODD.
Of course it is best to see stage musicals live in the theatre, but this video production offers a good approximation of what it was like when SWEENEY TODD was unleashed on us 25 years ago.