As if all this wasn’t enough, Lena is about to marry a successful cardiologist. Couldn’t she at least give him his watch back?
While he devises several schemes to retrieve his timepiece, Malcolm becomes involved with other women. There’s Anne, the crisis hotline volunteer who persists in regarding him as someone who needs help rather than someone to date; and Darlene, who sings post-punk dirges and ballads with a group called the Circadian Rhythm Section.
Still trying to woo Anne, he plans to launch an ambitious film festival at his Arcadia Filmhaus to impress her, making Wild Strawberries the centerpiece of the event, which will also feature a guest speaker—a Swedish actor who claims to have worked with Ingmar Bergman in the ’50s.
Meanwhile, Malcolm works out a bizarre plot in which he finds himself in attendance at Lena’s wedding. In the ensuing disaster—both with the film festival and the watch project—he has a final showdown with the yellow jackets in his wall and tries to decide at last What It’s All About.
