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Sweet Freedom's Song: "My Country 'Tis of Thee" and Democracy in America
 
 

Sweet Freedom's Song: "My Country 'Tis of Thee" and Democracy in America [Hardcover]

Robert James Branham (Author), Stephen J. Hartnett (Author)

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Book Description

March 28, 2002
Although it isn't the official national anthem, America may be the most important and interesting patriotic song in our national repertoire. Sweet Freedom's Song: "My Country 'Tis of Thee" and Democracy in America is a celebration and critical exploration of the complicated musical, cultural and political roles played by the song America over the past 250 years. Popularly known as My Country 'Tis of Thee and as God Save the King/Queen before that this tune has a history as rich as the country it extols.

In Sweet Freedom's Song, Robert Branham and Stephen Hartnett chronicle this song's many incarnations over the centuries. Colonial Americans, Southern slaveowners, abolitionists, temperance campaigners and labor leaders, among others, appropriated and adapted the tune to create anthems for their own struggles. Because the song has been invoked by nearly every grassroots movement in American history, the story of America offers important insights on the story of democracy in the United States.

An examination of America as a historical artifact and cultural text, Sweet Freedoms Song is a reflection of the rebellious spirit of Americans throughout our nations history. The late Robert James Branham and his collaborator, Stephen Hartnett, have produced a thoroughly-researched, delightfully written book that will appeal to scholars and patriots of all stripes.

Editorial Reviews

Review


"Robert James Branham, an American professor of rhetoric, had a hunch that in American borrowings of this melody lay a story fascinating in its own right....Readers will learn much from these pages."---Times Literary Supplement


"[A] fascinating account of the history of the song some consider the US's real national anthemAn excellent microcosm of US history."--CHOICE


"Branham's research revealed that advocates of temperance, women's suffrage, labor organization, the abolition of slavery, the promotion of patriotism, and varied notions of national identity during the Civil War repeatedly chose this melody to frame their versified thoughts...Readers will learn much from these pages."--Times Literary Supplement


"[A] useful source in regard to the many forms of a most important American hymn and its links to nineteenth-century social reforms....Offers students of nineteenth-century America a wealth of information about aspect of the self-promotion efforts of social reform."--American Historical Review


About the Author


Stephen J. Hartnett is Assistant Professor of Speech Communication at the University of Illinois, Urbana. As a musician and poet, he has released numerous recordings. Robert James Branham was Professor of Rhetoric at Bates College.

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Inside This Book (learn more)
First Sentence:
IN his 1895 essay "Music in America," Antonin Dvorak wondered: "What songs, then, belong to the American and appeal more strongly to him than any others? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
thy noble name, save our native land, patriot sires, temperance activists, antislavery songs, lyrical variations, temperance songs, monster concert, national songs, national hymn, lyrics printed, sweet land, antislavery activists, temperance cause, temperance meetings, temperance organizations
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, African Americans, New York, Park Street Church, Lyman Beecher, Lowell Mason, Samuel Smith, The New America, Gilded Age, God Save the Queen, Knights of Labor, The Star-Spangled Banner, Frederick Douglass, Port Royal, House of Representatives, New England, South Carolina, Boston School Committee, Emancipation Proclamation, President Lincoln, Second Great Awakening, Andover Theological Seminary, Colonization Society, The Soldier's Companion, Thirteenth Amendment
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