Inge (Elizabeth Reaser) is a feisty German mail-order bride who has come to Minnesota to marry Olaf (Tim Guinee), a young Norwegian immigrant farmer of few words. But in a post-WWI, anti-German climate, the local minister (John Heard) openly forbids the marriage. Inge and Olaf fall in love despite the town's disapproval. But when the town banker (Ned Beatty) attempts to foreclose on the farm of his friend Frandsen (Alan Cumming), Olaf takes a stand...and the community unites around the young couple, finally accepting Inge as one of their own.
Adapted from a Will Weaver story, Ali Selim's Sweet Land
is a truly sweet story about unlikely immigrant lovers whose struggle for integration into 1920's America earns them a work ethic more American than many of their narrow-minded neighbors. Set in rural Minnesota, the sentimental film focuses on tribulations that Scandinavian settlers experienced, with a cinematic serenity reminiscent of Terrence Malik's Days of Heaven
. Norwegian farmer Olaf Torvik (Tim Guinee) invites a non-English speaking German siren, Inge Alltenburg (Elizabeth Reaser), to relocate and marry him, but discovers that neither the town's Lutheran pastor (John Heard) nor the local judge will marry a German into their community for fear of wartime German spies. Inge finds friendship in neighbors Frandsen (Alan Cumming) and his wife, Brownie (Alex Kingston), who disregarding local gossip, welcome her into their home. Finally, Inge proves herself, settling in so that Sweet Land's
historical narrative is framed by Inge, fifty years later, speaking to her adult son about her husband's death and their plot of land. This multi-generational tale of social acceptance and land ownership is ultimately the story of America, though the regional specificity of Sweet Land
will speak especially to those familiar with Midwestern culture. --Trinie Dalton