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Sweet Sixteen (2002)

Martin Compston , Michelle Coulter , Ken Loach  |  R |  DVD
4.3 out of 5 stars  See all reviews (26 customer reviews)

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Product Details

  • Actors: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane, Michelle Abercromby
  • Directors: Ken Loach
  • Writers: Paul Laverty
  • Producers: Gerardo Herrero, Luke Schiller, Michael André, Peter Gallagher, Rebecca O'Brien
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Dubbed: French, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Lions Gate
  • DVD Release Date: October 7, 2003
  • Run Time: 106 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (26 customer reviews)
  • ASIN: B0000C2IQP
  • Amazon Best Sellers Rank: #171,387 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Sweet Sixteen" on IMDb

Special Features


Editorial Reviews

Liam's mom is in prison and due to be released in time for his sixteenth birthday. Dreaming of the family life he never had, Liam is determined to make things different when his mother return, which also entils staying beyond the reach of her loser ex-bo

Customer Reviews

Most Helpful Customer Reviews
13 of 14 people found the following review helpful
5.0 out of 5 stars Beautifully depressing December 13, 2003
Despite its title, "Sweet Sixteen" is one decidedly sour film. This movie isn't based on an Irvine Welsh novel, but with its gritty examination of tough Scottish street life, it might as well be. The movie centers around a fatherless high-school dropout who expects his family to become whole again when his mother finally gets out of prison. In the role of the teenaged protagonist Liam, Martin Compston turns in a brilliant performance that belies his youth. In the opening scene, we see what kind of situation Liam is dealing with: going to visit his mother in prison, her slimy father and her even slimier boyfriend Stan want Liam to pass her drugs to hook up her fellow inmates so that Stan can make a killing off their boyfriends. And when Liam refuses to do it, he winds up getting the hell beaten out of him by the side of the road. This is obviously a kid who's had the odds stacked against him from the beginning.
Through Liam's story, "Sweet Sixteen" makes the rather depressing point that street life can claim even the best-intentioned among us. What makes the movie work is the ambiguity that Compston brings to his character, aided by a first-class script and some very dreary cinematography. Liam is neither a hero nor a villain; he's just a kid doing his best to live a normal life amid highly unenviable circumstances. And he'll do anything to achieve that normal life, even if it means selling heroin to afford a trailer for himself and his family. Of course, it should be obvious to most that drug-dealing is not the best path to normalcy and stability, but Liam's misguided nature is the very quality that makes him such a tragic and sympathetic figure.
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7 of 7 people found the following review helpful
First of all, Sweet Sixteen is a strong movie because it stays true to Scotland, showing the modern Scotland with true accents coming from natives of the region. But more importantly, the movie and the plight of its main character, Liam, is true all over the world. Liam is a child who cares for little except his family; more particularly, he cares almost entirely for his drug-addicted and narcissistic mother. He tries to pull the pieces together and somehow force his family back together like stubbornly pairing repellant magnets. He does everything he can, even falling into the exact same path of drugs and violence that has ruined his family for generations, from his abusive grandfather to the maniac boyfriend of his mother. But he does it all for a noble cause, for the hope that underneath all the rubble a mother is a mother, and that there is something sacred and incorruptible about a mother and her love for her son.

Ultimately, we learn that love is not an unconditional thing and love does not come to life in a mother's heart when she gives birth. The film challanges our absolute standards, crossing barriers that are usually seen as too dangerous. Liam holds on to his dream throughout the film (until the end), the dream that some sense of morality can survive amidst the squalor of his drug-infested surroundings. But circumstance and fate can crush anything, and we are forced to part with our overly idealistic image of the selfless and loving mother in the face of poverty and danger.

Liam seems trapped throughout the entire movie, and it is clear that his fate will be dreary. The film does an excellent job of frequently portraying Liam as a prisoner, with shots of him looking through windows, pounding at doors in desparation, or waiting for some answer from behind a wall.
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4 of 4 people found the following review helpful
4.0 out of 5 stars genuine January 29, 2004
By A Customer
having read the reviews here i can concur with those that question whether such a gritty film had to be made. But i do so perhaps for different reasons - i come from the town in question (Greenock) and can assure you it DOES reflect life as it can be in a town rife with unemployment and populated by many who dont have a clue what tomorrow will bring. Dark it is. Gritty too. But dont question its reality - if you want escapism dont watch it, but as a portrayal of life in many parts of the UK it hits the mark - and with a fair amount of humour too.
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3 of 3 people found the following review helpful
5.0 out of 5 stars The side of Scotland people never see. March 12, 2004
By A Customer
As someone who has lived in the council estates of Scotland all my life, I enjoyed this film becuase it shows Scotland for what it truly is. For once, and refreshingly, there are no shots of mountains and castles.
The story is about a young guy called Liam growing up on a council estate in Greenock (a town outide Glasgow which has been caught up in unemployment due to decline in shipbuilding over the years. Also where the lead actor grew up and lives)
Liam wants a better life for his mum and sister but he needs to raise the cash to do this. And he raises the money through the only ways he knows how. Work? No. Drugs. Liam feels that selling drugs will help him by a 'home' to get his mother away from her drug dealing boyfriend. But he becomes involved with the notorious Glasgow underworld and gets sucked into further crime through desperation to proove his toughness, and the pull in the opposite direction of a future for his family.
This film is extraordinary becuase it tackles situations which most don't think about and it's totally realistic. Liam seems to have a good heart, but he is trapped by the society in which he has grown up. He has no real morals other than close family ties and the need to protect them. Despite the hopes of the viewer, we know that Liam is on the slippery slope and there is no way back.
The acting is superb. Martin Compston flourishes in his first ever role. He had absolutely no acting experience prior to this and was in fact a professional footballer. The supporting cast are all perfect for their roles. In particular the slightly insane Pinball (liam's best friend), Liam's loving sister Chantelle and the psycopath Stan.
I believe there are English subtitles on the DVD.
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Most Recent Customer Reviews
5.0 out of 5 stars A must see for social foundations students.
An excellent portrayal of Willis' 2nd wave in small town in Scotland. Very well made. It is in English but you'll need the English sub-titles unless you are fluent in Scottish... Read more
Published on March 19, 2009 by Bad Monkey
5.0 out of 5 stars Not so sweet . . .
Set in a town outside Glasgow, this film tells a sometimes heart-stopping and finally heart-rending story of a 15-year-old boy's attempt to create an orderly life out of the... Read more
Published on November 18, 2007 by Ronald Scheer
5.0 out of 5 stars Sweet Sixteen
British director Loach is a master at evoking the hardship of poverty in working-class England, and this hard-hitting drama about a Scottish teen's coming of age is no exception. Read more
Published on July 25, 2007 by John Farr
5.0 out of 5 stars A House Doesn't Make A Home
In Ken Loach's stark but richly rewarding "Sweet Sixteen", we follow events leading up to the sixteenth birthday of the resilient but reckless Liam as he tries to prepare a life... Read more
Published on March 31, 2007 by Connoisseur Rat
5.0 out of 5 stars Reality check for society
Think about this movie and how it applies to real life situations? An abusive family, mother in jail, the kids being in foster homes. Read more
Published on January 24, 2007 by Crazium
4.0 out of 5 stars Sweet But Very Bleak
Ken Loach's film ends on Liam's sixteenth birthday, and it is probably not much of a spoiler to say that aside from being around to make sixteen, Liam's life -- both ahead and... Read more
Published on September 10, 2006 by James Carragher
4.0 out of 5 stars Effective & Moving
This movie was spartan and bleak. It revolved around the life of a boy who loved his mother immensely and who would do anything just to bring the family back together once again. Read more
Published on May 13, 2006 by Ping Lim
5.0 out of 5 stars Ken Loach Does it Again!
This is a must see film. There is so much truth and honesty to the way Mr Loach presents his projects that you really FEEL so much while you are watching these people on the... Read more
Published on July 7, 2005 by Kathy Hutchison
5.0 out of 5 stars Heavy dose of modern-day urban reality
Director Ken Loach delivers a well-paced documentary-like film set in Greenock, Scotland, that is centered around Liam (Martin Compson), a likeable protagonist who, with good... Read more
Published on June 23, 2005 by muskiedine
4.0 out of 5 stars Welcome Scottish film
This film, sadly, depicts the way of life for many people in Scotland (and indeed the UK in general) today, and to rubbish statements in other reviews, I would like to assure... Read more
Published on February 12, 2005 by F. Mowbray
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