Sweet Sweet Sound [EP]

Sarah Reeves

Product Details

• Audio CD (April 21, 2009)
• Original Release Date: April 21, 2009
• Number of Discs: 1
• Format: EP
• Label: Sparrow
• ASIN: B001UJIMUK
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (56 customer reviews)
• Amazon.com Sales Rank: #93,600 in Music (See Bestsellers in Music)

Track Listings

1. These Words Of Mind (Intro)

2. Fresh Anointing

3. Awaken

4. Sweet Sweet Sound

5. Come Save

6. Let Us Rise

7. My Savior

Editorial Reviews

Product Description

With zealous faith and a love of music beyond her years, nineteen-year-old Alabama native Sarah Reeves is an artist whose voice seems to break through directly to the heart of each listener. Sarah's vision and heart to lead listeners in worship no matter the setting is revealed through her fresh, honest and redemptive sound. Creating music that will be sung in churches and heard on radio across the U.S. for many years to come, it is clear after experiencing her music how Sarah is quickly becoming a new voice for worshippers around the globe. Lyrics that are authentic, engaging and humble, Sarah's music finds a way to reach people exactly where they are at- either on an intimate level or on a congregational level.

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

4.0 out of 5 stars Nice... but only seven tracks? (details), January 21, 2010

By	Patrick W. Crabtree "The Old Grottomaster" (Lucasville, OH USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Getting directly to the details of the music, this CD is subtitled, "Sweet Sweet Sound" (which is derived from the Track Four song.) Well, the lead vocals (Sarah Reeves) are indeed markedly sweet but the overall ambiance somewhat becomes a minor competition with the raspy rhythm guitar which is no doubt accentuated with a little fuzz-tone. Further, on instrumentation, the music lacks anything that really manifests any noteworthy lead guitar work anywhere on the album. This musical deficit is not inherently adverse but voids like this can eventually generate some tedium for listeners.

Reeves' overall performance radiates the commercial rock sound which prevailed throughout the 1980s rock genre but this is hardly unexpected. The general characteristics of so-called Christian rock tend to run several years behind its more innovative progenitor. I do not present this element as being in any way negative - I mention it more to demonstrate that the chord progressions which characterize Reeves' music are pretty elemental and that these ideas have been around for a good long time; therefore, low marks for originality but high ones in terms of listener palatability (popular sound.)

The harmonies (all female) are artfully meshed and here Reeves dwells on safe ground by cleverly exploiting plenty of suspended notes and Major 9th vocal blends. I specifically recall when this technique became re-popularized some years ago, (Classical composers have used it for generations), most especially by progressive bluegrass musicians - the end product is an upbeat, robust, and inspiring-type song.

Reeves' youthfulness is readily perceptible as a consequence of her voice timbre and the character of her singing is somewhat whispery. While her volume has not fully matured I fully anticipate that this mannerism of her singing depth will mature if she continues in the music business.

The Christian message here is well-defined through Reeves lyrics, an area of poetic concern of which many Christian Rock artists seem to lose track. Her song clarity could have been slightly improved had the guitarist(s) backed off just a bit.

My final point is likely one that many prospective fans are asking: Only seven cuts? I recall from my many pleasant years of listening to record albums, 8-track tapes, cassettes, and CDs that the unwritten industry standard for the minimum number of songs on an album was ten. Jerry Garcia of The Grateful Dead was notorious for only just meeting his scanty obligation of ten songs on most of his albums, many of these songs having been hastily written right in the studio so that an album could be adequately produced. So I was surprised that Reeves gives us only a paltry seven tracks. Oh well, times change and perhaps it's me who has become the anachronism.

In summary, this CD will make for delightful road music within the cadre of Christian rock enthusiasts. I think more than an hour of listening might become redundant and thus heighten one's desire for at least an occasional impressive lead guitar riff here and there... but it is what it is.

Recommended, noting the caveats as listed.

1 of 1 people found the following review helpful:

5.0 out of 5 stars Dynamic new artist!, December 30, 2009

By	Luba Mitchell (Long Beach, CA) - See all my reviews (REAL NAME)

Amazon Verified Purchase

Sarah Reeves has the voice of an angel. Her lyrics give glory to God. This young worship leader provides songs that appeal to believers of all ages.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Good pop with a good message, July 16, 2009

By	Howard D. Fisher "kahohito" (Ohio, United States) - See all my reviews (REAL NAME)

(What's this?)

Sarah Reeves has produced a good pop album with an inspirational message of faith and devotion. Unfortunately, while it's all "good," I cannot say that any of it is "great."

The music is formulaic, with the standard two-verses-and-a-chorus, standard guitar riffs, and standard rising emotions. There's nothing new here to really help her stand out from the crowd.

As for the writing, she takes no real chances. These are standard songs of being faithful and loving God. Those are good messages, but there's no depth of meaning or understanding or emotion underlying those messages.

Overall, you could do far worse than this album. The music is good (if fairly generic) and the message is inspirational (although fairly shallow). She succeeds at producing good music, but she fails at producing anything truly unique.