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Sweet Swing Blues on the Road: A Year with Wynton Marsalis and His Septet
 
 
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Sweet Swing Blues on the Road: A Year with Wynton Marsalis and His Septet [Hardcover]

Wynton Marsalis (Author), Frank Stewart (Author, Photographer)
4.5 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

December 17, 1994
Wynton Marsalis's captivating text and Frank Stewart's stunning black-and-white photographs give us a year in the life of today's premier jazz musician and composer, in a book that is itself structured like a jazz blues. Featuring jive-talking cat daddies in the Second Line, gorgeous and mysterious women in the Sweet Refrain, exotic vistas in the Bridge, and musicians, like the J-Master on piano, who live the music the way they play it. By turns lyrical, down-to-earth, exalted, and profane, here are a thrilling evocation of the experience of group improvisation, a provocative take on rap, and distinctive views on the road, romance, creativity, politics, culture, tradition and innovation, and the role of the artist in American society. The result is a fascinating self-portrait, and the next best thing to being there for every fan who has ever dreamed of traveling with the band.

The most popular and acclaimed jazz musician of his generation, Wynton Marsalis is also a distinguished classical performer, the first artist to win Grammy awards for both jazz and classical recordings. The founder of Lincoln Center's Classical Jazz Series, Marsalis is artistic director of Jazz at Lincoln Center Frank Stewart is a prize-winning photographer and filmmaker. His credits include Two Centuries of Black American Art and the Emmy-winning Bearden Plays Bearded.

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Editorial Reviews

From Publishers Weekly

Jazz and classical musician Marsalis's free-ranging text includes characterizations of the musicians in his septet, breezy descriptions of places where they perform and snippets of their lively banter, while Stewart's 140 b&w photos offer a behind-the-scenes look at the performers, their families and their audiences. The book conveys the nervous energy and fast pace that characterize the lives of musicians on the road and includes trenchant accounts of conversations with young followers who want to become musicians. Marsalis's advice is always the same: practice. The self-consciously hip writing, however, becomes incoherent when he discusses his views on romance, politics and the history of jazz. The book will appeal primarily to those who consider Marsalis, a trumpeter and artistic director of Manhattan's Jazz at Lincoln Center, an icon. Author tour.
Copyright 1994 Reed Business Information, Inc.

From Library Journal

Popular jazz musician and composer Marsalis details his travels around the world with his band, giving his views on the trumpet, romance, and the role of the artist in American society.
Copyright 1994 Reed Business Information, Inc.

Product Details

  • Hardcover: 192 pages
  • Publisher: W.W. Norton & Co. (December 17, 1994)
  • Language: English
  • ISBN-10: 039303514X
  • ISBN-13: 978-0393035148
  • Product Dimensions: 10.4 x 8.9 x 0.8 inches
  • Shipping Weight: 2.2 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,648,512 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
4.0 out of 5 stars Wynton swings sweet to eye as well as ear., May 4, 1998
This review is from: Sweet Swing Blues on the Road: A Year with Wynton Marsalis and His Septet (Hardcover)
The book "Sweet Swing Blues on the Road" is a fantastic view into the life of American jazz darling Wynton Marsalis.

It professes and appears at first glance to be about life touring on the road, but instead reveals itself as a collection of essays about subjects as diverse as bandmates, romance, and of course music.

The tone Marsalis takes is very reminiscent of his good friend, Stanley Crouch, who wrote most of the liner notes for Marsalis' albums. However, while Crouch can come off as losing a ferocious battle against the English language, Marsalis seems earthy, clever, and insightful.

Marsalis writes like a musician or every black preacher worth a drive. He has a cadence. A strong cadence. A cadence that finds resonation in the soul. He developes writing themes like any good improviser should.

It is clear that Marsalis has spent time with noted writer Albert Murray, whose book "Stomping the Blues" finds a kindred heart in "Swing Sweet . . ."

Readers receive a sneak peak at Marsalis' Pulitzer-prize winning epic "Blood on the Fields" as some of the sights of this book reappear in that work. Readers also find themselves agreeing with Marsalis' view of rap ("Rappers have funny haircuts") and misunderstandings of jazz.

Photographer Frank Stewart provides visual compliments to the text in fine black and white fashion. Perhaps the belle of this ball is the out of fucus shot of the late Dizzy Gillespie with an in-focus sillouette of Marsalis in the foreground.

"Swing Sweet home blues" is a great book that people who like jazz would love and those who don't understand jazz owe to themselves to check out. END

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6 of 6 people found the following review helpful:
4.0 out of 5 stars Treat for Eye and Ear., January 1, 2001
This review is from: Sweet Swing Blues on the Road: A Year with Wynton Marsalis and His Septet (Hardcover)
The book "Sweet Swing Blues on the Road" is a fantastic view into the life of American jazz darling Wynton Marsalis.

It professes and appears at first glance to be about life touring on the road, but instead reveals itself as a collection of essays about subjects as diverse as bandmates, romance, and of course music.

The tone Marsalis takes is very reminiscent of his good friend, Stanley Crouch, who wrote most of the liner notes for Marsalis' albums. However, while Crouch can come off as losing a ferocious battle against the English language, Marsalis seems earthy, clever, and insightful.

Marsalis writes like a musician or every black preacher worth a drive. He has a cadence. A strong cadence. A cadence that finds resonation in the soul. He developes writing themes like any good improviser should.

It is clear that Marsalis has spent time with noted writer Albert Murray, whose book "Stomping the Blues" finds a kindred heart in "Swing Sweet . . ."

Readers receive a sneak peak at Marsalis' Pulitzer-prize winning epic "Blood on the Fields" as some of the sights of this book reappear in that work. Readers also find themselves agreeing with Marsalis' view of rap ("Rappers have funny haircuts") and misunderstandings of jazz.

Photographer Frank Stewart provides visual compliments to the text in fine black and white fashion. Perhaps the belle of this ball is the out of fucus shot of the late Dizzy Gillespie with an in-focus sillouette of Marsalis in the foreground.

"Swing Sweet home blues" is a great book that people who like jazz would love and those who don't understand jazz owe to themselves to check out.

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Marsalis writes as good as he plays!, November 2, 2005
By 
Paul Oliverio "neithernor2000@yahoo.com" (Harrisonburg, Virginia, United States) - See all my reviews
(REAL NAME)   
This review is from: Sweet Swing Blues on the Road: A Year with Wynton Marsalis and His Septet (Hardcover)
Combine Armstrong, Ellington, Twain and Leonard Bernstein and you get Wynton Marsalis. His musical genius is well-established but his prose writing is just as good. SWEET SWING is part travelogue, part history book, part opera, part day-in-the-life of a jazz band, part philosophy of celebration of existence. A total package of words that swing, baby, from sentence to sentence. There is enough in this book to delight anyone with eyes and ears!
You tap your feet and snap yr fingers to Marsalis' writing. If you weren't a jazz fan before reading this magnum opus, you will be now.
Frank Stewart's photography supplies a visual rhythm section spanning the entire keyboard of jazz and American existence!
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Inside This Book (learn more)
First Sentence:
The first thing that young trumpeters realize is: we can play loud. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Orleans, Louis Armstrong, Art Blakey, Buddy Bolden, Warm Daddy, Charlie Parker, Clarence Thomas, David Robinson, Duke Ellington, Eric Reed, Harold Russell, Miles Davis, American Negro, Clark Terry, Clifford Brown, Coleman Hawkins, Elvin Jones, King Oliver, Los Angeles, Pine Cone, Reginald Veal, Toon Yab Scob
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