This fascinating—if excessively detailed—oral history subverts countless preconceptions in its illustration of black gay subcultures thriving in just about every imaginable rural and religious milieu in the South. Johnson (
Appropriating Blackness) has an obvious fondness for the 63 men he interviews. Unfortunately, these interviews suffer from his failure to ask follow-up questions to revelatory or troubling responses and his adherence to set questions, for example, his insistence on asking his churchgoing subjects why they are attracted to the choir, keeps him from exploring the more interesting intersections (and contradictions) of their faith and sexuality. Responses are arranged by topics (Coming Out; Love and Relationships), an organization that provides thematic coherence, but makes it difficult to follow each recurring narrator. Still, the courage and honesty of Johnson's interviewees humble, and readers will find much to treasure in the stories of Stephen, who adopts the mannerisms of straight classmates because he lacks masculine gay role models; proudly effeminate Lamar, transgendered Chastity and gay men in every state in the South falling in love, growing up and growing old, negotiating and redefining their identities.
(Sept.) ""
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"Offers a treasure trove of primary sources for those interested in the intersection of race, region, and gay experience in the twentieth century. . . . Fascinating. . . . For deep insights into the development of black-gay relationships and community in the South,
Sweet Tea is unsurpassed."
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Journal of American Ethnic History"Challenges queer, black, men's, and southern historiographies. . . . Illuminates the fabric of black gay men's history . . . [and] debunks the myth that southern black gay men live only fearful, silenced, and secret lives."
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Journal of Southern History"A seamless and previously untold sexual history of the South. . . . . distinguishes itself [from] previous gay histories."
-- Lambda Book Report
"Profiles more than seventy men, from teenagers to elders, hairdressers to executives, in every southern state. . . . A calm chronology of growing up black and gay. . . . Illuminat[ing]."
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Arkansas Historical Quarterly"Easily shatters many narrow perceptions around the intersections of class, sex, love, age, religion, family and gender expression in Southern communities, as well as the simple and complex reasons that the men profiled have chosen to remain in the south."
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ColorLines"Contains a wealth of information about Southern black gay men and makes a valuable addition to gay cultural history."
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The Gay & Lesbian Review"Contains a wealth of information about Southern black gay men and makes a valuable addition to gay cultural history."
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The Harvard Gay & Lesbian Review"This fascinating . . . oral history subverts countless preconceptions in its illustration of black gay subcultures thriving in just about every imaginable rural and religious milieu in the South. . . . The courage and honesty of Johnson's interviewees humble, and readers will find much to treasure in the stories."
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Publishers Weekly"Johnson, who has never been one to shy away from the intricacies of race theory or queer theory, has put together a complex oral history of gay black men in the South."
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The Independent"
Sweet Tea is an amazing book. Engaging from the very start, it is well written and thought provoking throughout. There were times I simply could not put it down."
-- E. Lynn Harris,
New York Times bestselling novelist
"Interjecting apt questions only occasionally, the author allows his subjects to speak for themselves, which they do articulately, colloquially (a glossary is included), and graphically. . . . [A] very good book."
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Library Journal"It's pretty rare to pick up a book, turn randomly to any page, and find such a powerful personal story that you have to close the book for a moment to take it in. But the oral histories featured in
Sweet Tea . . . cast just that kind of spell."
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The Advocate"A variety of biases, oversights, and material circumstances have conspired to push the narratives of southern black gay lives to the margins.
Sweet Tea makes a monumental achievement by getting these stories out into the world. Every subsequent, serious engagement with the topic will have to address Johnson's work. This book is certain to be consulted, referenced, and discussed for many years to come."
-- John Howard, author of
Men Like That: A Southern Queer History and
Concentration Camps on the Home Front: Japanese Americans in the House of Jim Crow