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Swimming Pool (Unrated Version)


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Product Details

  • Actors: Charlotte Rampling, Ludivine Sagnier, Charles Dance, Marc Fayolle, Jean-Marie Lamour
  • Directors: Francois Ozon
  • Writers: Francois Ozon
  • Producers: Olivier Delbosc, Marc Missonnier
  • Format: Multiple Formats, AC-3, Anamorphic, Color, Dolby, DTS Surround Sound, Dubbed, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1), English (DTS 5.1), French (Dolby Digital 5.1)
  • Subtitles: Spanish, French
  • Dubbed: French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Focus Features
  • DVD Release Date: August 23, 2005
  • Run Time: 103 minutes
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (324 customer reviews)
  • ASIN: B00005JMIJ
  • Amazon Best Sellers Rank: #24,849 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Swimming Pool (Unrated Version)" on IMDb

Special Features

  • Deleted Scenes
  • Theatrical Trailer

  • Editorial Reviews

    Product Description

    Dive into a mind-bending thriller that's soaked with raw sensuality! A murder-mystery author's search for inspiration takes a wicked turn when she meets a sexy and provocative young woman with an explosive past, in the movie Interview calls "A thrilling film! Charlotte Rampling and Ludivine Sagnier sizzle!"

    Amazon.com

    In terms of alluring female nudity, Swimming Pool shows a lot, but it's what remains concealed that gives this erotic thriller a potent, voyeuristic charge. With his Hitchcockian handling of secrets and lies, prolific French director François Ozon reunites with his Under the Sand star, Charlotte Rampling, to tell a seductive tale of murder and complicity, beginning when British mystery novelist Sarah Morton (Rampling) seeks peace and relaxation at her publisher's French villa, only to find his brash, sexually liberated daughter Julie (Ludivine Sagnier) arriving shortly thereafter to disrupt her solitary reverie. What begins as mutual annoyance turns into something more sinister and duplicitous, alternating between Julie's predatory sex with men and Sarah's observant, perhaps jealous fascination. These two women, generations apart, share in Ozon's delicate dance of trust, curiosity, and gradual understanding, until a twist ending that forces you to reevaluate everything you've seen. Only then will the mysteries of Swimming Pool be fully and tantalizingly revealed. (Note: The unrated version contains full-frontal nudity that's been edited from the rated version. In both versions, the overall plot is not affected.) --Jeff Shannon

    Customer Reviews

    Just because the movie is going to make you think that's no reason not to like it.
    Alex Udvary
    Indeed, much of the film's tension and eroticism is experienced through the characters' eyes.
    J. J. Sargent
    This is a very good film with good acting and a "strange" plot, I didn't understand it.
    Pablo Nadal Moron

    Most Helpful Customer Reviews

    627 of 690 people found the following review helpful By J. J. Sargent on August 8, 2003
    This film creeps up on you and is absolutely spellbinding. It's the simple story of an aging mass-market crime-fiction writer called Sarah Morton (Charlotte Rampling) who rambles off to the French countryside to find relaxation and hopefully inspiration for her next-in-the-series mystery book. While staying at her publisher's luxurious yet quaint summer retreat, she is confronted by his young daughter Julie (Ludivine Sagnier). Subsequently, all sorts of wild, unpredictable mischief ensues as the prim and proper Englishwoman clashes with the sexually carefree vixen, who evolves into an unexpected muse to the older woman.
    My pal Oscar and I have spent the summer watching a number of French films, and one thing we both have learned and agree on is that for the most part, unlike most mainstream American films, they are mostly unpredictable. SWIMMING POOL is no different. Just when I thought I had it figured out, a number of odd plot twists move the narrative down an unsettling and unforgiving path until a sensitive and poignant ending reveals tragic truths about life, getting old, and the whimsy of youth that can be difficult for the young to face but which in many ways are empowering to those getting on in the years. If the film instructs anywhere, it is in the wisdom that we are only as old as we feel.
    Expect tantalizingly erotic moments, mostly surrounding Ms. Sagnier's natural sensuality. There's plenty of eye-candy here, and in the viewing, one cannot help but feel strangely connected to the voyeuristic tendencies exhibited by Sarah as her dismal stoicism slowly disintegrates. Indeed, much of the film's tension and eroticism is experienced through the characters' eyes.
    Ernest Hemingway said, "I like to listen. I have learned a great deal from listening carefully.
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    57 of 65 people found the following review helpful By A Customer on September 13, 2003
    A theory: The writer made up the whole story. She does indeed take the house in France, and maybe makes phone calls to the editor, which he ignores, but staring at the swimming pool from her window gives her another idea for a book. I think she's sick of herself, her books and her readers. (Think of her reaction in the editor's office when the other author says his mother can't wait for her next book. Also on the subway she doesn't acknowledge that she's the author of the book the pudgy middle-aged lady is reading.)
    In my opinion, the characters: Julie, the waiter, all those men; the situation: the murder, the diary, the story of Julie's mother, the editor as a libertine - all made up. She includes herself in the story, acts it out in her mind, and what we see is the acting out. She'd rather be the person she portrays herself as. Know what I mean? She makes herself sexier and more attractive (remember how pleased she was that the waiter preferred her to Julie?). She makes herself clever and heroic when she helps Julie cover up her crime. She makes herself more maternal when she comforts Julie and understands the loss of her mother. Julie trusts her even when she finds out she's read her diary. I think she's miffed at her editor over perceived slights and doesn't think he respects her talents except in a limited way. Even in the end, she's very pleased with her new book and knows it's her best by far, but he likes the steady cash cow. She knew he would which is why she gave it to another publisher, although she'll give him her next Inspector So & So book.
    The biggest clue to me was at the end in the editor's office.
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    192 of 231 people found the following review helpful By MICHAEL ACUNA on July 4, 2003
    Intelligent, expertly written, extremely well acted and story-lined for the adults, "The Swimming Pool" is Francois Ozon's first film in English. Ozon has no trouble maneuvering his way around and into a difficult, non-linear story, especially after seeing his "Under the Sand" and "8 Women." And he proves it once again here.
    Charlotte Rampling plays Sarah Morton, a successful English detective novelist who is experiencing a bad case of writer's block. Her publisher, John Bosload (Charles Dance) offers her his French Country home for a vacation to re-energize her writing juices. And it works as Sarah begins a new book. But then Bosloads daughter Julie (Ludivine Sagnier) shows up with the nubile sex appeal of a young Brigitte Bardot. And basically all hell breaks loose.
    In her early scenes with Bosload, Rampling plays Sarah with an outward cool, yet it is obvious she is repressing a strong attraction to him. At this point Rampling is the picture of English spinsterhood: all bottled up in a buttoned to the neck cardigan and cinched up in sensible shoes. But when Julie arrives on the scene with her gorgeous, hair, eyes and body, Sarah cannot help herself it seems as she spews a ghastly amount of venom on her. For Sarah, Julie is not only a disturbance; she's an interloper, not only of her writing but also of her placid, solitary life. Julie is alive, vibrant, and outwardly sexual: all the things that Sarah isn't. It is reminiscent of those nature films in which the reigning, older Lioness must prove her superiority by clawing and humiliating the younger Lioness. Both Rampling and Sagnier go at each other in such a fury and with such conviction that you can feel the undeniable and tangible heat of all the passion, hate and jealousy emanating from their scenes together.
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