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Swing It!: An Annotated History of Jive
 
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Swing It!: An Annotated History of Jive [Paperback]

Bill Milkowski (Author), Tim Hauser (Foreword)
4.3 out of 5 stars  See all reviews (3 customer reviews)


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Paperback, March 2001 --  

Book Description

March 2001
Too "jazzy" for rock critics, too "silly" for jazz critics, the jovial gentlemen and women of jumpin' jive are enthusiastically saluted in Swing It! An Annotated History of Jive. Jive, often known as "jump" or "swing," has had a language, a rhythm, and a style all its own--lively, celebratory, and most of all, quintessentially American. Though best known as a style of hot jazz performed by big bands popular in the 1930s and '40s, jive has always been much, much more. Having a passionate interest in all things jive, including rare albums, articles, photos, and bits of memorabilia ferreted out from record shops, libraries, thrift stores, and collectors conventions throughout the '80s and '90s--author Bill Milkowski takes readers on an entertaining journey from colonial times to the present, through jive's many evolutions and proponents.

The book follows the music's rich, raucous cultural heritage from the Georgia South Sea troubadours to the pioneers (Louis Armstrong, Fats Waller, and Cab Calloway), and from the golden era (Louis Jordan, Slim Gaillard, and Leo "Scat" Watson) to the white connection (Mezz Mezzrow, Dan Hicks, and Joe Jackson). It also covers the women jivesters (Betty Boop, Annie Ross, and Rickie Lee Jones) and the retro swingers (Brian Setzer, Big Bad Voodoo Daddy, and Cherry Poppin' Daddies), as well as the Broadway musical Five Guys Named Moe and Swing.

Appendices include an abundance of valuable information: References, Discography, Bibliography, Websites, and an Index.


Editorial Reviews

From Booklist

Milkowski focuses on "outrageous, outlandish entertainers . . . too 'jazzy' for rock scribes, too 'silly' for jazz scribes," in this popular history of a phenomenon that, he explains, is not just snappy patter or a kind of music but rather an ethos, an attitude, a way of looking at things. Take Harry "the Hipster" Gibson, "a wild boogie-woogie keyboarder" who took his surname from his favorite libation, whose frenetic style anticipated Jerry Lee Lewis and Little Richard, and who, between incarcerations for drug offenses, found time to ask, "Who Put the Benzedrine in Mrs. Murphy's Ovaltine?" Maybe jive is a way of life. Milkowski limns plenty of other jive stars, too, sorting his biographical-discographical sketches into thematic chapters titled "Godfathers of Jive" (Louis Armstrong, Cab Calloway, etc.), "Golden Era of Jive" (Louis Jordan, Stuff Smith, etc.), "The White Connection" (Gibson, Louis Prima, etc.), and "Retro Jivesters" (Big Bad Voodoo Daddy, Squirrel Nut Zippers, Brian Setzer, etc.). Complete with a jive lexicon, this is a find for hipsters, pop music fans, and with-it linguists alike. Mike Tribby
Copyright © American Library Association. All rights reserved

From the Author

My longtime love of Louis Jordan ("Choo Choo Cha'Boogie," "Beware," "Saturday Night Fish Fry," "Ain't Nobody Here But Us Chickens"), Slim Gaillard ("Flat Foot Floogie," "Cement Mixer," "Poppity Pop," "Matzoh Balls," "Ya Ha Ha," "Laughin' in Rhythm") and Cats & The Fiddle ("Stomp Stomp," "One Is Never Too Old To Swing," "Killin' Jive") inspired me to put together this book in 2001. Too jazzy for rock scribes, too silly for jazz critics, these jovial gentlemen of jumpin' jive are saluted in this Jive Companion. Their contributions -- spreading joy, putting smiles on faces, and keeping feet a-pattin' with their infectious joie de vivre -- should not be forgotten. -- Bill Milkowski --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 288 pages
  • Publisher: Watson-Guptill Publications (March 2001)
  • Language: English
  • ISBN-10: 0823076717
  • ISBN-13: 978-0823076710
  • Product Dimensions: 9 x 6 x 0.8 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,211,031 in Books (See Top 100 in Books)

More About the Author

Bill Milkowski is a New York-based music journalists who contributes to such magazines as Jazz Times, Jazziz, Acoustic Guitar and Absolute Sound as well as magazines abroad such as Jazzthing (Germany), Vibrations (Switzerland), Guitar Club (Italy), Guitar (Japan) and Hudba (Slovakia). His work has also appeared in Down Beat, Musician, MoJo, MIX, Guitar Player, Guitar World, Bass Player, Modern Drummer, DRUM!, Interview, TRAPS!, Pulse, Swing Journal and the New York Daily News.

Since moving to New York from his hometown of Milwaukee in 1980, Milkowski has written 500 sets of liner notes for a wide variety of record labels and has published over 7,000 articles, features and reviews. He has also produced recordings for the Blue Note, Columbia and Concord labels. Milkowski is the author of four books -- "JACO: The Extraordinary and Tragic Life of Jaco Pastorius" (Backbeat Books, 1995), "Rockers, Jazzbos & Visionaries" (Billboard Books, 1998),"Swing It! An Annotated History of Jive" (Billboard Books, 2001) and "Legends of Jazz" (Edizioni White Star. 2011). He also collaborated with guitarist Pat Martino on his recent autobiography, "Here And Now: The Autobiograpy of Pat Martino (Backbeat Books, 2011).

A winner of the Helen Oakley Dance-Robert Palmer Award for Excellence in Newspaper, Magazine, Online Feature or Review Writing for 2004, Milkowski also received the Jazz Journalist Association's Lifetime Achievement Award in 2011.

Aside from a three-year period (1993-1996) when he lived in New Orleans, Milkowski has resided in New York. He currently lives in the Upper Manhattan neighborhood of Hudson Heights.

 

Customer Reviews

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Average Customer Review
4.3 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
5.0 out of 5 stars Can't begin to say how good this book is!, May 24, 2008
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To be honest, I'd only give this book four and-a-half stars because, while it does span off into all areas of jazz, it neglects western swing, and that is unforgivable. This book is great in every other way. It may be the best book on the subject of jazz because, through the articles on individual players, you get to read the very story of jazz itself. There's a lot of people in here, that I did not expect to find either. Case in point, the Andrew Sisters (!). There's some cool photographs in here. The introduction is interesting as well. You shouldn't skip over it like you do in most every other book (you know who you are).

Enjoyable and informative; a great book.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars I'M SWINGING THE REVIEW YOUR WAY!, October 1, 2002
This review is from: Swing It!: An Annotated History of Jive (Paperback)
"What's shakin' pops?" "Hang tight my brother!," are the kind of words you'll see in this book. Talking jive, or jive talking, whatever you prefer, and the jive masters who started it all. Learn the jive from the Godfathers such as: "Louis Armstrong," "Fats Waller," "Louis Jordan," and the king of jive himself, "Cab Calloway." This book is an exciting read, and very educational. It also talks about the life and deaths of the famous jivers. A perfect selection to add to your book collection.
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3.0 out of 5 stars Adequate overview of interesting subject, February 18, 2009
By 
The subject is fascinating. Milkowski mentions all the most obvious practitioners and makes some excellent and surprising choices of less well-known Jive artists. However, as someone who knows this field pretty well, and owns many of the recordings, I got little more out of the book than I do by reading liner notes to CDs.

What was missing was focused, thorough analysis of the words and the music of specific songs and recordings. That's what is done in books like Alec Wilder's "American Popular Song" and Angela Davis's "Blues Legacies and Black Feminism" - books which truly deepened and expanded my understanding and appreciation of songs I already knew quite well.

I recognize that it is difficult to analyze absurdism, but Christopher Ricks's "Dylan's Visions of Sin" shows one way to deal with the creations of a jive master.

There's no good reason that writing and reading about Jive should be any less fun than listening to it or singing it. I hope "Swing It!" will lay the groundwork for a much more thorough and stimulating study of Jive.
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