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  • Swing Rodgers & Hart
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Swing Rodgers & Hart Original recording remastered


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Audio CD, Original recording remastered, October 26, 2004
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Johnny One Note 1:50$0.99  Buy MP3 
listen  2. Little Girl Blue 3:00$0.99  Buy MP3 
listen  3. Falling In Love With Love 1:27$0.99  Buy MP3 
listen  4. Bewitched, Bothered And Bewildered 4:19$0.99  Buy MP3 
listen  5. I Could Write A Book 2:09$0.99  Buy MP3 
listen  6. Have You Met Miss Jones 1:52$0.99  Buy MP3 
listen  7. Lover 2:01$0.99  Buy MP3 
listen  8. It Never Entered My Mind 2:23$0.99  Buy MP3 
listen  9. Ten Cents A Dance 2:15$0.99  Buy MP3 
listen10. I've Got Five Dollars 1:44$0.99  Buy MP3 
listen11. To Keep My Love Alive 3:10$0.99  Buy MP3 
listen12. Spring Is Here 2:43$0.99  Buy MP3 

Product Details

  • Audio CD (October 26, 2004)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Verve
  • ASIN: B0002XNLY2
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #67,409 in Music (See Top 100 in Music)

Editorial Reviews

Anita O'Day became famous as a big-band singer in the 1940s. But much of her lasting fame also stems from the albums she made for Verve between 1956 and 1962, which collectively stand as a Bible of cool. Recorded in 1960, Anita O'Day And Billy May Swing Rodgers And Hart followed on the heels of O'Day's and arranger Billy May's tribute to Cole Porter, proving once again that she and May were meant for each other. May's masterful arrangements ingnite that imitable O'Day insouciance; her exacting phrasing, calculated dissonances, and tart wit, transform each song into a swinging salute to Rodgers and Hart, line for line. Timbre alone cannot guarantee a listener's interest in familiar material, however. And when Anita O'Day joins with Billy May to get off a dozen Rogers and Hart standards, both singer and arranger-conductor rely on their ingenuity to show what can be done with show music. They set themselves a similar assignment sometime back when they cut a Cole Porter album and immediately revived interest in several seemingly too-well-known ballads. Now they have used the same proficiency on twelve songs which have become part of our national cultural legacy.

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11 of 14 people found the following review helpful By alain robert on November 16, 2004
Format: Audio CD
I thought the bonus tracks were hidden before i found out that they did not included any.The COLE PORTER disc had 6.It is hard to imagine a cd lasting less than 30 minutes.They could have included at least THE LADY IS A TRAMP and I DIDN'T KNOW WHAT TIME IT WAS.As it is,it is still worthwhile for the RODGERS and HART fan.One can imagine the reaction of DICK RODGERS when he heard HAVE YOU MET MISS JONES done in the uptempo style.It seems that TEN CENTS A DANCE could have been written for ANITA because she sings it so well.I think that FRANK SINATRA was right when he said that working with BILLY MAY,the arranger-conductor was like someone trowing a buckett full of water in your face.However,the RODGERS and HART set of BUDDY BREGMAN and ELLA FITZGERALD remains the best tribute of that time.
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