Customer Reviews

Swinging the Machine: Modernity, Technology, and African American Culture Between the World Wars

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This book weaves together several important and somewhat familiar stories in a startlingly new and brilliant way. We know that music and dance exploded in powerful new forms in the 1930s. And we know the "streamlined" and "futuristic" themes of techno-optimism dominated other cultural expressions in the 1930s. And we know there was a current of "techno-anxiety" that expressed itself in everything from Chaplin films to the Frankfurt School. But Joel Dinerstein has shown that these phenomena intimately informed each other. We will never view early-20th century American culture the same way after this book. Buy it. Read it. Assign it to your students. It should win many major awards.

Fabulous book. Dinerstein ties together architecture, tap dancing, West African drummers, the lindy hop, John Henry and Fred Astaire in this exploration of what he calls the "techno-dialogic" embedded in big band/swing music. He argues that African American artists put the industrial rhythms of the era in popular music. In this analysis, dancing to the big band wasn't just about entertainment, it was about using one's body to keep pace with the machine. Until you've read Dinerstein and considered how dance/movement/sound contribute to cultural change, you haven't understood American modernity.