Product Details

• Actors: Tatsuya Nakadai, Yuzo Kayama, Michiyo Aratama, Toshirô Mifune, Tadao Nakamaru
• Format: Black & White, Letterboxed, Subtitled, Widescreen, NTSC
• Subtitles: English
• Rated: NR (Not Rated)
• Number of tapes: 1
• Studio: Homevision
• VHS Release Date: June 16, 2000
• Run Time: 120 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (86 customer reviews)
• ASIN: 6303386717
• Amazon Best Sellers Rank: #261,416 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Boasting some of the most impressive swordplay in the history of samurai epics, Sword of Doom is a visceral masterpiece of violent style and powerful substance. Illustrating the timeless adage that "an evil soul wields an evil sword," this highly stylized classic is driven by the fierce and fearsome performance of Tatsuya Nakadai as Ryunosuke, a sociopathic samurai whose soul--and sword--are vicious instruments of evil. Having mastered a highly unconventional style of fencing, Ryunosuke welcomes an exhibition match at a fencing school run by master swordsman Shimada (Toshirô Mifune, in a small but pivotal role), where he kills his opponent after promising not to. Flagrantly violating all codes of honor, Ryunosuke eventually finds himself challenged from all sides; even his own henchmen rally against him, and director Kihachi Okamoto stages confrontations that are as beautiful as they are graphically violent. As Ryunosuke descends into pure, bloodthirsty insanity, Sword of Doom ends with a freeze-frame that's unforgettably intense. --Jeff Shannon

Product Description

One of the most thrilling samurai epics, Sword of Doom boasts unparalleled action and the impassioned performances of Tatsuya Nakadai (Ran) and Toshiro Mifune (Seven Samurai). The riveting story about a bloodthirsty samurai weighs the power of good against the forces of evil. The brilliantly choreographed duels rival the bloodbaths of Sam Peckinpah and John Woo.

Customer Reviews

Most Helpful Customer Reviews

44 of 47 people found the following review helpful:

4.0 out of 5 stars Into the Dark, December 21, 1999

By 

Brad Williams (Utah) - See all my reviews

This review is from: Sword of Doom [VHS] (VHS Tape)

Sword of Doom is the best of the non Akira Kurosawa Samurai films. The action sequences are phenomonal, and the setting is so atmospheric and beautiful it leaves you entranced. The snow scene where our anti-hero meets with his kharmic opposite for the first time (Mifune Toshiro) has to be the most beautiful setting for a battle I have ever seen. The story is of a thoughtful swordsman who is evil, yet unlike so many other films where there is no character or depth to a villains evil we really get to know Ryunesuke. His Father comments that he is fascinated with evil and therefore he has sought it out and now it has overcome him. We later see examples of his swordstyle even affected by his soul. He kills people that ask to be killed without thinking twice, and all in all he is a complex swordsmen who can't necessarily be written off as just an evil person. The ending leaves you gasping for more, wich I am told exists you just have to read the books or speak fluent japanese to see the rest. A must see. I recommend it highly.

27 of 28 people found the following review helpful:

5.0 out of 5 stars The Great Boddhisattva Pass (Daibosatsu Toge), October 18, 1999

By A Customer

This review is from: Sword of Doom [VHS] (VHS Tape)

Thats the real name of this story. "Sword of Doom" was to be part one of a three part story. There are other versions of this story, but none have been subtitled into english yet. Basically, the story is about a swordsman who suffers from bad karma. Everything he does comes back to haunt him. He can't stop it and goes through fits of madness. If the story had continued further you would have seen him go blind in an explosion, become an even better swordsman, and continue to suffer more because he wants to see his son again. All of this is to convey the idea in Buddhism that "Life is Suffering". Most of the people that complain about the ending of the movie are clueless about the original book story, other filmed versions, and think that "Sword of Doom" is the complete story. It is not, because the sequels were never made.

128 of 152 people found the following review helpful:

5.0 out of 5 stars Complex, Profound, and Bloody - The Bushido Way..., March 17, 2005

By 

Kim Anehall "www.cinematica.org" (Chicago, IL USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

Amazon Verified Purchase

This review is from: The Sword of Doom (The Criterion Collection) (DVD)

The actions of a man can describe the man's true identity, as the identity of righteousness and moral character are a reflection of a man's actions. Bushido expresses honor before living, which was the way of the samurai. This honor seemed to fade away, as large numbers of samurai without masters accrued in cities and other locations around Japan during the 1860s. At the end of the shogunate in 1868, which also changed the importance of the samurai in the Japanese society, warfare began a drastic change from swords to guns and cannons. The end of samurai also indicated an end to bushido, which lead many samurai into a more corrupt lifestyle where honor no longer had the same meaning.

Sword of Doom opens in the spring of 1860 where a young woman and her grandfather climb a mountain pass where the grandfather is ruthlessly murdered without any apparent reason by the film's antihero, Ryunosuke Tsukue (Tatsuya Nakadai). Ryunosuke is the symbolic embodiment of the unification of steel and man, as it often was taught by sword masters that one must become one with the sword in order to reach perfection. When Ryunosuke callously let his sword fall over the girl's grandfather a small bell falls on the rocks, which unsettles him. However, it seems to be the last time that Ryunosuke will show emotion.

Later in the story the audience gets to meet the sword master and teacher Toranosuke Shimada (Toshirô Mifune) who suggests, "The sword is the soul. Study the soul to know the sword. Evil mind, evil sword." Fundamentally, Toranosuke points out the old way of the samurai where the samurai is one with the sword, as the sword is only an extension of the samurai. Thus, if the man is evil then the sword does evil. It also implies that the sword is as guilty as the samurai Further interpretations of Toranosuke's statement could suggest that substantial responsibility and honor come with carrying a sword, as one carries life at the end of the sword. Toranosuke embraces the values of Bushido as he teaches his student the way of the samurai through fencing.

A more contemporary notion suggests that the mind guides the sword to its target, as the sword is cold, distant, and without judgment. Nonetheless, the sword and other weapons continue to reap new victims such as the grandfather in the beginning of the film. Ryunosuke's fencing technique, which many do not recognize as the samurai are all of the old and traditional ways, appears cold, strange, and uncanny to those who see him fight, as they wonder where the source of his technique originates. This brings the notion to the beginning of the film where Ryunosuke kills the grandfather, which seems to be the moment when he perfects his fencing style, a style that seems detached, callous, and without empathy, which seems to be derived from the sword itself. The story develops this idea even further by displaying Ryunosuke as a calculated and unsympathetic sociopath.

After Ryunosuke returns from the mountain pass he is to fight in a sword contest the following day against Bunnojo Utsuki (Ichirô Nakaya). Bunnojo's wife, Hama (Michiyo Aratama), visits with Ryunosuke in order to convince him that her husband must win in order to save her family's face. This meeting leads Hama to face Ryunosuke's coldhearted personality, as he demands her to offer herself to him. After much contemplation Hama visits Ryunosuke in a mill during the night before his sword contest. In the morning Hama is approached by Bunnojo who tells her that he has announced their divorce earlier the same morning, as he knows about what she had done. Anger and pride consume Bunnojo who decides to kill Ryunosuke in the sword contest as payment for his insolence. However, Bunnojo has no chance against Ryunosuke's strange and distant fencing style.

The story continues to surround Ryunosuke who goes into hiding with Hama, as he continues to lend out his sword to those who are willing to pay. It leads the audience into a downward spiraling tale in which the audience can sense the outcome of Ryunosuke's life. Nonetheless, it is never certain what will happen as director Kihachi Okamoto continues to darken the atmosphere while the tale unfolds. Death is dealt without consideration to whomever he is told to slay, as he stares down the eyes of those who gradually sink to the ground with a deep and deadly cut in their flesh.

In the backdrop of Ryunosuke there is a samurai uprising that he seems to be involved in while the brother of Bunnojo intends to seek an honorable revenge by killing him. The young woman who found her grandfather dead in the mountain pass enters the story, as the past seems to catch up with Ryunosuke. These elements are tied together through Ryunosuke's existence, as he continues to kill for the highest payer. The continuation of Ryunosuke ruthlessness encourages the audience to think that his destiny must eventually catch up with him and make a full circle. Lastly, Ryunosuke seems to be a personification of the shogunate, which we know died at the end of the 1860s.

Sword of Doom is a marvelously framed film with several intriguing shots that show a meticulous eye for details. Many of the scenes have wonderful mise-en-scene that elevates the authenticity of the story, which is brought together with a well-performing cast. The contrasts between Tatsuya Nakadai's character Ryunosuke and Toshirô Mifune's performance as Toranosuke visually bring out the different personalities in these two characters. It is essential to see this contrast, as it provides an insightful view into how different these two are while being very much the same. Much of the film's chemistry rests on these two characters, even though Toshirô Mifune is used sparsely throughout the film. The unfolding Sword of Doom brings the audience a violent cinematic experience, which offers a historical tale with depth and reflection.