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The Sword and the Miracle: A Novel [Hardcover]

Melvyn Bragg (Author)
3.9 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

October 21, 1997
Melvyn Bragg's acclaimed epic novel is set at  the tumultuous dawn of Christianity in Britain and Ireland.  It is a stunning story of adventure and spirituality, war and romance, but it is deeply rooted in Bragg's historical studies of the Dark Ages, and it throws into question our modern-day conceptions of faith, hope, and true love.

Two people destined to be lovers sacrifice themselves for what they believe to be a greater destiny.  For the warrior Padric, a charismatic British prince, it is the salvation of his people and homeland from warring Northumbrian overlords; for Bega, a bewitching Irish princess, it is carrying out her self-imposed commitment to spread the word of God.  She, bearing a fragment of the true cross, is gifted with miraculous powers; he is a swordsman without peer.  Their disparate missions send them apart as they travel throughout the frigid wilderness of a primitive England beset by terror and villainy.  Faith is pitched against doubt, spiritual fulfillment against physical desire, romantic ideals against political expediency and pragmatism against theory.

The Sword and the Miracle rose quickly to the top of the British bestseller lists, heralded by critics as an absorbing, wonderfully evocative work, several cuts above contemporary attempts at historical fiction.  The reader will find an exciting narrative informed by insight, knowledge and understanding.

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Editorial Reviews

From Library Journal

Bragg's title sums up exactly the tension he has created in this solid novel. In seventh-century Ireland, a priest has a vision of the Virgin Mary, who bequeaths him a sliver of the True Cross and tells him to pass it on to a young girl, who will serve the Lord in a remarkable way. That young girl turns out to be Bega, princess in the household the preist serves, and she indeed becomes inbued with her spiritual mission. But she is promised to the brutish Niall O'Neill, even as English prince Padric yearns for her. How Bega works out her destiny is a long time coming?this book has nearly 700 densely set pages?and though the prose is at best unremarkable and at times heavy-handed, British TV personality and director Bragg does offer much exacting detail, which draws in the reader and finally culminates in a satisfying read. Bragg was inspired to write this saga, a best seller in Britain, after discovering a lakeside church dedicated to St. Bega in his native Cumbria. A good bet for historical fiction collections.?Barbara Hoffert, "Library Journal"
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews

Bragg (A Time to Dance, 1991, etc.), an appealing, intelligent interviewer on cable's South Bank Show, author of well-received bios of Laurence Olivier and Richard Burton, of 13 novels, of screenplays, and a director of several musicals and plays, now finds time to turn out a giant historical set in Britain's Dark Ages. In a.d. 657, the scholarly and war-hungry British prince Padric and his student, the quasi-historical Irish priestess Bega (later Saint Bega), hope to battle the Northumbrians and restore the kingdom of Rheged, which had existed from before the Roman invasion. Ten years earlier, Donal, the lowliest of priests, had starved himself on a mountain and received from the Virgin a piece of the True Cross the size of his little finger, with instructions to pass this secret relic on to a girl-woman at the right moment. This happens to be Bega. Her father wants her to marry brutal rapist Prince Niall O'Neill and create an Irish dynasty. But O'Neill rapes Bega's servant, who in turn kills him, is herself beheaded, and Bega's father sends his daughter off to Rheged as Padric's wife. The two meet the monk Cuthbert, who is baptizing hundreds and establishing mixed houses of monks and nuns as mission posts. He separates Padric and Bega when he hears of the holy relic she carries--although Padric knows nothing of the relic. But Bega must be God's alone. For 50 years, Padric too becomes a soldier of God as the Word spreads throughout the isles, monasteries arise, four plagues come, dead Cuthbert fails to decay, and at last King Aldfrid brings art and education to the people. Serio-escapist fiction void of bodice-ripping, free of clich‚s, clean-limbed in style: a rich and powerful plunge into the Dark Ages. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Product Details

  • Hardcover: 541 pages
  • Publisher: Random House (October 21, 1997)
  • Language: English
  • ISBN-10: 0375500030
  • ISBN-13: 978-0375500039
  • Product Dimensions: 9.2 x 6 x 1.7 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #680,188 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
5 star:
 (3)
4 star:
 (3)
3 star:    (0)
2 star:
 (2)
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Average Customer Review
3.9 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:
5.0 out of 5 stars Marvelous! ... but what's Fabio doing on the cover??, April 27, 1998
By 
This review is from: The Sword and the Miracle: A Novel (Hardcover)
As a long-time follower of Melvyn Bragg's literary works (as well as an admirer of his illuminating yet refreshingly non-combative interview style on the South Bank Show), I first read "The Sword and the Miracle" a year ago under its British title, "Credo". It captivated me -- not only because of the author's exquisite use of the English language, as always, but because he achieves the near-impossible: He pulls characters from an ancient, largely undocumented age and imbues them with contemporary human qualities. In fact, I sometimes had to chide myself, sitting smugly on the cusp of the 21st century, for presuming to feel angry at Bega in her ferocious struggles against the sin of desire. I kept feeling tempted to use words like `denial' and `self-fulfillment' ... modern-day arguments that would easily have convinced this girl, naturally, to ride off with her prince, turn her back on the sometimes fanatical and cruel Christianity of her time and place!

But, of course, the princess Bega lived and died in those times, not these. And Melvyn Bragg does not write feel-good stories for the genre market. Hence, I believe the editors and marketers at Random House did this novel a great disservice by re-titling it to sound like an Errol Flynn swashbuckler, and by encasing it (the version I received, anyway) in a slick dust jacket with a Fabio look-alike on the cover! I have to wonder how many readers of serious historical fiction were driven away, and how many attracted who simply needed bed-table escapism after a tough day of board meetings; the latter were consigned to disappointment and the book to a lukewarm reception. I admit I'm baffled by a marketing plan designed to repel those most likely to appreciate the product being marketed.

This novel is not one long history lesson, however. There are great battles depicted in furious detail, and barbaric characters of epic proportion, and a horrific rape described in such clinical slow motion that it could be a scene out of de Sade's own chambers. Although what lies between is not always easy reading, in the end we walk away having been not just observers but enlightened travelers through a dark time in history. Title notwithstanding, I found "Credo" / "The Sword and the Miracle" to be a powerful portrayal of life and people in an era when Celtic mysticism was engaged in a losing war with Christian martyrdom, and Bragg does a masterful job, particularly in the prickly encounters between Bega and the pagan priestess Reggiani, of leaving us with the question: Did we take the right turn 1,200 years ago?

"The Sword and the Miracle" -- or whatever name it bears -- is one of Melvyn Bragg's most imposing achievements, both intellectually and creatively.

Regarding his other works, for historical romance on a more traditional scale, read "The Maid of Buttermere", based on a true-life scandalous affair in early 19th century England. Or for more contemporary settings: "A Time To Dance", about a convention-shattering love between a staid, aging banker and a young working-class girl; and "Crystal Rooms", with plotlines that course through modern-day London, from political heights to a Fagin-like character and his boy-slaves. And you wouldn't want to miss the author's special facility with erotic passages.

Although his myriad pursuits could probably qualify Melvyn Bragg as a Renaissance man, I continue to be drawn mostly to his fiction -- as the purest manifestation of the mind and spirit behind the whole body of work.

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7 of 8 people found the following review helpful:
5.0 out of 5 stars A Pagan 7th century Britain under attack from Mad Christians, July 11, 1999
This review is from: The Sword and the Miracle: A Novel (Hardcover)
Melvyn Bragg's "The Sword and the Miracle" (or "Credo" as it is known in Britain) is astonishing. It is so well researched and so well written that the characters live in your head long after you have closed the pages for the last time.

It's a classical battle; between the Pagans and the Christians, and between the Christian Celts and the Christian Catholics, set in a violent and turbulent period of history.

What makes this book is such memorable characters: Bega, the devout christian, destined to become a saint; the pagan woman whom Bega so despises, yet who is so human, Bega's "man", who's love she is prepared to forgo to persue her love affair with God.

The strength of this book is that the characters react, not with 20th century eyes, but as you'd imagine them to in the 7th century. This is not a historical novel. It is, at least to me, a biography! I cannot recommend it highly enough

Read this book. It will change your outlook on life, love and religion. It is wonderful.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Saints Preserved, March 4, 2008
By 
This review is from: The Sword and the Miracle: A Novel (Hardcover)
This novel reads like a sort of Christian saint's sword and sorcery.

The description of the Irish king's keep got me:

the very primitive characterizations of the warriors was almost as good.

The Irish always blame the English for their backwardness,

but it may have been a result of their cultural problems?

I had read before of a Celtic Christian sect that remained

independent of the church of Rome,

but I never knew it had to do with when Easter is celebrated.

In this book the saints have real visions and fasting is taking to

an unhealthy end. Reading this book gives you a real insight into

the 600th century in England.
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