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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
2.0 out of 5 stars
Lots of padding, empty of wonder,
By A Customer
This review is from: Swords Against the Shadowland (Lankhmar: Adventures of Fafhrd and the Grey Mouser) (Paperback)
I remember clearly the grotesque and wonderful world that Leiber introduced me to. In it, two amoral rogues schemed and plotted, always treading a fine line between evil and mere self-interest, their only salvation being their friendship with each other. The world Leiber created, especially in the earlier stories, was baroque, Bailey's Nehwon is only detailed. Leiber toyed with ideas (who can forget the many worlds rising up the fabric of the universe like bubbles in champagne?), Bailey juggles a few catch phrases that have an annoying way of repeating themselves. Leiber's villains (and they are all villains really) stepped out from Shakespear's tragedies and comedies, Bailey derives his sorceror and the overlord from a b-grade Hollywood script. Leiber's plots twisted, introducing new turns every few pages, Bailey's entire structure can be summed up as an extended car chase through Lankhmar.It would not have been so bad if Bailey had not tried to emulate Leiber, as it seems he has with this novel. He should have done something new, dared to be himself, put a whole new spin into things. Leiber is dead after all and nobody expects him to be replaced.
6 of 7 people found the following review helpful:
3.0 out of 5 stars
Show Me; Don't Tell Me,
By A Customer
This review is from: Swords Against the Shadowland (Lankhmar: Adventures of Fafhrd and the Grey Mouser) (Paperback)
This book provides average sword-and-sorcery fare; unfortunately Bailey hasn't got the inscrutable Leiber touch. One point in particular: Leiber's rogues are undoubtedly best friends... something we came to understand by following their decisions and behaviors. In Bailey's version, our heros constantly reiterate, either aloud or in thought, "Gee whiz, this guy sure is my best friend." A better story would have convinced me of that fact without all the soliloquizing.
10 of 13 people found the following review helpful:
2.0 out of 5 stars
Ill considered in Lankhmar,
By A Customer
This review is from: Swords Against the Shadowland (Lankhmar: Adventures of Fafhrd and the Grey Mouser) (Paperback)
As I read my way towards the end of this book via the iffy prose of the first two chapters, the obvious filches from other sources ( Forbidden Planet, Terminator 2: Judgement Day, and Blade Runner ) complete with scene descriptions and dialogue, the Twains' cheesy repartee, and the contradictions between this story and the originals, I considered Roy Batty's final line with respect to R.W.B: "Time to die," or perhaps even more appropriately: `A CURSE upon Master Clark Ashton Smith and all his heirs, who thought to pick my brain and slip away, false fleeting agent of my old enemies. Upon him the Long Death, the paramental agony! When he strays back as all men do. The fulcrum (0) and the Cipher (A) shall be here, at his beloved 607 Rhodes. I'll be at rest in my appointed spot (1) under the Bishop's seat, the heaviest ashes that he ever felt....' ( Fritz Leiber: Our Lady of Darkness.)In the last couple of pages the contradictions were resolved by the use of a, `draught of forgetfulness,' provided by Sheelba - which was a relief. But the story really had nothing new as regards the core ideas, which were mainly derived from, The Cloud of Hate, Ill Met in Lankhmar, and The Price of Pain - Ease. A lot of descriptive detail was introduced, yet no more effective than the original in conveying the layout of Lankhmar - a city plan would be of considerable help, if one exists. There are some good sections in this book: The Silver Eel and The Tower of Koh - Vombi chapters, in which R.W.B's own writing style works very well, a viable alternative to F.L's. Generally, however, the writing is insufficiently polished, lending a somewhat plodding quality with over worded sentences, and the inclusion of redundant background detail. Realistically, its all an exercise in raking over, and adding a different perspective to what would be better left alone. At heart, Robin Wayne Bailey is serious about Fritz's work, but would be better employed writng a Fafhrd, Gray Mouser like series of his own. And White-Wolf and the Estate of Fritz Leiber would be doing a better service to themselves, their customers, and the memory of Fritz Leiber, by keeping the original work - IN PRINT.
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