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Sylvia Plath: A Literary Life (Literary Lives)
 
 
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Sylvia Plath: A Literary Life (Literary Lives) [Paperback]

Linda Wagner-Martin (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

October 24, 2003
Sylvia Plath: A Literary Life examines the way Plath made herself into a writer. Close analysis of Plath's reading and apprenticeship writing both in fiction and poetry sheds considerable light on Plath's work in the late 1960s. In this updated edition there will be discussion of the aftermath of Plath's death, including the publication of her Collected Poems--edited by Ted Hughes--which won the Pulitzer Prize for Poetry in 1982. Biographies of Plath will be examined along with the publication of Hughes's Birthday Letters. A chronology maps out key events and publications both in Plath's lifetime and posthumously.

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Editorial Reviews

From Library Journal

Feminist icon and patron saint of moody coffeehouse poets, Sylvia Plath has been so overexposed that it is hard to see her with fresh eyes. This book, part of a useful series that focuses on writers' working lives, builds on such works as Jacqueline Rose's The Haunting of Sylvia Plath (Harvard Univ., 1992) to remind readers that, Plath's well-known personal suffering notwithstanding, "to read autobiographically...is to dismiss the artistry Plath demands of her writing, and often achieves in it." Thus, this study marks less a paradigm shift in Plath studies than a cutting away of the inessential and a consolidation of the best that is known. Collections that already have a substantial number of Plath studies, including Wagner-Martin's own Sylvia Plath: A Biography (1987), may not wish to add yet another item to an already groaning shelf, but readers who are familiar with Plath's writing and want to know more about its personal and professional contexts would do well to begin with this succinct, commonsensical study.ADavid Kirby, Florida State Univ., Tallahassee
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

". . . readers who are familiar with Plath's writing and want to know more about its personal and professional contexts would do well to begin with this succinct, commonsensical study."--Library Journal

Product Details

  • Paperback: 288 pages
  • Publisher: Palgrave Macmillan; Second Edition edition (October 24, 2003)
  • Language: English
  • ISBN-10: 1403916535
  • ISBN-13: 978-1403916532
  • Product Dimensions: 8.7 x 5.2 x 0.4 inches
  • Shipping Weight: 9 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,980,328 in Books (See Top 100 in Books)

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12 of 13 people found the following review helpful:
5.0 out of 5 stars A concise view of Plath in her time, October 13, 1999
By A Customer
This book is an excellent look at what Plath wrote, her beginnings as a writer, the climates that she worked in and how her relations with her mother and her husband helped to shape her writing. While I would have liked to see more of how Plath's favorite authors influenced her, there is enough new material (letter and journal excerpts, as well as the author's observations) to make it a worthwhile addition to the ever-growing pile of books on the legendary Sylvia Plath. A good study for beginners and scholars alike.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Writing and Reading Life, December 19, 2009
This review is from: Sylvia Plath: A Literary Life (Literary Lives) (Paperback)
Having read so much drivel about Plath this year, I decided to turn back the clock a bit...

Linda Wagner Martin's Sylvia Plath: A Literary Life (Macmillan Press, 1999; 2nd. ed. rev. and expanded, 2003) is a gem. What struck me in 1999 when it first came out was the fact that it discussed unpublished materials, be they letters, poems, prose, or other. Discouraged by the number of mediocre books I've read recently about Plath (particularly poems about Plath), I thought I'd give a critical work a read, just to reestablish a connection with good writing about Plath. A good critic can convince the reader that their approach to the subject is the right way, despite any amount of knowledge one may possess about the said subject. Wagner-Martin does this. In the Preface, she states that Plath's life was "genuinely a literary life. There was no other aim for Sylvia Plath..." It is with this in mind that Wagner-Martin writes one of the best critical books on Plath.

The themes in Plath's poetry and prose that Wagner-Martin examines include "Plath's Hospital Writing", "Plath's Poems about Women", as well as "Recalling the Bell Jar" and "Lifting the Bell Jar", amongst others. Each chapter is clearly written and easy to read, full of wonderful, original analysis and shows the constant connections and a continual narrative, in Plath's body of work. Wagner-Martin draws much of her information and analysis from her own experience in working on Plath, as well as the working papers for her 1987 biography, and includes interview transcriptions and correspondence with Plath's friends and family members. It shows the value of good archival research, looking at drafts of poems and their deleted or otherwise unused lines and unfinished ideas.

Wagner-Martin writes, "We care about Sylvia Plath because of her poems, and her progress toward her last poems is one of modern literature's most exciting narratives." A finer way to express why we read Plath and why her poetry and prose matters cannot be stated. By examing Plath's earlier writing, and considering some of the writers she was reading, Wagner-Martin's claim that "Sylvia Plath trained all her life for her art" is easily supported.

The second, revised and expanded edition, published in 2003, includes a thirteenth chapter that looks particularly at Birthday Letters. Wagner-Martin explains that the first edition was already in production when Birthday Letters was published, making it impossible to add commentary about it at that time. While given just cursory criticism and examining just a few poems, the chapter takes a little bit away from the books focus: Plath's literary life. This is unintentional, especially given Wagner-Martin's criticism of Hughes having published the collection in a fashion that she feels usurps "the authority of Plath's narrative" and "literally [takes] the words out of Plath's mouth."

Wagner-Martin closes the second edition with what I consider to be a challenge to Plath's Estate and her readers. She says that, as a major poet, Plath "deserves to be swept along in a steady stream of appreciative criticism, scholarly accuracy and newly loyal readers." I couldn't agree more. Sylvia Plath: A Literary Life is a valuable contribution to Plath scholarship by an ardent scholar and admirer of the poet.
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Inside This Book (learn more)
First Sentence:
Sylvia Plath trained all her life for her art. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unpublished excerpt, disquieting muses, woman persona, bell jar, late poems, rough magic, zoo keeper
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sylvia Plath, Otto Plath, Ted Hughes, Johnny Panic, Birthday Letters, Aurelia Plath, The Rabbit Catcher, Lady Lazarus, New York, Esther Greenwood, Buddy Willard, Court Green, United States, Jay Cee, All the Dead Dears, Burning the Letters, First Voice, Robert Lowell, The Colossus, The Jailer, College Board, Luke Myers, Smith College, Virginia Woolf, William Carlos Williams
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