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Symphonies 2 & 3

P. Glass Audio CD
4.6 out of 5 stars  See all reviews (11 customer reviews)

Price: $9.98 & FREE Shipping on orders over $35. Details
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MP3 Music, 7 Songs, 2004 $6.99  
Audio CD, 2004 $9.98  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Symphony No. 3: I. 4:24$0.89  Buy MP3 
listen  2. Symphony No. 3: II. 6:17$0.89  Buy MP3 
listen  3. Symphony No. 3: III. 9:38Album Only
listen  4. Symphony No. 3: IV. 3:39$0.89  Buy MP3 
listen  5. Symphony No. 2 In C Minor, Op. 28: I.16:34Album Only
listen  6. Symphony No. 2 In C Minor, Op. 28: II.13:23Album Only
listen  7. Symphony No. 2 In C Minor, Op. 28: III.13:08Album Only


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Symphonies 2 & 3 + Glass: Symphony No.9 + Philip Glass : Symphony No. 8
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Product Details

  • Audio CD (November 16, 2004)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Naxos American Classics
  • ASIN: B000675OJE
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #132,893 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Philip Glass has enjoyed a degree of popularity unusual among contemporary composers. A pupil of Nadia Boulanger, he was also influenced by the Indian sitar player Ravi Shankar and has won a reputation as an exponent of minimalism, based on the systematic

Review

Musical America Conductor of the Year, 2008 -- Musical America, December 2008

Customer Reviews

Most Helpful Customer Reviews
36 of 36 people found the following review helpful
5.0 out of 5 stars Glass Deepens With Two Dramatically Resonant Pieces April 22, 2005
Format:Audio CD
Along with his colleague John Adams, Philip Glass is the most familiar of the modern minimalists. Yet like Adams, Glass seems to be building a greater communicative sense with each new work I hear. These two symphonies were composed in the early nineties, and Naxos is now providing a 2003 recording of the Bournemouth Symphony Orchestra led by the insightful Marin Alsop. This is the same group of artists that played the wonderful version of Adams' "Shaker Loops" this past year, and this recording of Glass' works equals that one for dramatic insight and virtuosic preciseness.

A strings-only piece, Symphony #3 (23:58) has four conventional movements which build in drama and texture. It contains many of Glass' signature sounds with mono-tonal melodies that spiral in larger and larger circles and chords that feel like they are beating down an urban thunderstorm of clandestine activity - jabbing, throbbing, chugging - as they do in the second movement. Yet the music reflects some of his most gentle work especially in the first and third movements. There is an unexpectedly beautiful violin solo in the middle of the third movement that runs initially counter to his quietly driving sequential style until they eventually meld together. The drama turns fiery in the last movement as it broadens into an exciting albeit measured gallop, at the same time not sacrificing the virtuosity of the expert playing by the Bournemouth string section.

Symphony #2 (43:14) is a larger scale piece that makes dramatic sense to be played after the third, as it is a more ambitious work. It slowly builds in intensity with very broad strokes that deepen and darken when it comes to the bass-lines and the repetitive use of contrasting woodwinds.
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17 of 18 people found the following review helpful
4.0 out of 5 stars Defies the theory that Glass's orchestral works are weak December 26, 2004
Format:Audio CD
I bought this CD simply on impulse (it was on sale for $5.99) but it turned out to be a rewarding purchase. I have always thought of Glass's great works to be his operas and smaller pieces (Glassworks etc.) but the pairing of these two powerful orchestral works makes you wonder if his symphonies are underrated (and certainly underperformed). Alsop creates a unified structure that makes a more compelling case than the previous recording of the 3rd (I don't have any comparison for the 2nd). Bournemouth, as everybody knows, is a fine orchestra, but really shines when Alsop asks them to provide a little more 'oomphh' than is usually called for in Glass works. No serious contemporary collector should miss this set, and at the price I'd buy one for a friend.
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7 of 7 people found the following review helpful
5.0 out of 5 stars Lovable June 2, 2008
Format:Audio CD|Verified Purchase
I am a late convert to the music of Philip Glass. I was skeptical of it for a long time. Then I heard the Metropolitan Opera broadcast of his opera Satyagraha, which I was surprised to find had solid musical values. The same is true of the current CD. I don't think Glass is Bartok or Prokofiev, but that's not the point. He certainly can be mentioned in the same breath as an earlier American master like Howard Hanson. Indeed the Second Symphony, despite its minimalism, has melodies and structures reminiscent of the symphonic masters of the middle of the last century. Glass has said that the writing of Honegger and Milhaud in symphonic form still offers avenues for exploration, and he gleefully picks up their torch in this work. Surprising for minimalism, it even has a real finale that's reminiscent of the first two symphonies of Charles Ives. I have read a published review of this album that calls both works "unrepentant minimalism." That simply isn't true. The Third Symphony, written for 19 string players, is a beautifully accomplished piece of music. At times, particularly in the second movement, it is reminiscent of Stravinsky's concertos for strings. And in the sonorities of the last movement, there is even an evocation (unintentional?) of Andrew Lloyd Webber's Phantom of the Opera. This is a very enjoyable disc, beautifully played and recorded.
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5 of 6 people found the following review helpful
4.0 out of 5 stars Very engrossing August 7, 2005
Format:Audio CD|Verified Purchase
I have thoroughly enjoyed listening to sections 1 through 4 of symphony #3 several times in the day since I got this CD. These tracks are very engrossing and makes one think of the soundtrack from an adventure saga where there is a continuous rhythm of travel.

Symphony number 2 is less interesting to me but for the price the symphony #3 tracks are great.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Superbly engineered recording March 10, 2011
By Hunter
Format:Audio CD|Verified Purchase
If you're a Glass fan, this recording of Symphonies No. 2 and No. 3 can't be beat for audio engineering and conducting.

Very clear, great stereo separation of the orchestra and mic'ing of the instruments. Because of the great recording engineering, Marin Alsop's great conducting and control of the Glass machine is right there to be enjoyed; thus perfectly providing the subtleties of the textures Glass had in mind I bet. (The low bass drum comes to mind, for instance... which rings low over the ensemble wonderfully in this recording.)

I prefer this over the Dennis Russell Davies recording by leaps and bounds.
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5.0 out of 5 stars If you want a Modern Symphony look here October 14, 2009
Format:Audio CD
Glass is not Mozart. But if you like Mozart, you probably will like these symphonies of Glass. They have a lot of wind parts for symphony 2. And symphony 3 is unique. Some like classical music for the feelings they carry thru music, and what can you 'feel' thru Glass's music? Strokes of strength on the strings, danger, peril, and victory. The one thing he and Mozart both have in common is that they both did that, albeit in different ways. Glass does his own thing, this is modern stuff that sounds almost akin to what you might hear in a movie. It's a nice change of pace if you ever get burned out on Mozart, or Beethoven or any other 18th century composer.
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