During the remarkable and prolific period between his 72nd and 92nd birthdays, Havergal Brian wrote no fewer than 27 symphonies. Some seem to fall into groups, such as Nos. 22-24, all written within a nine-month period between 1964 and 1965. They all share a concern for march-rhythms, changeable moods and developing variation. No. 22 is Brian's shortest symphony and exemplifies his art in its most compressed, nocturnal form, whereas No. 23 offers a more extrovertly scored and expansive scale. No. 24 provides the triumphant rejoicing that ends the trilogy. Influenced by Tchaikovsky, the 1906 English Suite No. 1 nevertheless hints at Brian's sonic experiments to come.