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Leevi Madetoja's Third Symphony is the composer's orchestral masterpiece. Composed in the mid-1920s, it is the only Finnish symphony of the period that really gives Jean Sibelius a run for his money. Start with the third movement--it sounds almost like Copland's Western music--then go back and play the whole thing. It's a wonderful, intimate piece. The Overture and the two suites are lighter works, obviously, but no less enjoyable for that. Madetoja had a genuine dramatic gift that made him a fine opera and ballet composer, and these suites will certainly whet your appetite for the complete works. The performances are very good and well recorded, too.
--David Hurwitz
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Madetoja (1887-1947) is one of Finland's greatest composers of the generation after Sibelius, and Chandos should be given a medal for giving his work currency (especially in such intimate and warm recordings). Madetoja's themes are quite original and also quite memorable, as in the pleasant
Huvinäytelmäalkusoitto (Comedy Overture) of 1923. The clear masterpiece here is Symphony 3 (1926), a work of broad nostalgic character, luminous and well-proportioned--almost classical in its design. He also wrote
Okon Fuoko: Suite 1 in the same year as the first symphony. It's all that remains of a failed stage performance.
The Ostrobothnians Suite (1923) will also delight.
--Paul Cook