From Publishers Weekly
[Signature]
Reviewed by Sara NelsonPity the poor shelver who has to decide where to put this book. Does it go with the wall full of Kennedyana, the tell-alls and critiques of the family America loves to hate and hates to love? Or does it go into the ever increasing "recovery" section of the memoir department, packed as it is with tales of debauchery, and finally, painful and hard-won sobriety?Because this offering, by the 50-year-old nephew of President Kennedy, son of the late actor Peter Lawford, and cousin of the late American prince, JFK Jr. (how's that for a legacy to live with?), is both of those things, it is hard to categorize, and harder to resist. There's plenty of dish here, even if it is dish of the gentle, almost old-fashioned variety. (Lawford tells of being taught to do the twist by Marilyn Monroe; of spying, as a 10-year-old, on a former First Lady taking a bath, of partying with Kennedys and Lennons and Jaggers.) But it is also a palpably painful and moving rendition of bad behavior with women and money and drugs, and 20 years of staying sober.If you've read any recovery lit, you already know the drill: the stories of lying and charming and messing up school, jobs and relationships. There's plenty of that, but in Lawford's case, the backdrop against which he misbehaved is in itself dramatic. He writes achingly of his relationship with his cousin David, RFK's son, with whom he regularly did drugs and who died in a Palm Beach hotel room in 1984. (Lawford broke with Kennedy family tradition and named his son for David.) When he arrives high at a family party, the photographic proof turns up in the newspaper—because it was a fundraiser for his uncle Teddy. If this were somebody with a less famous-for-carousing name, you might think he was just another self-dramatizing alcoholic; as it is, Lawford is clearly just recounting his life.Even so, he could come off as obnoxious—were it not for his frankness, humor and self-awareness. Lawford goes out of his way to own, as they say in recovery, his behavior, and while he acknowledges a family tendency, he blames no one but himself. He can also write knowingly and self-deprecatingly about his competitive relationships with his many cousins, his vanity as an actor (he has appeared in films including
The Russia House and
Mr. North, as well as many television programs but is, by his own admission, no Tom Cruise), and his tendency to refer to his many female conquests as "the most beautiful girl in the world."So where does this book belong? Does it matter? You don't have to care about Kennedys to find this a moving tale of self-discovery and redemption. Whatever else he may have been—son, nephew, cousin, etc.—Christopher Lawford shows himself here to be a writer of talent and grace. 32 pages of photos.
(Oct.)Sara Nelson is the Editor-in-Chief of PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Kennedys don't cry. And they don't write tell-all books. So this memoir breaks new ground, although much of the material about the Kennedy second generation has been covered elsewhere, especially in Peter Collier and David Horowitz's
The Kennedys: An American Drama (1985). In any case, Lawford, son of actor Peter Lawford and Patricia Lawford, Rose and Joe's sixth child, uses the family primarily as a backdrop to his own drug-filled, angst-driven life. Like his father, Lawford is an actor, and while only a supporting player in so many phases of his life and career, he makes sure that here he has the starring role. Born to wealth and privilege, he freely admits he ran through the money and willingly accepted whatever the family name got him--which was plenty. After his parents' divorce (which removed his father from his life) and the death of his uncle Robert, Lawford, along with several of his male cousins, spiraled downward, with drugs, including heroin, ruling his life. Lawford says he's written this book on his own, and he's done a fine job of it, freely allowing himself to come across as the narcissist he was and in some ways still is, even as he earnestly offers inspirational nuggets he's found on his spiritual path. You know this memoir works when the pages absent Frank, Marilyn, Sammy, and Jackie are every bit as interesting as those where they're featured.
Ilene CooperCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.