Systems / Layers

October 7, 2003 | Format: MP3

$9.49
Song Title
Time
Popularity  
1
3:58
2
6:18
3
3:10
4
3:56
5
1:45
6
3:13
7
2:47
8
5:31
9
1:09
10
2:48
11
2:00
12
2:47
13
3:32
14
2:18
15
3:38
16
2:13
17
2:38
18
6:04
19
2:27


Product Details

  • Original Release Date: October 7, 2003
  • Release Date: October 7, 2003
  • Label: Quarterstick
  • Copyright: 2003 Quarterstick Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:02:12
  • Genres:
  • ASIN: B0088HMDFC
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #151,637 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

4.7 out of 5 stars
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See all 11 customer reviews
I would highly recommend this CD to people who like indie music thats a bit more on the classical side.
dustin
She as a solo performer is amazing and full of this spirit and energy on stage and in her recordings that have that innate ability to touch a listener.
Deisha Oliver
Each time I hear it, it is like looking out through Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
D. R. Greenfield

Most Helpful Customer Reviews

14 of 14 people found the following review helpful By somethingexcellent VINE VOICE on November 28, 2005
Format: Audio CD
For a long time, I think that people dismissed Rachel's as a group of indie kids who thought that they could get together and play classical music. After a string of amazing albums, the group shrugged off most of the criticism aimed their way by creating memorable music that mixed an indie-rock sensibility with chamber music and even a bit of extreme experimentation. After their last release, Selenography, I figured that the group had pretty much disappeared (despite various installations here and there over the years), but they're back with Systems/Layers and it's their most realized work yet.

As it turns out, the group has been working steadily for the last two years, and the material on this album is the result of that. Through collaboration with the SITI Company for a theater piece of the same name, the group improvised and discussed various pieces, arriving at this 19 track, 62-minute effort. Another unique element of this release is that the group makes use of a lot of field recordings. Perhaps because of the long recording process or the different ideas by different contributors, it feels almost like a musical travelogue of sorts, documenting different places with different music and themes.

"Moscow Is In The Telephone" opens the disc with shimmering organ and melancholy strings that gives way to only a solitaire violin playing out over crowd noise. The end of the piece swells slightly, but the whole thing just sort of wanders through quiet sidestreets before coming to an end. "Water From The Same Source" takes a much more structured route, and it's easily one of the best tracks on the release and perhaps one of the best the group has ever done.
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6 of 6 people found the following review helpful By A Customer on June 28, 2004
Format: Audio CD
I was a little bit worried that I wouldn't like this album so I put off buying it for a long time. Now that I finally did, i cant stop listening to it! Rachel's never fail to amaze me and I'm always left totally floored. They are probably one of the most talented, innovative groups to date. Honestly, there is not another band like them! This album has some resemblence to The Sea And The Bells (incredible album), but it's still very different from the stuff they've done before. It's much more ambient. My favorite song is "Water From The Same Source"...it almost drives me to tears everytime I hear it. That's how beautiful it is.
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6 of 6 people found the following review helpful By Pen Name? VINE VOICE on October 28, 2003
Format: Audio CD
but there is a PNC bank.
Rachel's have gone in many different directions at once on this album, but it still fits together. I don't want to attempt to describe much here, for fear that I wouldn't do the music justice... But I do find this album to be even better than Selenography and the Sea and the Bells, perhaps the best Rachel's yet (though I've always had a special place for Handwriting). This is definitely essential, though... don't trust that other guy. And Rachel's are the coolest band in the world, too... they deserve your money.
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5 of 5 people found the following review helpful By "red7779" on October 24, 2003
Format: Audio CD
If you're expecting something like Music for Egon Scheile or Selenography, it may take you a few listens to get into the groove of this latest album. Systems/Layers is a bit less structured overall, and some of the best moments, such as "Arterial" and "Last Things Last", come when the band forgets the ambient thing for a while. But I must say that after a couple listens it really started to grow on me--I realized that, without thinking about it, I had developed detailed images of the people presented in all those little sound clips, and would spend the length of the album wondering what their lives must be like. It was this connection that really made the album for me. If you've never heard Rachel's, start with one of the albums mentioned above, but if you're already a fan, what are you waiting for?
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5 of 5 people found the following review helpful By A Customer on October 7, 2003
Format: Audio CD
Somewhere between chamber pop, modern classical, and experimentalism lies the distinctive sound of Rachel's. Like the loosely structured breakdown of This Mortal Coil's 1984 debut, It'll End in Tears, Rachel's Systems/Layers swans through the inclinations of a somber mood, each of its 19 tracks expressing tender vagaries of the soul. Produced by the band and Bob Weston, the album incorporates a full chamber orchestra along with film loops and well-placed vocal contributions ("Last Things Last" features lyrics sung by Shannon Wright), keeping in the tradition of past Rachel's works that integrated writers, choreographers, and visual artists along with a changing lineup of auxiliary musicians. For Systems/Layers, Rachel's asked friends and fans to record sounds from their environment or everyday lives that represent personal meaning, and these submitted snippets figure richly in the elegance of the multilayered compositions. - The Stranger, Seattle WA
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12 of 15 people found the following review helpful By Deisha Oliver on September 23, 2004
Format: Audio CD
1. You must expect unexpected beauty in the music. There is a melody that soars above inaudible tones and sporadic audible words.

2. You must expect to be entranced by the composition.

3. You must check out their other works as well as Systems/Layers . . . I recommend "The Sea and The Bells" (based on Pablo Neruda's book of poetry with the same title).

I was interested in this album initially because of the collaboration between Rachel's and the SITI Company. I have been interested in Anne Bogart's work for a while now as well as the work of Rachel's. I can't think of two groups that compliment each other better. The music itself is lush and rich and I think would lend itself to a live performance situation. In fact, if I close my eyes and think about this music in relation to live performance, the music allows the listener to imagine a stage of actors moving through time and space. It has this quality where the listener gets the chance to create their own environment... meaning regardless of where the listener is in time and space the environment has the ability to morph to whatever the music is doing.

This album marks another interesting collaboration with Shannon Wright. She as a solo performer is amazing and full of this spirit and energy on stage and in her recordings that have that innate ability to touch a listener. "Last Things Last" was my introduction to this album and it continues to be one of my favorite tracks. It slowly builds into this lament of hope and to me is one of the best songs I have heard in 2004.

The beauty of Rachel's is that regardless of your musical tastes it has the ability to cross genre. They may be perceived as "classical" by the unaware eye . . . but they bring a fresh perspective that reverses the stoic stance of classical music and makes it something that is part of our existence in our day-to-day experiences.
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