From Publishers Weekly
Starred Review. Tony award–winner Judy Kaye has been the voice of private eye Kinsey Millhone since the beginning, and 19 titles later, she's still an inspired choice, capturing the character's unique combination of femininity and ruggedness, intelligence, street savvy and self-confidence with just a hint of uncertainty.
Trespass is possibly a series best. Both reader and sleuth are working at full tilt as Kinsey interacts with a large cast. Her foremost opponent is the devious and homicidal black widow who has spun a web around the detective's aged and infirmed next door neighbor. Grafton deviates from Kinsey's narration to delve into the killer's history and mind-set, underlining the seriousness of her threat. Kaye offers a crisp, chillingly cold aural portrait of a sociopath capable of anything. Kaye's spot-on interpretation of the two very different leading characters would be praiseworthy enough, but she's just as effective in capturing the elderly men and women, the screechy landladies, the drawling rednecks, the velvet-tongued smooth operators, the fast talking lawyers and all the inhabitants of Kinsey's world.
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Although Kinsey Millhone has been around for 25 years, critics agree that
T Is for Trespass is one of Sue Graftons finest works to date. About elder abuse and identity theft, among other crimes, the novel devotes pages to both Kinseys and the villains perspectives and thus becomes more of a battle of wits between the two women than a real mystery. As Kinsey decides when and how far to get involved in Guss horrific plight, her other cases (a child molester is on the loose, for example) kept critics turning the pages. Reviewers also appreciated that Kinsey ages blissfully slowlysince 1982, when
A Is for Alibi was published, she has only gained five yearsand thus remains in the Internet-free 1980s, where interpersonal relationships triumph. The ending put off a few critics, but otherwise this 20th installment thoroughly engrosses.
Copyright © 2004 Phillips & Nelson Media, Inc.
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