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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Mr. Rector seems to be talking about a different book, July 31, 2006
I just finished reading TV A-Go-Go and don't recall any "claims of being the definitive book on its subject," as Mr. Rector claims. In fact, Mr. Austen's introduction states "Obviously,a comprehensive overview of all rock on TV is imposible... No one writer could cover everything and nobody would want to read a book that did."
Apparently Mr. Rector wanted an encyclopedia of rock on TV, rather than a series of entertaining essays with thought-provoking theses. I'm sorry he didn't get what he wanted, but this was a very worthwhile read.
Further, I could find no claim in the book "that punk rock only became popular after Fear appeared on Saturday Night Live in 1981." In fact, Austen writes: "After polling more than a hundred musicians, zine editors, and fans active in hardcore, none of them cited Fear's Saturday Night Live appearance as their point of entry into the scene (the most frequently cited TV moment that led pollsters to punk/hardcore was actually Devo on Saturday Night Live in 1978)... One reason may be that very few people were watching SNL at that point... the evidence of its realness--the downtime between songs, the lack of distance between audience and artists, and the imperfect performance--may have been unappealing to those not familiar with the hardcore experience."
Mr. Rector should talk about the book that exists, not the book he's (for better as well as worse) imagining.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
enormously entertaining, August 3, 2005
Essential, witty and thoughtful guide to the history of televised rock and pop, from regional dance party shows to Ed Sullivan, punk's invasion of the SNL set to Michael Jackson's metamorphosis into a pop icon. Jake Austen, who oversees the brilliant obsessives who make up the staff of Roctober Magazine, both loves and understands the mass media, and subjects it to an incisive yet affectionate analysis that's as entertaining as it's rare. The result is an enormously entertaining and informative book, recommended for anyone who's curious about the intersections between music and the idiot box.
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4.0 out of 5 stars
Rock around the dial, August 13, 2008
This is an extremely well-researched book, although not every subject covered here appeals to me (PARTRIDGE FAMILY, MAKING THE BAND, AMERICAN IDOL). Nevertheless, there's something here for every rock music/TV fan, including a whole chapter on rock `n` roll cartoons! I enjoyed the coverage of Elvis Presley and The Beatles -- two subjects that have been covered to death, but in this case the author offers perceptive insights. While I'm not a fan of Michael Jackson (though I respect his stature in rock music history), the chapter on him is one of the strongest entries in the book. I also appreciated the author's defense of the underrated contributions of The Monkees, as well as his on-target appraisals of TV hosts Steve Allen, Ed Sullivan, Dick Clark, Mike Douglas, Don Cornelius, and Carson Daly.
In time, rock `n' roll music thrived on television, despite the uneasy alliance between the two. Television has repeatedly sabotaged and diluted the very essence of this rebellious art form. Television has also been responsible for presenting us with many moments of pure gold. TV A-GO-GO does a commendable job of chronicling this facet of music history, examining the legendary, the surprisingly good, the idiosyncratic, and the awful acts (and programs that showcased these acts) that have flashed across television screens for the past five decades.
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