Ta-Dah

Scissor Sisters

Product Details

• Audio CD (September 26, 2006)
• Original Release Date: September 26, 2006
• Number of Discs: 1
• Label: Umvd Labels
• ASIN: B000HCO8IQ
• Also Available in: Vinyl  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (58 customer reviews)
• Amazon.com Sales Rank: #10,933 in Music (See Bestsellers in Music)

  Popular in this category: (What's this?)

  #59 in

  Music > Alternative Rock > Alternative Styles > Alternative Dance

Editorial Reviews

Amazon.com

Since not liking the Scissor Sisters is tantamount to not liking fun, let's just assume that everyone already adores this band and go on from there, OK? The Sisters' hotly anticipated second full-length feel like a streamlined continuation of their debut. It's hard to imagine no one had ever called an album Ta Dah! before, but then these sexy troubadours have no trouble subtly reworking the past to make it almost-new and always joyous. They may have emerged in a brief window when campy pastiche rock seemed like the next big thing, but just as their friends Fischerspooner did with the electroclash "movement," the Scissor Sister possess an elevated enough sense of fun, popcraft, and good enough connections to carry them for years. Hell, the first track on this album, the wonderful confection "Don't Feel Like Dancin," was co-written with Sir Elton John, and it sounds like Abba, Fleetwood Mac and Xanadu all at once. Other tunes might have you thinking of Bowie or the Bee Gees or Prince or Pink Floyd or even the Carpenters, but only as cagily reimagined in a glittery, wonderful, post-Hedwig/ Velvet Goldmine world. --Mike McGonigal

Customer Reviews

Most Helpful Customer Reviews

32 of 36 people found the following review helpful:

5.0 out of 5 stars Intelligent, darker - and even better than the first one, September 29, 2006

By	Noelle Williams "Noelle" (Seattle) - See all my reviews

Amazon Verified Purchase

If you're only familiar with "Take Your Mama" and "Laura" from the Scissor Sisters' first album, some of the tracks on "Ta-Dah" will come as a bit of a surprise. (But buy both anyway.) First, there are the solid ballads - in the vein of "Return to Oz" and "Mary" from their first album, the beautiful "Might Tell You Tonight" and "The Other Side" are placed later in the album, and come as lamenting love songs amidst a wealth of dance-inducing cuts. And the darker, twisted "I Can't Decide," with its bouncy flair (and Jews Harp played by Gina Gershon) is incredibly catchy for a song sung by someone who's trying to decide if they should commit murder or not ("I can't decide/whether you should live or die/Oh, you'll probably go to heaven/Please don't hang your head and cry.") Likewise, Elton John's co-written "Intermission" is equally jaunty and dark ("Happy yesterday to all/We were born to die.")

That's not to say you can't dance your a** off to this album - there are plenty of tracks designed to help you do just that. "Ooh" and "Paul McCartney" - perhaps the most hyper fan letter ever written to a Beatle - are both excellent reminders of why this band has the reputation it does. And the sole song sung by the totally fabulous Ana Matronic, "Kiss You Off," sounds like she's channeling Goldfrapp and Blondie at the same time - and with the driving beat and laid-back vocals, it works. Great lyrics too - "Kiss you off my lips/It's standing room only for a piece of my pigment/So excuse me a minute while I supply demand."

The lead single "I Don't Feel Like Dancing" is - and will be - ubiquitous, and deservedly so. With Elton John both contributing to the songwriting, and playing piano, and Jake Shears' disco falsetto, it's one of those rare songs that you like the more you hear it. And once you read the lyrics, you'll find there's much more to it than what its name seems to imply.

And that's true of much of the Scissor Sisters' music, which is why they're so worth checking out. They create intricate, fun, occasionally sad, beautiful, and poignant music, which is actually layered with meaning - a welcome change in a "mean what I sing" pop world. But then, these folks are no ordinary pop group - they keep getting better, and they mean to stay around for a while. Good thing, too. (And a quick word to the wise - if they happen to come through a town near you, do not hesitate to see them live. They're one of the best, most fun acts to come along in years.)

9 of 9 people found the following review helpful:

5.0 out of 5 stars Put your best foot forward...and dance!, January 31, 2007

By	Angie Engles (Columbia, MD United States) - See all my reviews

Ta-Dah speaks to my inner 70s child and part of my 80s. I could waste valuable time (which you should spend buying this) writing endlessly about how great this CD is, but I'll sum it as quickly as possible. Here goes:


THE OVERALL SOUND REMINDS ME OF:

the best of Elton John, Pet Shop Boys, George Michael, Abba, Times Two, a tinge of Go West, "Xanadu" (as Amazon.com so rightly puts it in their review) and even the harmony of the Beach Boys and Carpenters...


WHY YOU'LL LIKE IT SO MUCH:

Because you can dance AND listen! While the incredibly energetic, fun sound of disco is here and welcome, the often horrible lyrics that genre generated is most definitely (and with much relief!) missing.


TA-DAH IS THAT MOST RARE AND TREASURED OF ALBUMS:

the one where every track's either a winner or at least "not bad"!


AND THESE ARE JUST THE HIGHLIGHTS:

Track #1) "I Don't Feel Like Dancin'"--Do you remember the awful movie XANADU with the terrific soundtrack? This song reminds me of ELO and ONJ's collaboration on one of the most underappreciated soundtracks of the early 80s!!

Track #2) "She's My Man"--At the risk of implying Scissor Sisters borrows a lot from their favorite 70s idols, I've got to say this wonderful, quirky song reminds me so much of "Still Standing" by Elton John. (This is a good thing, though!)

Track #3) "I Can't Decide"--A great tongue-in-cheek song that reminds me of the Beatles if they were writing in the 21st century...any other song about killing someone would be totally out of line, but somehow it works here because...well...it's tongue-in-cheek of course!

Track #4) "Lights"--I can't help but hear echoes of "Grease is the Word" when this song is on, but again, they're echoes, NOT imitation. The power of this album is that it merges great lyrics with undeniably great beats!!!

Tracks 5 and 6 ("Land of a Thousand Words" and "Intermission") are pleasant enough but I can't automatically bring them to my mind and ear right now the way I can all the others..."Intermission" is a fitting title, though, since once it's over TA-DAH returns to its wonderful spirit!

Track#7) "Kiss You Off"--With its Pat Benetar bursts of energy, "KYO" forces you to sing along and you WILL do so, especially if that special someone's got you all hot and bothered.

Tracks 8 and 9 ("Ooh" and "Paul McCartney") are, hands down, the best of the best here. I hit repeat on "Ooh" at least five times before I continued on to "Paul" (a witty and sometimes funny pop powerhouse!)


SO TO SUM IT ALL UP:

Do you remember how you felt when you were a kid and you were worried the second time you listened to a spectacular album you'd find all its flaws?? Well your worries can be put to rest here. Each TA-DAH is good as the last one and that's a hard "feat" to do in contemporary pop.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Sisters deliver again!, December 12, 2006

By	Richard Nelson (Chicago, IL) - See all my reviews (REAL NAME)

This album is, in words lifted from it, a party that ain't over `til it's through. I have no idea how I have avoided a wreck while dancing and singing in my car. If "I Don't Feel Like Dancin'" isn't the song of 2006, I don't know what could be; it protests against toe-tapping but is guaranteed to incite full-body motion. "Paul McCartney" is a riot, "Might Tell You Tonight" a very pretty but up-tempo falling-in-love song, and closer "Everybody Wants the Same Thing," while quite vague, is sure to be played in heavy rotation at gay marriage rallies. A rough patch in the middle precludes calling this the best album of 2006, but nothing closes the deal more effectively.