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Tabu


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Product Details

  • Actors: Anne Chevalier, Matahi, Hitu, Bill Bambridge, Ah Fong
  • Directors: F.W. Murnau
  • Writers: F.W. Murnau, Robert J. Flaherty, Edgar G. Ulmer
  • Producers: F.W. Murnau, David Flaherty, Robert J. Flaherty
  • Format: Black & White, Full Screen, Silent, NTSC
  • Language: English (Dolby Digital 1.0)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Image Entertainment
  • DVD Release Date: September 3, 2002
  • Run Time: 86 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (13 customer reviews)
  • ASIN: B00006FMCF
  • Amazon Best Sellers Rank: #295,602 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Tabu" on IMDb

Special Features

  • Outtake footage
  • Still gallery
  • Short film: "An Essay About Reri"

Editorial Reviews

Product Description

Filmed entirely in Tahiti, "Tabu" represents an unusual collaboration between legendary directors F.W. Murnau (Nosferatu, Sunrise) and Robert Flaherty (Nanook of the North). Two lovers are doomed by a tribal edict decreeing that the girl is "tabu" to all men. While the lovers' flight from judgment and the ultimate power of the tabu are reminiscent of Murnau's expressionist films, "Tabu" is all open air and sunlight, sparkling on the ocean and glistening on the beautiful young bodies of the native men and women. Now available completely uncensored and restored by UCLA, this cinematic landmark is one of the most gorgeous black and white films ever made, and was the 1931 Academy Award winner for Best Cinematography.

Amazon.com

Conceived by two master filmmakers, but essentially made by only one, Tabu is the last great silent film (released four years into the talkie era). Few classics have had a more fraught history, starting with the dicey notion of combining the radically different approaches of documentarist Robert Flaherty and supernaturalist F.W. Murnau. After selecting the South Seas locations, collaborating on the story, and doing some preliminary photography, Flaherty withdrew, leaving Murnau to realize this tale of forbidden love and implacable retribution in an earthly paradise. The results, ravishing to behold, complete a spiritual trilogy begun with Nosferatu (1921-22) and Sunrise (1927), Murnau's other films of young couples drawn asunder by phantoms. Floyd Crosby won an Academy Award® for his cinematography. The director himself was killed in a car wreck just before his film was released. All the more tragic that Murnau's original, uncut version was never seen till Milestone Film & Video's restoration in 1990. --Richard T. Jameson

Customer Reviews

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See all 13 customer reviews
This is one of those films you can read about, but really have to experience.
nom-de-nick
Amidst this cast and backdrop, Murnau brought his technique (the artful expression of narrative thru film images) to its most perfect form.
ixta_coyotl
In the Southern overseas, two young lovers have fallen in love, before a statement has been dictated.
Hiram Gomez Pardo

Most Helpful Customer Reviews

15 of 15 people found the following review helpful By Robin Simmons VINE VOICE on October 30, 2002
Format: DVD
Among the more beautiful places on our small planet, the South Pacific has long been deemed a living paradise and a favorite destination of lovers and adventurers since the beginning of human history. It has also generated and inspired musicians, artists, writers and filmmakers.

Filmed in 1929 entirely on location on the magical island of Bora Bora, "TABU" is a collaboration between legendary directors F.W. Murnau ("Nosferatu," "Faust" and "Sunrise") and the great drama-based documentarian Robert Flaherty ("Nanook of the North"). Like Romeo and Juliet, young fisherman Matahi and beautiful Reri are two island lovers damned by a tribal mandate declaring the girl off-limits or "tabu" to all eligible males. The young couple run away, but discover that so-called civilization (remember, it's 1929 Tahiti) is not to be their salvation.

This beautiful film literally glows. The drama of destiny and fate is played out by half-naked young bodies that move through the silver light that radiates, reflects and refracts everywhere. It vibrates in the dappled shadows of tropical foliage and dances on the sparkling lagoons, pristine waterfalls and unpolluted beaches.

"Tabu" deservedly won a 1931 Oscar© for Best Cinematography. Sadly, Murnau died in a freak auto accident in the El Cajon pass a week before the New York premier.

This digital edition, thanks to UCLA restoration, is the first time since its original release that "Tabu" has been available in a complete and uncensored print. Significant extras include a surprisingly intriguing audio commentary by UCLA Film Professor Janet Bergestrom, a still gallery, outtake footage, original theatrical trailer and the short film "Reri in New York." Highly recommended.
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11 of 11 people found the following review helpful By ixta_coyotl on January 24, 2004
Format: DVD Verified Purchase
I will go against the grain of conventional opinion and admit that this is my favorite Murnau film. I think it was the influence of Robert Flaherty (in regard to location, subject matter, & casting) that put it over the top. But make no mistakes, this is Murnau's film. Amidst this cast and backdrop, Murnau brought his technique (the artful expression of narrative thru film images) to its most perfect form. There are barely any intertitles in this film; the pictures speaks almost completely without them. And here in Tahiti Murnau's fascination with the supernatural found poignancy in the exploration of the Tabu of the native islanders. Add to that romance and dancing scenes that are tantalizingly pure and delightful, and in my humble opinion you have Murnau's finest work.
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6 of 6 people found the following review helpful By nom-de-nick on September 6, 2005
Format: DVD
It's somehow fitting that Murnau's last film was as great a masterpiece as Nosferatu and Sunrise. As has been said countless times, the photography is absolutely stunning, and the story, even though highly simplistic and told with zero dialogue, holds your attention all the way through. The extras and outtakes are interesting as well. This is one of those films you can read about, but really have to experience. Don't wait.
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5 of 5 people found the following review helpful By John Farr on June 21, 2007
Format: DVD Verified Purchase
Conceived as a joint project by docu-ethnographer Flaherty ("Nanook of the North") and German expressionist director Murnau ("The Last Laugh"), this poignant, beautifully photographed Oscar winner has few rivals in the silent era. Shot on location in the Pacific and helmed mostly by Murnau, its story of forbidden love resonated with audiences in the early '30s--just as a wave of the first talkies came ashore--and remains absorbing today. All the actors are Polynesian locals, which enhances the romanticized vision of blissful island life. But the flight from authority and visitation of fate in the form of an old holy man are as classic--and tragic--as Greek myth.
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5 of 5 people found the following review helpful By Jonathan Lapin on November 6, 2006
Format: DVD
apart from charlie chaplin, this was the last major movie of the silent era. set in a purportedly idyllic south seas, it began as a rare collaboration between directors f. w. murnau ("nosferatu") and robert flaherty ("nanook of the north") -- tho the end product was way more murnau than flaherty. a saga of forbidden love, mixed with skin, it is both fascinating curiosity and enduring classic. i would recommend this movie to anyone seriously interested in motion picture history -- but it IS a special bit of cuisine, not for people who think "crash" is a masterpiece.
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8 of 10 people found the following review helpful By Heavy Theta on January 12, 2003
Format: DVD Verified Purchase
Considering there is the temptation to regard any film created by Murnau as genius, I have to admit initially feeling just a little underwhelmed by TABU. It's simplicity did not seem nearly as shaded as in other of the master's great works. That is, until I heard the commentary that accompanied a short collection of out takes from the film, included in the DVD. Somehow, hearing the story of this film's convuluted production, of Flaherty's angst, and, especially, of Murnau's own disregard for taboo when building his Tahitian reTreat, added gravity that made the viewing experience completely satisfying. (The short on Reri, the 16 year old 'barefoot contessa" was equally as fascinating.) Now we all look forward to the imminent release of SUNRISE.
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1 of 1 people found the following review helpful By Larry from Brooklyn on May 14, 2008
Format: DVD
Sight and Sound, the BFI film monthly, reports that Murnau fell out with Flaherty over the latter's inability to sustain a dramatic narrative and respectively continued alone with his cinematographer. If this very beautiful print is based on the Milestone restoration, then a few scenes (since restored by the more recent British release) including some integral nudity, are still missing. (S&S gave high points to the MIlestone restoration). Also, of note is that the financing deal for the film fell through just as production got under way and Murnau financed this production primarily with his own money that he had made in Hollywood before becoming disillusioned, so the budget was tight as it was on Nosferatu. Like Nosferatu, it is one of his few masterpieces that was shot outdoors and outside the expressionist studio sets that contributed so much to the mood and atmosphere on films like Sunrise and The Last Man (or in English, The Last Laugh).
The Bottom line: buy this film, it has all the earmarks of Paul Schrader's description of greatness, including my favorite, "Repeatability" Sunrise, Nosferatu, Faust - they never get old.
(For that matter, neither do Flaherty's Man of Aran and Nanook of the North). Finally, in Hollywood, an entire generation of directors was influenced by Sunrise. The master, John Ford, regarded it as one of the greatest movies ever made and Murnau had direct impact on films like The Informer, The Long Voyage Home, and much of the domestic, wordless business in later westerns like She Wore a Yellow Ribbon, My Darling Clementine, and The Searchers (not to mention making its star, George O'Brien, a member of his floating repertory company and a drinking companion.)
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