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9 of 12 people found the following review helpful:
4.0 out of 5 stars
HEEEEAAADD-KLLLEEENAAAHHHH!!!!, August 28, 2000
This review is from: Tabula Rasa (Audio CD)
Yep. That's the sound you're buying this CD for. Nothing as bracing as having Blixa Bargeld screeching this at you over something that sounds like the Berlin Philharmonic being savaged by rabid tigers in a cement pit. The problem, though, is that while that track fits the wonderfully ear-wrenching legacy of Einstuggy, as do a couple of others, there's also a couple of _songs_ on here. I mean...pop songs. Poppy. Not what you'd expect from EN. And this, to me, is a little annoying, as _I_ buy Einsturzende Neubauten discs for their ability to peel paint off of walls and incinerate your neighbors. And I don't think EN was totally into that direction either, as I saw the tour for this release, and the poppy material never made it to the stage. But by ghod, "Headcleaner" alone makes up for this. The group hasn't been this abrasive or harrowing since perhaps "Zeichnungen des Patienten O.T." Just keep in mind that there are tracks you will likely want to skip in the course of getting to this climactic aural cataclysm. Break out that pneumatic drill, boys!!!
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3 of 4 people found the following review helpful:
4.0 out of 5 stars
noise made pleasure, June 23, 2001
This review is from: Tabula Rasa (Audio CD)
Tabula Rasa was the first album I ever had from this band. It is simply amazing: obviously it is not that much if you have listened to the rest of the cds, but I think that every Neubauten album is unique in their hyper-personal style. The process of controlling the noise and agressiveness continues here, but is that a bad thing? I suppose it depends on opinions. For me, Tabula Rasa is not the best Neubauten album, but it's closer to it: in fact, I think that the best way to taste what Einstürzende Neubauten implies in the history of music is to follow their evolution throughout all their cds, from the spontaneous agressiveness of 'Collapse' to the delightful game with silence and noise of 'Silence is Sexy', their last album up to date. Tabula Rasa begins with one of the best Neubauten songs, 'Die Interimsliebenden', a long mid-tempo song which could serve (if that's possibel) to sum up the music of this band: minimalistic rhythms, noise in battle with melody, and on top of that a voice full of nuances. 'Zebulon' introduces at first a very skeletical song, with a voice that recites more than sings, just to prepare us for the explosion of noise at the end of it. 'Blume' is sung by a female voice, very sweet and melifluous, introduced at the beginning of each stanza by bargeld's recitation of different species of flowers. A very beautiful song. The comes '12305te nacht', a more typical Neubauten song, which has really no bad connotations, since it's one of the best of them all. Noisy, similar to the first one but shorter and less megalomaniac. 'Sie' is a very disturbing song, combining Bargeld's voice with a talking voice. 'Wüste' lacks beat but is mysterious enough not to bore us. And finally 'Headcleaner' is the typical extra-long neubauten song full of varied passages to make us enjoy every single minute of it: it is by far the most agressive song in the album, which I imagine the fans of the old works will prefer. Tabula Rasa is a new masterful album by a band which, i think, deserves at last to stop being undervalued. (at least in my country, where they are completely ignored. The same as Skinny Puppy,...)
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4.0 out of 5 stars
A mix of beauty and destruction, November 8, 1999
By A Customer
This review is from: Tabula Rasa (Audio CD)
EN NUE's album Tabula Rasa is a fantastic piece of work, from a group that helped define industrial music with the likes of Throbbing Gristle. This album has come along way since then though, at points even having hints of commercial stlyes. The first and only single entitled"The Interemlovers", is a beautiful song with a mix of graceful tones and destructive beats. Few songs off this album are not unique and addicting in the traditional EN NUE way. This album is a addition to the already gigantic EN NUE library, and added also is a sense of new listening.
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