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Lost Tai'-Chi Classics from the Late Ch'Ing Dynasty (Suny Series in Chinese Philosophy and Culture)
 
 
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Lost Tai'-Chi Classics from the Late Ch'Ing Dynasty (Suny Series in Chinese Philosophy and Culture) [Hardcover]

Douglas Wile (Author)
4.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

July 1996 Suny Series in Chinese Philosophy and Culture
Douglas Wile translates and analyzes four collections of recently released nineteenth-century manuscripts on T'ai-chi ch'uan. These writings of Wu's older brothers Ch'eng-ch'ing and Ju-ch'ing, and his nephew Li I-yu, together with the transmissions of Yang Pan-hou, represent a significant addition to the seminal literature. The rich new texts allow us to make a fresh survey of longstanding issues in T'ai-chi history: the origins of the art; the authorship of the "classics" the differences between Wu, Yang, and Li; and the roles of Chang San-feng, Wang Tsung-yueh, Chiang Fa, and the formerly missing link, Ch'ang Nai-chou. The original Chinese texts of the four new sets of classics have been appended for the convenience of Chinese readers and scholars. The book reconsiders the world of the Wu, Yang, and Li families of Yung-nien and reconstructs it against the background of the Opium Wars, the Taiping Rebellion, and the decline of the Manchu dynasty. New biographical sources illuminate the domestic and political lives of the Yung-nien circle and their orientation to the late imperial intellectual trends. The development of T'ai-chi ch'uan in the nineteenth century is explored in the context of China's cultural response to the challenge of the West and the role of body-centered arts in Asia during the drive for independence and the ongoing search for national identity.
--This text refers to the Paperback edition.


Editorial Reviews

Language Notes

Text: English, Chinese

About the Author

Douglas Wile is Associate Professor at Brooklyn College. He is the author of The Art of the Bedchamber: The Chinese Sexual Yoga Classics, Including Women's Solo Meditation Texts, also published by SUNY Press. --This text refers to the Paperback edition.

Product Details

  • Hardcover: 233 pages
  • Publisher: State Univ of New York Pr (July 1996)
  • Language: English
  • ISBN-10: 079142653X
  • ISBN-13: 978-0791426531
  • Product Dimensions: 9.2 x 6.2 x 0.8 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #4,907,204 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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37 of 39 people found the following review helpful:
5.0 out of 5 stars Serious Tai Chi, April 17, 2000
By 
Bob (Boston MA) - See all my reviews
In a market saturated with nonsense that passes as tai chi, it is refreshing that someone has taken the trouble to publish something as potentially useful as this book. Not only does it provide several very old texts on tai chi which were written by acknowledged masters, but it also explores the history of tai chi in a more scholarly manner, rather than passing on half truths about "my teacher once told me that his teacher told him...". Thanks to Douglas Wile for raising the bar on tai chi literature in the US. Hope to see more like this one.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Another Masterpiece by Douglas Wile, November 16, 2009
By 
Demitri Pevzner (depends on time of year) - See all my reviews
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This is nothing short of great scholarly work. The sheer amount of research that Douglas Wile put into the book must have been overwhelming. The text should be of interest to Sinologists and any serious student of Taijiquan alike, for it's stern cross-examination of the political and social factors that played into the Taijiquan creation mythos (including that of Zheng Sanfeng's involvement.)

Douglas Wile gives us a glimpse into the first major Classics of Taiji, an up-close look at the authors, their possible motivations and background history as based on the newspaper clippings and other records available from the Ch'ing time period. Various sources and theories are cross-examined, and held up against the records from that timeline. This questioning and cross referencing allows us better understanding of some of the strong cultural and seemingly mythological attributions that are prominent in today's presentation of the art.

Wile presents the reader with the Wu and Li family's involvement, their contributions to the art, their influence, and in turn, what influenced them. The various theories and chronologies, the various newspapers and records, numerous discrepancies and inconsistencies, and other significant information that leads the reader to have a deeper understanding and appreciation of the depth of Taijiquan. While we may never know with 100% certainty the exact origins of the art (the Chen's account being perhaps the most feasible,) we may certainly discount many of the theories that are currently being passed off as genuine history.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Lost Classics Found, May 7, 2011
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The classic texts would be difficult for beginning tai chi students to understand, however,this book is an excellent choice for experienced students of tai chi. Texts of tai chi classics supplemented with the author's analysis of the signficance of the text and a detailed history of tai chi make this a book I will go back to over and over as my tai chi practice deepens.
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