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Taipei (Vintage Contemporaries Original) Paperback – June 4, 2013

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Product Details

  • Series: Vintage Contemporaries Original
  • Paperback: 256 pages
  • Publisher: Vintage; First Edition edition (June 4, 2013)
  • Language: English
  • ISBN-10: 0307950174
  • ISBN-13: 978-0307950178
  • Product Dimensions: 7.4 x 8 x 0.8 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (96 customer reviews)
  • Amazon Best Sellers Rank: #78,663 in Books (See Top 100 in Books)

Editorial Reviews Review

Guest Review of Taipei, by Tao Lin

By Charles Yu

Charles Yu

Charles Yu is the author of How to Live Safely in a Science Fictional Universe, which was named one of the best books of the year by Time magazine. He received the National Book Foundation’s 5 Under 35 Award for his story collection Third Class Superhero, and was a finalist for the PEN Center USA Literary Award. His work has been published in The New York Times, Playboy, and Slate, among other periodicals. Yu lives in Los Angeles with his wife, Michelle, and their two children.

What does it feel like to be alive? It's an inquiry central to many novels, either explicitly or implicitly, and it has been explored in so many ways, in so many variations and permutations, that it's remarkable when someone finds a new way of asking the question. With Taipei, Tao Lin has managed to do just that. The novel's protagonist, Paul, is a twenty-something writer living in New York City who has at least two extraordinary capabilities: (1) a terrifyingly high tolerance for pharmacological substances, and (2) a prodigious ability to record and recount the moment-to-moment flow of micro-impressions and fleeting sensations of his awareness. While Lin may not be the first writer to combine these two elements in the form of a novel, he is the first one to synthesize them in this particular way, and it is the tension and interaction of these things that make Taipei such a compelling read.

What does it feel like to be alive? Weird. Really weird. That's something very easy to forget - we have an ability to acclimate quickly to our own ambient mental environment. For similar reasons, the fundamental strangeness of being alive is also very hard to articulate. What Tao Lin does is to slow everything down, paying very close attention to everything, registering his findings. The noise and bustle and all-night lights of the big city, first New York City, and then Taipei, the blur of pills and parties and people's faces are presented not as an impressionistic smear, but in careful, deliberate language, prose so precise it cannot be anything but excruciatingly honest. At times, Taipei feels like an experiment, a study on how to use (and abuse) your brain, with Paul communicating in a way that almost feels scientific - he's a scientist studying the strange thing called his self, or an alien who experiences human consciousness as if he were test-driving a brand new technology. It is this detachment which allows Lin to render, in a very pure, very visceral way, what the fringe feels like, a displacement or distance from the center, from your own heart, the psychological impossibility of going to some real or imagined home. Taipei renders all of this with a brute and direct force, and I admit at times that force caused me to flinch. This kind of experience is why I read, though - to be challenged, to be confronted, to experience something completely familiar that has been made entirely new.

From Booklist

This novel follows Paul, a young, Brooklyn-based author, as his drug addiction spirals out of control. Though he experiments at first in the name of artistic expression, Paul becomes consumed by apathy, tripping during interviews and drifting out of touch with old friends. He meets and marries Erin, a fellow artist drug user, and they move to Taipei, Taiwan, where they become performance artists, videotaping themselves while on drugs in public. As their relationship breaks down, Paul nearly overdoses and is finally thankful to be alive. The characters are visibly suffering from loneliness, desperately wounded self-esteem, and an aimlessness that leads them to wander from poetry reading to movie theater to party to party, making the briefest and shallowest of encounters with those around them. Tao Lin’s writing style is definitively unique and mirrors the shifting reality his drugged characters perceive when submerged in their daze. At times, however, it is a haze too thick for the unencumbered reader to peer through. --Sarah Grant

More About the Author

Tao Lin (b. 1983) is the author of 7 books of fiction & poetry. His 3rd novel TAIPEI was published by Vintage on June 4, 2013. His work has been published by New York Times, New York Times Book Review, Granta, Noon, Mississippi Review, New York Observer, Vice, Gawker, The Believer, Poetry Foundation. He has taught a graduate course on "The Contemporary Short Story" at Sarah Lawrence College. He edits the literary press Muumuu House & lives in Manhattan. (Photo by Noah Kalina.)

Customer Reviews

I found the characters totally uninteresting and the situations not at all compelling.
Brian J. Greene
The moments where the book is actually insightful and moves the reader occur when Paul and Erin allow themselves to inhabit their emotions completely and unironically.
The Ice King
Its one of those books I guess you gotta try yourself before you really know, its just not for me.
D. Everts

Most Helpful Customer Reviews

66 of 90 people found the following review helpful By Peter Mathews on June 21, 2013
Format: Kindle Edition Verified Purchase
Tao Lin is hot property in the world of contemporary literature, with Taipei, his third novel, being hailed as his breakthrough work. Part of his appeal lies, no doubt, in his capacity to divide: whether as a person and a writer, he tends either to inspire adoration as the voice of his generation or hatred for being a shallow impostor. Lin also complicates matters further by blurring the lines between fiction and autobiography in making Paul, the protagonist of Taipei, into a rather transparent stand-in for his own self. Paul essentially shares every aspect of Tao Lin's history, from his Taiwanese background to his rampant drug use.

One of Lin's champions is Bret Easton Ellis, and it is perhaps no surprise that Taipei is being compared to Ellis's debut novel Less Than Zero (1985). In terms of personality, though, these two writers could not be more different. Unlike the self-promoting, egoistic Ellis, Lin, to coin a term, is a "black hole" provocateur. In the interviews I have read, he comes across as curiously passive and non-committal, much like the protagonist of Taipei, in a way that initially makes me want to punch him in the face for his apparent pretentiousness but, after further consideration, makes me also admire his ability to provoke such a reaction in spite of his utterly flavorless personality (nonetheless, I still want to punch him in the face).

Taipei had a similar effect on me as I was reading it.
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7 of 9 people found the following review helpful By Poppyx TOP 1000 REVIEWERVINE VOICE on December 2, 2013
Format: Paperback Vine Customer Review of Free Product ( What's this? )
This is one of the best books I have read in years. It follows the description of the life of a successful hipster Brooklyn writer. The writing itself is a little like being out at sea with slightly disagreeable landmarks--the author uses ages and drug dosages as literary flourishes. However, once you get used to the style, you won't be able to stop reading; this is incredibly fluid, virtuoso storytelling.

Note: Not a good thing if you're in any kind of recovery. The drug use scenes are so immersive that you'll find yourself longing for anything you use addictively; I found myself craving chocolate, hard cider, and nachos, simultaneously.
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6 of 8 people found the following review helpful By Esteban Ess VINE VOICE on December 13, 2013
Format: Paperback Vine Customer Review of Free Product ( What's this? )
This is a narrative written in a way that perhaps tries to put on paper the strange, obfuscated manner of thinking that takes place when a person has a mixture of recreational chemicals and Rx pills in his or her system. The story line is muddled, the scenes as if seen through a fog happen in ways strange to the reader of most of todays prolific prose. Sentence structure is not the usual variety one finds in most books. Grammatical rules are stretched, but not necessarily broken badly. The tale takes our protagonist and his girlfriend through places in New York with an emphasis on how they see and feel the scenes and people, in some cases they are the scene or they make the scene. Sort of like a genre of street theater, but created by the narrator of this tale, and it seems always with the writer self-absorbed and dragging the reader into his world - into his blurry version of his world. The trip back to Taipei with its sparkling new high rise buildings, the new subway system, yet having the old jammed up small, overloaded motorcycle and motor scooter dense traffic is navigated by the characters in this story, barely avoiding injury when crossing streets or making their way - using their rules of life - around in a very busy metropolis which has its own established though unwritten rules of how to navigate what seems to the outsider as total chaos. Having lived for three years in Taipei, I can say that Tao Lin is realistic and that the excitement and confusion in the city can put a visitor into a detached state whether on drugs or not. The same may be said of NYC or Brooklyn, places where there are unwritten rules on how to get around town and you will know when you break the rules. Like, staring at someone on the subway for a heartbeat too long.Read more ›
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28 of 40 people found the following review helpful By JMT on July 24, 2013
Format: Kindle Edition Verified Purchase
I'm 74 and have lived in Maine for 40 years. I just could not relate to it. I did try.
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3 of 4 people found the following review helpful By Amy Henry TOP 1000 REVIEWERVINE VOICE on June 10, 2014
Format: Paperback Vine Customer Review of Free Product ( What's this? )
I have tried to read other Tao Lin books, as he's pretty much the cutting edge and darling of the literary world. He's hip, he's influential, a voice for Generation Y. Maybe I'm too old but I just don't get it.

In this novel, characters come and go constantly. Brilliantly described, they could be an integral part, but inside they are dropped off the scene and replaced by new ones. It ends up that most become forgettable quickly.

The scenes in the novel, often parties full of drugs and alcohol, start to meld together into one big hipster event that is trying desperately not to be called hipster. The hipster "movement" is a cultural thing that not everyone relates to, certainly not me. At times I felt like some of the situations were caricatures of real events wherein the actual event would be more interesting and likable.

The relationship the main character has with his mother is complicated and fascinating (she loves her sugar!) but is never fully fleshed out, instead cutting away to disposable people with disposable drugs blotting out what could be interesting, if not meaningful lives.

For me, it became tiresome. I was trying to hard to "get" it since he's such a literary god right now. Slogged to the end unsatisfied with it all. Which is weird because he writes some fascinating passages where stream of mind is analyzing every detail of a room or person and it is clear he sees these characters in a way that makes them real. It's there, but just too hard to look for.
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