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Take Me to Your Leader
 
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Take Me to Your Leader [Import]

HawkwindAudio CD
4.3 out of 5 stars  See all reviews (10 customer reviews)

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Biography

Pioneers of the space-rock sound, Hawkwind are probably best known for the track “Silver Machine”. Their regular sci-fi themes featured dystopian futures, a fascination that resulted in occasional collaborations with sci-fi writer Michael Moorcock. They regularly positioned themselves outside of the establishment – and even outside of the Isle of Wight festival when they played on the other side… Read more in Amazon's Hawkwind Store

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Product Details

  • Audio CD (September 19, 2005)
  • Original Release Date: 2005
  • Number of Discs: 1
  • Format: Import
  • Label: Hawkwind UK
  • ASIN: B000AIZ8G8
  • Also Available in: Audio CD
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #40,807 in Music (See Top 100 in Music)

 
1. Spirit of the Age
2. Out Here We Are
3. Greenback Massacre
4. To Love a Machine
5. Take Me to Your Leader
6. Digital Nation
7. Sunray
8. Sighs
9. Angela Android
10. A Letter to Robert

 

Customer Reviews

10 Reviews
5 star:
 (5)
4 star:
 (3)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (10 customer reviews)
 
 
 
 
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13 of 13 people found the following review helpful:
5.0 out of 5 stars Take me to Mott, October 13, 2005
By 
Kim Fletcher (Pattaya, Chonburi Thailand) - See all my reviews
(REAL NAME)   
This review is from: Take Me to Your Leader (Audio CD)
'Take Me To Your Leader' is the 21st all new studio album to come out under the Hawkwind banner since the bands conception in 1969. (The number would run into hundreds if you counted all live albums, compilations, and semi legal bootlegs). It is also a fine return to form by the original lords of Space Rock. Hawkwinds last studio album was 'Distant Horizons' from 1997 which quite honestly should of stayed on a distant horizon. The following year 'In Your Area' was released which was a better album, but being half live and half studio did not quite make up for the disaster of Horizons.
Part of this slump in form may be attributed to the fact that long time Hawkwind bass and keyboard player Alan Davey (He joined as a mere slip of a lad of twenty in 1984) temporarily left the band in 1996 to work with his own band 'Bedouin' who are worth checking out on their own, but then that is a story for another day. But the cat came back, and although Alan Davey joined the band fifteen years after its conception, he had become an integral part of the band, as is shown by Hawkwind's rejuvenation here. Hawkwind of course have been and always will be led by their captain Mr. Dave Brock, who's contribution here is stamped all over every nuance, a man still at the absolute peak of his creative powers. Dave Brock is joined on 'Take Me To Your Leader' by long time Hawknaut drummer Richard Chadwick who joined in 1988, and has stayed the flight ever since. Dave Chadwick had a tentacle in writing four of the songs on this album, one with sole credit 'Digital Nation' which has already become a staple of the Hawkwind live show, as I am sure it will remain for many years to come.
The album is topped and tailed by two tributes to their former front man Robert Calvert. The first story on this album is a re-recording of the Hawkwind classic 'Spirit Of The Age' written by Robert Calvert and Dave Brock in 1977 for the album 'Quark, Strangeness and Charm' The story of travel in deep space and being frozen in time, leaving behind your loved ones, so quite obviously upon your return, they are no longer still around, so if on your space journeys ,you have an android for company and she doesn't love you, things can become a little complicated! Sound a little strange? Well what do you expect from Hawkwind! Just to make things a little weirder, Matthew Wright a long time Hawkwind fan, and popular children's TV presenter in Britain has been invited into sing Robert Calverts words and what's even weirder is that it works perfectly. 'Spirit Of The Age' has been bought dragging and screaming into the year 2005, and even if you have the original it is well worth getting this album to get your story updated.
'Spirit Of The Age' is brought to a fine Hawkrock conclusion,and then blends neatly into 'Out Here We Are' the first Alan Davey song to materialize, emphasizing the importance of his role within the band. Beautiful layers of Hawkwind keyboards are layered one upon another to give you that sound that only the masters of Space rock can produce. This slow paced instrumental track shows you all the classic traits of the Hawkwind vibe, whilst adding a few twists of its own with a very jazzy feel in the mid section, leaving room for some stunning saxophone work for sometime Hawknaut Jez Huggett,the song lulls you along in a swish of sound, relaxing your ears to the sonic waves, but as the song drifts out, the second Alan Davey song 'Greenback Massacre' launches off from it's platform, reminding you never to turn your back on any hawkwind as it can instantly whip into a tempest at the flick of a switch. 'Greenback Massacre' is probably the best new Hawkwind rocker since 'The Secret Agent' on Hawkwinds album 'Electric Teppe' (1992).The unmistakable sound of Dave Brocks guitar leads us into another song this time written by Captain Brock 'To Love A Machine' you do start to worry a little about the bands, fixation with love and machines, but then those in glass space ships and all that. The title track is led in by some smoky blues piano, which shows the band are not afraid to delve back to their roots (Scratch any band hard enough and you will come up with a Robert Johnston riff) but as the song slowly appears the bass work is so heavy it will make your speakers rumble, and your windows fall out, I'm pleased to say the moggies for several blocks scattered when this first dropped out of the CD player. The perfect centerpiece to any Hawkwind album. This is strongly followed by Richard Chadwick's 'Digital Nation' everything a Hawkwind song should be, futuristic to an extreme. It also allows Chadwick's punk flag to fly high, frightening when you think about it that time has slipped by so quickly that although Richard Chadwick started out his musical journey as a member of the punk revolution, he has now been the mainstay of a band that are regarded as the oldest hippies in space. 'Digital Nation' also shows off some more influential work by Jez Huggett this time on the flute. As the songs are led up for inspection they just get better and better Next is an Arthur Brown song (Yes he, the very same god of hellfire) 'Sunray' twists the dials up a notch with the band giving rock solid support to a Brown crazed (sic) vocal. Arthur Brown has certainly lost none of his passion over the years and his screams as the song reaches its climax are as chilling as ever, whilst ex-Hawkwinder Simon House adds some sonically enhanced violin to the mix, whilst James Clemas plays keyboards as if being auditioned for the role of 'Phantom Of The Opera'.
'Sighs' is just a minute burst of some spaced out hawkwind to introduce the last proper song on the album 'Angela Android', which could be `Spirit Of The Age Part Two', more stories of consorting with metalloids, taken at a very fast space race time, with tongue firmly poked in cheek. (I Hope!) The songs closes out with an amazing cameo appearance by Lene Lovich who plays out the role of the afore mentioned android, when she springs into life, giving the androids side of events.
The final number on the album is a rant by Arthur Brown paying tribute to the eccentricity of Robert Calvert, who twenty years after his death still, has a great influence over the band. Brown plays it as if he is actually having a conversation with the great man, whilst the band jam up the Hawkwind groove behind him.
All in all a fine return to form from the spaceship Hawkwind. As 'Take Me To Your Leader' took three years to get together, we shall not be expecting any new product in the immediate future, but this will be a stand out album among the many highlights of Hawkwinds space journey.
If you still think that Hawkwind were a one hit freak wonder with 'Silver Machine' (1972) ,'Take Me To Your Leader' would be a good point to find out that there is more to the Hawkwind machine than a thin silver varnish.
The axis of Hawkwind has now expanded to a quintet with after his great contribution to this album on the keyboards Jason Stuart joining the band. The artwork on the front cover of an alien landing by Peter Pracownik is worth the price of the album alone.
The band is now out on the road in Europe, getting your musical appreciation improved by getting some Hawkwind.
'Take Me To Your Leader' is dedicated to the memory of John Peel and Tommy Vance.
Mott The Dog.
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16 of 17 people found the following review helpful:
5.0 out of 5 stars Hawkwind Return To Form, September 20, 2005
By 
This review is from: Take Me to Your Leader (Audio CD)
After a very long break following the disappointing Distant Horizons, this new album represents a clear return to form for Hawkwind. Long term fans may be initially disconcerted by the wide musical breadth of the album, which includes influences as diverse as techno and jazz (the latter courtesy of new collaborators Jez Huggett and Jason Stuart), but this is still a Hawkwind album through and through. There's a very clear sense of purpose in this album- that this is just the launchpad for new journeys by the mothership, with strong songwriting and musicianship and a promise of much more to come.

Highlights including the chilling "To Love A Machine" which features some fabulous guitarwork by Dave Brock (and, as throughout the album, powerful rhythm work by Chadwick and Davey). Angela Android, a kind of light-hearted sequel to the classic Spirit Of The Age, is an absolute blast of joyous space-rock, as is Sunray with Arthur Brown on vocals. Digital Nation, by (and sung by) Richard Chadwick, is a (nice) surprise- a low key and folk influenced ode to the joys of online gaming. And the last track, the controversial "A Letter To Robert" engages and challenges with a compelling monologue by Brown about the changing times, cramming in everything from changing gender roles to a theory that the holes on golf courses are made by extraterrestrial spacecraft!

Hawkfans have waited a long time for a new Hawkwind studio album. It's finally arrived, and does not disappoint. Definitely an album that rewards repeated listening.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars Hawkwind - 'Take Me To Your Leader' (Voiceprint/Hawkwind Records), March 1, 2006
This review is from: Take Me to Your Leader (Audio CD)
A very good effort for the long-running British space rock pioneers. Starts off with a modern day re-working of the Bob Calvert gem "Spirit Of The Age" with Mathew Wright on vocals, which was nice to fully take in. Then you get tracks like the typical later-day HW compostion "Greenback Massacre" (where bassist/vocalist Alan Davey takes control-glad you're back,Alan!), "Digital Nation", the awesome "Sunray" (with guests Arthur Brown on vocals and Simon House on violin), the off beat "Angela Android" with guest vocalist Lene Lovich (remember her?)and "A Letter To Robert", which turns out to be a spoken word cut with Arthur Brown once again as guest vocalist. Better than their 1997 'Distant Horizon' release (see my review). Comes with a full color 12-page booklet complete with new artwork and song lyrics. What true Hawkfan could ask for more? Highly recommended.
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