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Recorded at New York's Bottom Line in 1978 following the release of the acclaimed
Street Hassle, this live document probably isn't for the casual Lou Reed fan. But if you appreciate pre-
New York Lou,
Take No Prisoners demonstrates, perhaps more than any other Reed artifact, the importance of major attitude and myth to classic punk. Often called "the Lou Reed comedy album,"
Prisoners has the totally revved-up artist coming on like a rock & roll
Lenny Bruce as he delivers often hilarious monologues: Sweet Jane" and "Walk on the Wild Side" are nothing but that, with the band vamping behind him. Reed's targeted subjects include
Barbra Streisand, Robert Christgau,
Patti Smith, politics, the music biz, members of the audience, and, most importantly, himself. It's terrific if you like that kind of thing. The band's terrific, too, especially on "Coney Island Baby" and "Street Hassle." But as live rock albums go, this one is best viewed as the funniest of the genre, and it's reportedly one of Lou's faves.
--Bill Holdship
Product Description
1992 RCA reissue of his 1978 double live album for BMG Music& recorded at the Bottom Line in New York City. Contains 10tracks, including both solo gems and classics from his dayswith the Velvet Underground, including 'Walk On The WildSide', 'Satellite Of Love', 'Sweet Jane', 'Pale Blue Eyes','Street Hassle', 'Berlin' and 'I'm Waiting For My Man'.Double slimline jewelcase.