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Kittredge turns from personal memoir to a consideration of a subject to which he has devoted much time since the 1960s: the reigning myths of the American West, myths of rugged individualism in a land governed by corporations, myths of wide-open spaces in a region ravaged by the economy of extraction. Against those myths he poses the West's realities, and what he finds is not comforting: Kittredge offers an antitextbook history, a narrative in which "endless ruination was visited on the land, indigenous people were left to lives of impossible poverty, and the money and power went off to the East."
Kittredge's essay seamlessly joins environmental polemic, history, literature, and autobiography to offer an ultimately hopeful view of a troubled region in search of itself. Editor Scott Slovic, a scholar of Western American and environmental literature, adds to it a bibliography of Kittredge's published work. --Gregory McNamee --This text refers to the Paperback edition.
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
3.0 out of 5 stars
More Kitteredge, please,
This review is from: Taking Care: Thoughts on Storytelling and Belief (Credo) (Paperback)
I love Bill Kitteredge as a storyteller, thinker, and even as a prophet. His vision of how story informs ethics is among the most sane approaches I've read, both to the art and role of storytelling and to ethics itself. His applicaton of his ethos to life in the West is sage. I've read Kitteredge's previous books and this book, *Taking Care* is a well-wrought distillation of Kittredge's former books with some fine tuning. I rate this book as I do because just over half the book is Kittredge's writing. The rest is an essay by Scott Slovic which reviews Kittredge and covers too much of the same ground I just read in Kittredge's own writing, followed by a helpful and comprehensive bibliography. Slovic does good work. But, I wanted more Kittredge. I have one last complaint: the book is published as a *Credo* book, apparently part of a series. But, I'm not sure. Nowhere does this book say anything about other writers contributing to the series, whether in the past or the future. I would be excited to read other writers' credos, especially if they were writers I was unfamiliar with. But, if I were familiar with the writer and if the Credo book were like this one, a revisit to previously published stories and ideas, then I wouldn't buy it.
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