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The Taking: A Novel Mass Market Paperback – August 31, 2010

3.2 out of 5 stars 720 customer reviews

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Editorial Reviews

From Publishers Weekly

Actress Meyers delivers a curious performance of Koontz’s latest novel (following Odd Thomas). Executed with a kind of curt, crisp precision, her portrayal of the main character, Molly Sloan, is unexceptional and doesn’t encourage the proper empathy from the listener, which is unfortunate because Molly and her ex-priest husband Neil are up against steep odds. They wake one morning in their small California town to find that a strange-smelling, luminous rain has heralded a worldwide change. All communications, even the Internet, cease functioning, but only after broadcasting some disturbing sound snippets. Soon Molly and Neil find themselves in a world where most other humans have been hunted down, the dead are reanimated and extraterrestrial invaders harvest souls. On the few occasions when Meyers gives voice to supporting characters (e.g., children, a possessed doll, the walking dead and the evil alien beings), her reading changes from run-of-the-mill to downright chilling. The transformation is astonishing and causes the listener’s gooseflesh to rise; alas, these instances are far too infrequent.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

*Starred Review* A glowing rain begins falling at one a.m. in the San Bernardino Mountains of California, where productive but hardly best-selling novelist Molly Sloan and her ex-priest husband, Neil, live outside a small town. Besides being luminous, the downpour smells like rancid semen, Molly thinks, and it brings with it a feeling of oppression. Animals cower from it, as Molly grasps when she sees a pack of coyotes huddling on the porch. The little wolves seem to be appealing to her for help, and when she walks out to them, they seem to expect her to lead them. She goes to wake Neil, rescuing him from a nightmare, and to wash--no, scour--her hands where the rain hit them. The torrent continues, taking out the power, but then appliances come on spontaneously, and the hands of clocks run wildly in opposite directions. The Sloans conclude they must leave after an interior mirror reflects the house as invaded by ghastly vegetation--but doesn't reflect them at all. Opening sequences come no creepier than this one, and the rest of Koontz's version of the extraterrestrial attack scenario so well lives up to it that the revelation, painstakingly apprehended by Molly, of who the aliens really are comes as no surprise. Nor do Koontz's authorial insertions about modernity and social degeneracy seem anything but explanatory in the context of this gripping, blood-curdling, thought-provoking parable. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 432 pages
  • Publisher: Bantam (August 31, 2010)
  • Language: English
  • ISBN-10: 0553593501
  • ISBN-13: 978-0553593501
  • Product Dimensions: 4.2 x 1 x 7.5 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (720 customer reviews)
  • Amazon Best Sellers Rank: #157,583 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Brian Reaves VINE VOICE on May 25, 2004
Format: Hardcover Verified Purchase
I have been anxiously awaiting this book since first reading about it months ago. When I got it yesterday, I devoured it. The first 100 pages give you no let up at all. You can literally feel the end of the world approaching as an evil, foul-smelling rain descends on Molly and Neil's house. What awaits her on the porch and in the garage gives you more of a sense of dread than if actual razor-toothed gremlins were staring up at her. The peace and calm exhibited from everything in this scene of destruction makes it that much more powerful. For the first half of the book, you have several possible answers thrown at you. An emergency broadcast from the space station will give you literal chills.
The only thing I didn't enjoy was the ending. As the culprits of this destruction are unveiled, it loses some momentum. While the answer makes sense, you start to lose that sense of "something's out there waiting for me". Instead, you sort of keep watching from a sense of macabre interest--sort of like driving by a car wreck slowly. Don't get me wrong, there are still plenty of surprises and suspense thrown in, but I think the book would have been much more powerful if we'd been left in the dark just a little longer. The feeling of defeat and utter hopelessness doesn't let up, but the overall fear and dread die away as the revelations come in.
All in all, I'm very satisfied with this story though. Highly recommended.
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Format: Mass Market Paperback
I think the almost perfect dichotomy in the ratings for this book is telling. As of January of 2009 there are 220-4&5 star ratings and 201-1&2 star ratings. An almost equal level of love and hate for this book. This seems very unusual.

As for myself, I loved this book. I'm a Koontz fan, so you might expect me to like another of his excellent novels, but there really is a great deal to like about this story. The story itself is an alein invasion story, but not your average, overdone nasty outerspace invaders type of tale. This one is done with a twist that I haven't seen done this way before, although I'll admit to not having read a great deal of Sci-Fi. Koontz admits in a podcast that I've listened to that his inspiration for the story came from Arthur C. Clarke, who suggested that alein technology from an advanced civilization might seem somehow supernatural to us. Koontz wondered about turning ACC's idea on it's head and suggesting that a supernatural invasion might seem like advanced technology to people in a society who don't believe in magic anymore. To people who only believe in science and the material world. I found this concept fascinating and Koontz's execution of it very well done.

I appreciate his use of metaphor and simile. His prose is vivid and often poetic and evokes such strong visual and auditory images in your mind as you read that you feel as if you are experiencing his created world first hand. His description of sights, sounds and smells become so real that one can feel the dark portent in the oppressive, driving rain, the bizarre behavior of the animals and the emotional response of his human characters.
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Format: Mass Market Paperback
I loved it! Fast,unusual,disturbing,suspenseful-an excellent story!

I read it through over 2 days(something I never do) I did have the added advantage of reading

it during bad weather which reinforced the books atmosphere.

This is a story more than a book or plot orientation. It moves and keeps moving. In some ways the opposite of the Odd Thomas series which feature

characters & dialogue more than action.

DK evoked a wider range of thought & feeling from me than with his other books. The story does raise many interesting religious/philisophical questions about survival choices,aliens,death and heaven & hell.
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Format: Hardcover
When Molly Sloan awakens one night to the drumming of an oddly scented luminescent rain, she senses that something is off-kilter. The coyotes huddle frightened on her porch. She feels a disturbing presence moving past in the sky. When her husband Neil awakens with nightmares, the two of them watch news broadcasts about bizarre supernatural occurrences, shocking violence, and public panic that arise around the globe. It starts to look as if an alien invasion has begun. Then the power goes out. Molly and Neil join up with some of their neighbors, trying to identify what is happening and how to deal with the increasingly evil and omnipotent entity that appears to be taking over the planet. The townspeople splinter into factions, each with its own opinion on how to handle the crisis.
The story starts off with powerful mood-building imagery and with echoes of Koontz's "Strangers" and Stephen King's "The Stand" and "The Mist." Koontz then cranks up the suspense and horror as alien vegetation begins to invade the town, the residents are dispatched in gruesome and mysterious ways, and the dead come to life. Now the story segues into a Twilight Zone screenplay, as the supernatural and otherworldly occurrences increase. By the halfway point, Molly and Neil are now on a crusade to save the children at any cost, even though they wonder how anyone, adult or child, could survive this hellish new world order. When there are only 50 pages left to go in the story, I am wondering how Koontz could ever resolve the plot instead of leaving the reader hanging until a sequel. Then comes a disappointing ending that plays strongly on Koontz's increasing trend to use religion and hope in his books. Dogs feature prominently in this story, as they do in many of Koontz's books.
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