Although many of us first encountered runes in J.R.R. Tolkien's Lord of the Rings, this sacred alphabet is by no means a fabrication for books or movies. Similar to Hebrew letters in the sense that each symbol contains a meaning that transcends its original function as a letter, the runes are practical, flexible, and effective symbols with a variety of uses. Today, the best known application of rune lore is divination: chips or stones marked with runes are drawn, cast, or laid out in patterns like tarot cards. In Taking Up the Runes, Paxson delves into the ancient historical meaning of each rune and explains their contemporary uses and meanings. We discover that the real power of runes comes from inside ourselves when we find the wisdom and power within each symbol and internalize them.
I was brought up in southern California, but came north to attend Mills College and never left. I got my M.A. in (medieval) Comparative Literature from the University of California in 1966, the same year I put on the first tournament of what was to become the Society for Creative Anachronism. Since 1971 I've lived at Greyhaven, a hundred-year old house in Berkeley, with successive generations of family, friends, cats and dogs.
It's a literary family, including my husband, Jon DeCles, and the late Marion Zimmer Bradley, who was my mentor as a writer as well as colleague in founding Darkmoon Circle. My first published novel was Mistress of the Jewels, which began the chronicles of Westria. After I had written several historical fantasies, Marion, whose health deteriorated after she wrote Mists of Avalon, asked me to help her with The Forest House, which is how I ended up writing the Avalon series.
Much of the spiritual experience in my novels comes out of my work in the pagan community. I have now begun to publish that material in a series of non-fiction books, the most recent being Trance-Portation. My most recent novel is Sword of Avalon, set at the end of the Bronze Age, which gave me an opportunity to explore the end of the Homeric Age and the techniques of bronze- and iron-forging.
For more about my work, see:
www.westria.org
www.avalonbooks.net
www.seidh.org
