A Tale of Two Cities (Dover Thrift Editions) [Paperback]

Charles Dickens (Author)

Book Description

Publication Date: December 31, 1998 | ISBN-10: 0486406512 | ISBN-13: 978-0486406510 | Edition: Unabridged

Against the backdrop of the French Revolution, Dickens unfolds a masterpiece of drama, adventure, and courage featuring Charles Darnay, a man falsely accused of treason. He bears an uncanny resemblance to the dissolute, yet noble Sydney Carton. Brilliantly plotted, the novel culminates in a daring prison escape in the shadow of the guillotine.

Editorial Reviews

Review

''Beginning and ending with some of English literature's most famous lines, Charles Dickens' A Tale of Two Cities thrives on tension and conflict, all set against a bloody backdrop of the French Revolution . . . . Through the senses, Dickens transports us deeper and deeper into another era with each turn of the page. Smell the acidity of red wine as it spills on the streets and ominously stains the faces, hands, and feet of peasants who lap it up in desperation; feel the competing emotions of heartache and hope as one of Lucie's suitors stands trial; hear the cries of the raging mob and the clangs of their weapons as they storm the Bastille; see the glint of the guillotine as it falls swiftly to its victim below. The novel's sense of urgency and intimacy will draw you in and propel you through one of the most tumultuous times in history.'' --Oprah's Book Club

''What can be said about a book which provides us with the single finest opening line in English literature, outside of Genesis 1:1 in the KJV? Dickens was, without any doubt whatsoever, the finest writer of historical literature / romance fiction of the nineteenth century.'' --AllReaders.com --This text refers to the Audio CD edition.

From the Publisher

The classic, definitive, world-famous Nonesuch Press edition of 1937, finally available again and bound in leather and linen. The text in these stunning volumes is taken from the 1867 Chapman and Hall edition, which became known as the Charles Dickens edition and was the last edition to be corrected by the author himself. The Nonesuch edition contains full-color illustrations selected by Dickens himself, by artists including Hablot Knight Browne ("Phiz"), George Cruikshank, John Leech, Robert Seymour, and George Cattermole.

The Nonesuch Dickens reproduces the original elegance of these beautiful editions. Books are printed on natural cream-shade high quality stock, quarter bound in bonded leather with cloth sides, include a ribbon marker, and feature special printed endpapers. Each volume is wrapped in a protective, clear acetate jacket.

The books are available as individual volumes, or as sets. The six-volume set contains Oliver Twist, Bleak House, Christmas Books, Nicholas Nickleby, David Copperfield, and Great Expectations together with Hard Times. The three-volume set contains A Tale of Two Cities, Little Dorrit, and The Life and Adventures of Martin Chuzzlewit. --This text refers to the Hardcover edition.

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Product Details

• Reading level: Ages 18 and up
  
• Paperback: 304 pages
• Publisher: Dover Publications; Unabridged edition (December 31, 1998)
• Language: English
• ISBN-10: 0486406512
• ISBN-13: 978-0486406510
• Product Dimensions: 8.3 x 5.4 x 0.7 inches
• Shipping Weight: 8.5 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (575 customer reviews)
• Amazon Best Sellers Rank: #26,307 in Books (See Top 100 in Books)
  • #7 in Books > 4-for-3 Books > Literature & Fiction > Authors, A-Z > ( D ) > Dickens, Charles
  • #65 in Books > 4-for-3 Books > Literature & Fiction > General > Literary

More About the Author

One of the grand masters of Victorian literature, Charles Dickens was born on February 7, 1812, in Landport, Portsea, England. He died in Kent on June 9, 1870. The second of eight children of a family continually plagued by debt, the young Dickens came to know not only hunger and privation,but also the horror of the infamous debtors' prison and the evils of child labor. A turn of fortune in the shape of a legacy brought release from the nightmare of prison and "slave" factories and afforded Dickens the opportunity of two years' formal schooling at Wellington House Academy. He worked as an attorney's clerk and newspaper reporter until his Sketches by Boz (1836) and The Pickwick Papers (1837) brought him the amazing and instant success that was to be his for the remainder of his life. In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work.

Customer Reviews

Most Helpful Customer Reviews

164 of 172 people found the following review helpful:

4.0 out of 5 stars A Tale of Two Cities, July 27, 2001

By 

mp - See all my reviews

This review is from: A Tale of Two Cities (Penguin Classics) (Paperback)

The more Dickens I read, the more impressed I become at his skill as a writer. No matter the form, be it short, long, or a monolith like some of his best works, Dickens excels at changing his style of characterization and plot to fit whatever mode he writes in. "A Tale of Two Cities" is one of his shorter novels, and he manages to make the most of out of the allotted space. The compression of the narrative sacrifices Dickens's accustomed character development for plot and overall effect, but what we get is still phenomenal.

"A Tale of Two Cities" begins in 1775, with Mr. Lorry, a respectable London banker, meeting Lucie Manette in Paris, where they recover Lucie's father, a doctor, and mentally enfeebled by an unjust and prolonged imprisonment in the Bastille. This assemblage, on their journey back to England, meets Charles Darnay, an immigrant to England from France who makes frequent trips between London and Paris. Upon their return to England, Darnay finds himself on trial for spying for France and in league with American revolutionaries. His attorney, Stryver, and Stryver's obviously intelligent, if morally corrupt and debauched, assistant, Sydney Carton, manage to get Darnay exonerated of the charges against him. Darnay, a self-exiled former French aristocrat, finds himself compelled to return to France in the wake of the French Revolution, drawing all those around him into a dangerous scene.

Dickens portrays the French Revolution simplistically, but powerfully, as a case of downtrodden peasants exacting a harsh revenge against an uncaring aristocratic, even feudal, system. The Defarge's, a wine merchant and his wife, represent the interests of the lower classes, clouded by hatred after generations of misuse. Darnay, affiliated by birth with the French aristocracy, is torn between sympathy for his native country in its suffering, and his desire to be free of his past.

"A Tale of Two Cities" is a novel driven by historical circumstance and plot, much like the works of Sir Walter Scott, wherein the characters themselves assert less agency, finding themselves forced to deal with the tide of epic events. Richard Maxwell's introduction to this newest Penguin edition does a good job outlining the themes of doubling and literary influence that Dickens works with. One specific influence I discerned in reading "A Tale" that Maxwell doesn't metion is Edmund Burke's "Reflections on the Revolution in France," which if nothing else, gives the feeling that the rampant violence of the early revolution and the later Reign of Terror has brought about an irreversible change in human nature. While Dickens remains cautiously optimistic throughout the novel that France can recover, the tone of the novel speaks to the regression of humanity into a more feral, primal state, rather than advertise any real hope for its enlightened progress.

Despite the supposed dichotomy between England and France in the novel, Dickens seems to suggest throughout that there are no real differences, due to the way that human nature is consistently portrayed. With England in between two revolutions, American and French, Lucie's sensitivity early in the novel to hearing the "echoing" footsteps of unseen multitudes indicates a palpable fear that the "idyllic" or "pastoral" England he tries to portray is not exempt from the social discontent of America or France. In this light, stolid English characters like Miss Pross, Jerry Cruncher, and Jarvis Lorry appear to almost overcompensate in their loyalty to British royalty. In a novel that deals with death, religion, mental illness, I could go on and on for a week, but I won't. One of those novels whose famous first and last lines are fixed in the minds of people who've never even read it, "A Tale of Two Cities" demands to be read and admired.

249 of 267 people found the following review helpful:

5.0 out of 5 stars An Eighth Grader reviews A Tale of Two Cities, June 29, 2000

By A Customer

This review is from: A Tale of Two Cities (Signet Classics) (Mass Market Paperback)

This book is incredible. I read it last year (in eighth grade), and I love it. I love Charles Dickens' language and style. Whoever is reading this may have little or no respect for my opinions, thinking that I am to young to comprehend the greatness of the plot and language, and I admit that I probably do not completely appreciate this classic piece of literature. I do read above a 12th grade level, although that doesn't count for a whole lot. It took me a while to get into this book. In fact, I dreaded reading it for a long time. But nearer to the end, I was drawn in by the poignant figure of a jackal, Sydney Carton. In his story I became enthralled with this book, especially his pitiful life. After I read and cried at Carton's transformation from an ignoble jackal to the noblest of persons, I was able to look back over the parts of the book that I had not appreciated, and realize how truly awesome they are. I learned to appreciate all of the characters, from Lucy Manette to Madame Defarge. I also was affected by all of the symbolism involved with both the French Revolution, and the nature of sinful man, no matter what the time or place. My pitiful review could never do justice to this great book, please don't be discouraged by my inability.

103 of 109 people found the following review helpful:

5.0 out of 5 stars Turbulent times in London and Paris, April 27, 2005

By 

Peter Reeve (Thousand Oaks, CA USA) - See all my reviews
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This review is from: A Tale of Two Cities (Penguin Classics) (Paperback)

The period from 1775 - the outbreak of the American Revolution - to 1789 - the storming of the Bastille - is the turbulent setting of this uncharacteristic Dickens novel. It is his only novel that lacks comic relief, is one of only two that are not set in nineteenth-century England and is also unusual in lacking a primary central character. London and Paris are the real protagonists in this tale, much as the cathedral was the 'hero' of Hugo's Notre Dame de Paris. Dickens was writing at a time of great turmoil in his personal life, having just separated from his wife, and no doubt the revolutionary theme was in tune with his mental state.

The result is a complex, involving plot with some of the best narrative writing to be found anywhere, and the recreation of revolutionary Paris is very convincing. The device of having two characters that look identical may seem hackneyed to modern readers, but it is here employed with greater plausibility than in Twain's Pudd'nhead Wilson or Collins's The Woman in White.

Dickens was inspired to write this story by reading Carlyle's newly published history of the French Revolution. Those events and their aftermath stood in relation to their time much as World Wars I and II do to ours, that is, fading from living memory into history, yet their legacy still very much with us. In many nineteenth-century novels, especially Russian and British works, you get a sense of unease among the aristocracy that the revolution will spread to their own back yard. In the case of Russia, of course, it eventually did.

I have often recommended A Tale of Two Cities as a good introduction to Dickens for younger readers. This is based on my own experiences, because it was a set book in my English Literature class when I was 15 and I remember thoroughly enjoying it. Yes, it is challenging, with its somewhat archaic language and its slow development, but you cannot progress to an enjoyment of great literature without being challenged.