Customer Reviews

The Tale of Genji

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There is such a different tone to each of the translations. The sparse phrasing of Seidensticker's may be nearer to the original and from the point of view of following the plot it is certainly easier but Arthur Waley's translation is altogether more beautiful. In fact you become so mesmerized with the delicate description of the physical and the emotional that you fall prey to a kind of love affair with the book that Genji himself would have no difficulty understanding. The story is as much about each of the women as it is about Genji. Reviewers who have labelled Genji a playboy have completely missed the point; playboys are by definition carefree and non-suffering. In contrast it is the very fine nature of Genji's temperament and the intensity of his emotional attachments that lay him open to experience the most painful awarenesses. Moreover he is quite unable to banish past episodes from his consciousness or his conscience. Sexual attraction serves largely as a catalyst to romantic adoration rather than as a goal in its own right. If you study the range of language employed by Waley you will empower yourself with a vast arsenal of English phrasing. It is unlikely that any other book offers more from this point of view and I'm including here Proust, Joyce and the Bible. To the western reader it is an opening to a sensibility that many do not associate with Asia. To the Japanese student who has reached a high level of English a careful reading of Genji would be worth more than all the vocabulary books on the market. To both of them though, it would be a nourishing of their consciousness and although this undoubtedly leads to a multiplication of pleasure, it will also lead to a corresponding potential to contact with pain. Such is life and therefore I give to this work of art the greatest accolade, it captures something true, and beautiful. If you should find seidenstecker too matter of fact just try Arthur Waley, it is a matter of art.

This is a review of the abridged translation of The Tale of Genji by Edward G. Seidensticker.

The Tale of Genji was written in the 11th century by Lady Murasaki Shikibu, and its story is set in the same period. It is universally considered THE great Japanese traditional novel, and one of the greatest works of world literature.

Seidensticker's abridged translation is about one-quarter as long as the complete work, and includes chapters 1, 4-5, 7-14 and 17. These chapters hang together fairly well as a self-contained narrative that gives a flavor for the complete work. The story begins with the lady of the Paulownia Court, a kind and refined woman with whom the Emperor falls in love. Because she lacks support at court, she is hounded to death by those jealous of her, including Kokiden, the Emperor's wife. But before she dies she gives birth to the Emperor's son, Genji. Since, like his mother, he lacks influential relatives at court, the Emperor keeps him a commoner (and hence ineligible to become Emperor). But from his childhood, Genji's beauty, elegance, artistry and aesthetic sensibility leaves others awestruck, and frequently in love with him. In the period of the novel, upper-class people occupied themselves primarily with poetry composition, painting, ritual activities and romantic affairs. These affairs were largely tolerated, as long as they were conducted discreetly. Much of the novel is taken up with Genji's affairs, which lead him into near-disaster more than once. Eventually, he is discovered in the apartments of Oborozukiyo, sister of Kokiden. Genji might have gotten away with this under his father's reign, but by this time his father has been succeeded by the Suzaku Emperor, who is largely controlled by his mother, Kokiden. So the scandal leads to Genji going into exile. At the end of this abridgement, Genji returns from exile, in part through the intervention of the spirit of his father, who appears to the Suzaku Emperor in a dream, and then Genji's illicit son succeeds to the throne. We eventually see Genji returned to his old honors at court, and planning on bringing to court the Akashi Lady, whom he met while in exile and who became the mother to Genji's daughter.

One might understand Genji as a man always searching for the mother whom he never knew. In the "Evening Faces" chapter, Genji has an affair with an unnamed woman whose hold on him seems mysterious: "She was of an extraordinarily gentle and quiet nature. ... She did not appear to be of very good family." (41) This could just as easily be a description of Genji's mother. This woman dies suddenly (seemingly as the result of malign spirits), so metaphorically Genji loses his mother once again. His great love is Fujitsubo, the new consort of the Emperor (Genji's father), whom the Emperor chose precisely because she reminds everyone of Genji's mother (22). Fujitsubo is also attracted to Genji, and their illicit relationship results in Genji forcing himself on her and fathering a son whom everyone believes to be the current Emperor's (86-88). (Indeed, this child eventually becomes the Reizei Emperor.) After this, Fujitsubo more and more isolates herself from Genji to avoid any suspicion. The other major woman in Genji's life is Murasaki. When Genji discovers her, she is a ten-year-old child. He finds out that, like him, she lost her mother while young. Perhaps even more significantly, she is Fujitsubo's niece (74)! Her father still lives, but she does not live with him, and he has not shown much interest in her. So Genji spirits her away in the middle of the night, planning on raising her to be his ideal woman.

This novel could also be seen as presenting a sort of Buddhist perspective on romantic love. Genji sees the beauty in everything. This is part of the reason that he is attracted to so many different women. And in the aesthetic of this book, beauty is accentuated by its very transience. The person we love today may die tomorrow. This is a distinctively Zen perspective. But Genji is also trapped by his attachment to the people whom he loves from achieving enlightenment. Listening to a monk intone the scriptures "Genji was filled with envy. Why did he not embrace the religious life? He knew... that the chief reason was" Murasaki (208).

The position of women in Genji's society is complex. Genji says of women, "The clear, forceful ones I can do without. ...a woman who is quiet and withdrawn and follows the wishes of a man even to the point of letting herself be used has much the greater appeal" (62-63). On the other hand, the novel does have a genuine heroine: Fujitsubo. She resists her attraction to Genji and then resigns as Empress and becomes a nun, all for the good of her son. The ambivalent position of women is well illustrated by the interaction between Genji's wife, Aoi, and the Rokujo Lady. After Genji ends his affair with the latter, his wife's servants embarrass her at a public event. Then when Aoi is pregnant, she becomes seriously ill when possessed by a spirit: "It was not Aoi's voice, nor was the manner hers. Extraordinary-and then he knew that it was the voice of the Rokujo lady. He was aghast." (162) The Rokujo Lady's spirit has "gone walking" in her sleep, attacking the object of her anger and jealousy. The story clearly takes this as a serious possibility, but we can also see it as a symbolic playing out of the dangers of affairs and jealousy.

There are many aspects of this story that will seem alien or even disturbing to contemporary Western readers. As one of my students put it, colloquially but succinctly, "Genji seems like a player": it is hard to even keep track of how many affairs he has over the course of the novel. And his relationship with young Murasaki is, to be equally colloquial, creepy. She is frightened when he comes in the night to take her away, but he tells her "You are not to sulk, now, and make me unhappy. Would I have done all this for you if I were not a nice man? Young ladies should do as they are told." (103) He takes her virginity just a few years later, after essentially treating her as his daughter.

But we must also keep in mind that Genji's behavior was not regarded in his culture the way that it would be in our own. And we must recognize Genji's admirable qualities. He sees something unique and beautiful in each of the women that he has a relationship with, and does not merely forget them afterwards: "His manner as always gentle and persuasive, it is doubtful that he said anything he did not mean. There were no ordinary, common women among those with whom he had had even fleeting affairs, nor were there any among them in whom he could find no merit; and so it was, perhaps, that an easy, casual relationship often proved durable." (235) This is perhaps more than many people today could say.

It's amazing how so many of the people writing negative reviews on this book are focused on what they see as moral or philosophical content.

They seem to miss the fact that Lady Murasaki was writing in the context of the society at that time, and exploring those same moral conflicts within the reality of both society and individual consciousness. Genji is not a hero placed on a pedestal, Murasaki examines him in the most honest way, showing both the good and the bad, the beauty and the beast; and that's what makes it such a great novel. It has integrity of subject rarely seen in our modern formulas and Hollywood endings.

In modern texts the writing formulas is a hero who goes through a series of climaxes, culminating in a victory or defeat where the protagonist discovers something about themselves, but with Genji, the reader discovers something about themselves, and maybe that's too disturbing for some people.

In addition, it passes on an abundance of information on Japanese history and culture of the Heian area. It is a significant work relating to the Japanese Incense Ceremony called Kodo, of which today the most famous game is called "Genji Koh" or "Incense of the Genji."

This does appear to be the unabridged Seidensticker translation, and it's great to finally have a full Genji for the kindle. But the conversion to Kindle format seems to be flawed. The formatting metadata (chapter titles, notes etc) appear as part of the text. For example, <K 1>[Japanese Volume]<C 1>[The Pawlonia Court], etc. This ebook needs to be withdrawn and reformatted.

Altho it is true the formatting on this is not up to par, it does not make it difficult to read as mostly the distractions are on chapter titles only. If one can get by that, it is fully readable and delightful to have a kindle version. I have been carrying the heavy tome around for years and now I might actually read it. It does not appear to be abridged.

The first moment of jarring strangeness in Lady Murasaki's great novel comes when her hero, the shining Genji, settles for the embraces of a young boy go-between, rather than his reluctant sister. From there, the novel goes on to explore ever more complex psychological dimensions of incest, the Don Juan complex, and married love. Each chapter is composed with the care and precision of a poem, and the author's elusive / allusive prose conceals the Jane Austen-like precision with which she charts her two heroes' foibles and self-delusions. Somewhere in between Seidensticker's robust and spare translation and Arthur Waley's Proustian expansion it may, perhaps, be possible for the English reader to grasp the lineaments of the original work. The greatest novel ever written? The first psychological novel in any language? The first anti-hero (Kaoru, Genji's nephew) in world literature? Each of these statements could be defended, but perhaps it would be more to the point to say that the Genji should be as essential to the truly educated reader as Homer or Tolstoy

In the book's defense, Aristotle said "It is the mark of an educated mind to be able to entertain a thought without accepting it." Many of the events described in this book seem unacceptable to the Western 21st century moral code, BUT neither Lady Murasaki nor Genji were 21st century Westerners.

Many cultures around the world still have arranged marriages, the arrangements happen while the bride (and groom) are still children, sometimes the groom is much older, so there's nothing really THAT strange about that. From what I gleaned Genji didn't have physical relations with Murasaki until she was old enough so really, no harm no foul.

As far as the cultural content this book was fascinating, you have to factor in when it was written that it had to be translated into English which I would assume was no easy task for any translator; sometimes "ideas" don't translate as well as one would hope.

Other than that the book was a hard read but definitely worth it, I found myself almost craving to read it if I put it down for a while. I just couldn't wait to hear about Genji's next adventure or conquest.
The poetry was also of interest, apparently it was proof of intelligence and/or good breeding (or something) at that time to be able to make up a good poem spontaneously (on the fly) and they do this often throughout the book; which at first threw me while reading, but you soon get used to it.

You can also catch a hint of the traditional Japanese culture (that I know of, which isn't a lot) and it may help with an understanding of what it's all about; in other words it is possible to make some connections between then and now.

The characters are all very interesting and Murasaki makes them come alive with her very vivid descriptions of their personalities as well as physical descriptions that aren't too exhausting. You can practically say you "know" the people she describes, you can imagine someone you know that is just like that character. Genji is so haughty and pompous, it's almost comical at times, but who wouldn't be if they were given near god status at birth? He seems almost naive or innocent, even though in reality he's far from it, almost narcissistic, but it's all good because he's "Genji", lol. You almost become narcissistic along with him - toward him, it's contagious.

It is also very humorous at times and I found myself chuckling out loud (and then not able to explain to people what I'm laughing about because you "had to be there"); you get so in tune with the culture that you find humor in the "slights" that are completely culturally based.

I was struck so many times by the similarites between "human nature" then and now, the only real differences are cultural. Their personalities, their desires, their emotions are all the same as what we are familiar with in this day and age.

This was just a GOOD book and a GOOD story, it's no wonder it has been around so long.

Sondra

The Tale of Genji is a rare glimpse into eleventh century Japan. Murasaki Shikibu does a magnificent job describing the life at the imperial court. The story follows the life of Genji who is the son of the emperor, but his mother is of very low rank so he is unable to become an heir. Even though Genji cannot become an heir to the thrown he is the jewel of the imperial court, being talented in everything that was valued at the time including: poetry, dance, koto playing, and a keen eye for ascetics. Some could say that Genji is the equivalent of the European Renaissance man.

The good looks that the people at court thought would lead to Genji having a short life, proved to be wrong and ended up turning Genji into s true ladies man. Most of the story is consumed by Genji's affairs, which can be a bit tiresome and confusing. Genji chose some rather unexpected characters to become his lovers including a little girl that he brings to the palace to shape into the perfect wife. One good thing about all of Genji's affairs is it gives the reader the chance to read many different Waka, which are two lined poems that would be exchanged between lovers.

I would definitely recommend this book to anyone who is interested in Japanese history, since it is written by someone who lived during the Heian period. This book is also good for anyone who truly enjoys classics because it is considered one of the WORLD's first novels. However if you don't mind lengthy books, I would recommend reading the unabridged version which has 54 chapters compared to the 12 available in this version. One plus to the abridged version is it is full of woodblock printings inspired by the novel.

This is a wonderful book, but the Einstein Books version for Kindle is simply terrible. In some areas, it is indescipherable due to missing words and/or phrases.

Should be pulled com the e.shelves...

This is the first complex or psychological novel written and for me, the best. A work of genius, although to my mind a reader should have a guide, either someone who knows the novel and has studied it or several references such as Ivan Morris's guide to the Heian era. Genji has many very dark and cynical sides, which a reader may not see very well without a knowledge of Buddhism. The second half of the novel, for me, was the much better part--deeply evocative, even haunting.