From Publishers Weekly
An Australian team introduces a trumpet-playing oinker and a wolf that not only wants a pork dinner but a chance to blow his horn. Gilbert takes off to see the wide world, progressing from a tent made out of calico to a twig hut. He fishes by day and plays his trumpet "to the stars." But the Wolf dogs his footsteps, threatening to eat him up and take his trumpet ("There was no way that Gilbert Alexander Pig was going to let the Wolf get his paws or his lips on that trumpet!"). Thus Gilbert ends up in the city, in a brick house he builds thanks to the proceeds from gigs at cafes and nightclubs. Readers may be mystified by the fellow's change of heart: when the Wolf shows up at his urban dwelling, Gilbert tells him, "We need to talk about this." They draw up an agreement, and soon the two are camping and fishing together while Gilbert plays a nightly serenade. The story's subtext (Gilbert is black and the Wolf is white) will likely be lost on young readers, and the meandering narrative and sudden change in the characters' behavior may also leave youngsters behind. Cox's (Tin Lizzy and Little Nell) pen-and-wash illustrations, however, sketched in a flurry of lines and featuring sprightly characterizations, maintain a light touch. Ages 4-8. (Apr.)
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
From School Library Journal
Grade 1-3-A familiar tale with a modern twist. Gilbert A. Pig leaves home with his trumpet. Settling by a stream in a simple tent, the little black pig enjoys fresh fried fish and playing music until-a big white Wolf tries to steal his instrument and chases him off to the mountain. He creates a home of twigs and branches, eats fish, and plays his trumpet until-the wolf appears again and chases him off to the city. Of course, it's time for a brick house. Gilbert is an enlightened pig. After proving his ability to protect himself, he and the wolf agree to work together, sign a contract, and peacefully coexist, sharing all three abodes and their love of the trumpet. Cresp uses a traditional tale "to explore life at the end of the twentieth century." She incorporates themes of cooperation, the joys of the simple life, the love of music, creating a safe haven in the city, and conflict resolution. The appealing watercolor illustrations accented with pen and ink are a bit busy but definitely add to the fun. A pleasant read-aloud that can be enjoyed on many different levels.
Jody McCoy, The Bush School, Seattle, WA
Copyright 2000 Reed Business Information, Inc.
Jody McCoy, The Bush School, Seattle, WA
Copyright 2000 Reed Business Information, Inc.
