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Tales of Muraski and Other Poems (New American Poetry)
 
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Tales of Muraski and Other Poems (New American Poetry) [Paperback]

Martine Bellen (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

New American Poetry October 1, 2000
Poetry. Martine Bellen's TALES OF MURASAKI uses the pillow book of Lady Murasaki as a starting point for a lyrical and narrative series of poems that explore language as they unearth the core of story. Rosmarie Waldrop, who selected this collection for the 1997 National Poetry Series awards, writes of Bellen's poetry: "A multivalent, multidirectional logic dances across categories to a space where we cannot tell if a lover 'is parting or a part of mist and memory, the path is endless.' It takes our breath away as it leaps across continents and centuries, from Precolumbian Mexico to Japan, from myth to biology." Publishers weekly observes, "Bellen is a sensualist with a taste for vernacular as refined as C.D. Wright's; and a historian as steeped in the montage of character and setting as Susan Howe or Guy Davenport... Bellen's giddy, insouciant renderings of our thickly mythic polish seem fresh." Martine Bellen lives in New York, where she works in the publishing industry.

Editorial Reviews

From Publishers Weekly

Rosmarie Waldrop's pick for the 1997 National Poetry Series, Bellen's third major collection employs a textured and hesitant prosody, and an off-kilter epigrammatic style to effectively probe surfaces like, in Bellen's words, "A manicurist digging for more." It is the Lady Murasaki of the title?the 11th-century author of the Tales of the Genji?who provides the model for Bellen's method. Murasaki, who wrote Genji in a script learned only by men, is often credited with inventing the novel and took her pseudonym from a character in her own writing. In these serial poems (usually four or five spare sections interspersed with prose), Mayan, Mongolian, and Japanese courtly figures present Poundian personae, but Bellen's poet is as interested in the smell inside the mask as in its public expression. "Confessions" flashes between interiority and exteriority with mercurial brilliance: "without becoming representational, what/ happens after death or inside a running horse// aluminum faucet, the fiction and what surrounds it/ non-radical/ character written in a margin." Though her writing is rife with historiographic allusions and clues (to the Buddhist "amidists," among others), Bellen is a sensualist with a taste for vernacular as refined as C.D. Wright's; and a historian as steeped in the montage of character and setting as Susan Howe or Guy Davenport. Like those of Lady Murasaki, Bellen's giddy, insouciant renderings of our thickly mythic polis seem fresh, and appear to create their author from the tactile fragments of the text.
Copyright 1998 Reed Business Information, Inc.

Product Details

  • Paperback: 108 pages
  • Publisher: Sun & Moon Press; First edition. edition (October 1, 2000)
  • Language: English
  • ISBN-10: 1557133786
  • ISBN-13: 978-1557133786
  • Product Dimensions: 7.5 x 5 x 0.3 inches
  • Shipping Weight: 3.8 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #4,942,870 in Books (See Top 100 in Books)

More About the Author

Martine Bellen is the author of six collections of poetry including THE VULNERABILITY OF ORDER (Copper Canyon Press); TALES OF MURASAKI AND OTHER POEMS (Sun & Moon Press), which won the National Poetry Series Award; and GHOSTS! (Spuyten Dyvil Press). A bilingual collection of her poetry has been published in Germany by Verlag im Waldgut (translator, Hans Jürgen Balmes). She has written the libretto for OVIDIANA, an opera based on Ovid's METAMORPHOSES (composer, Matthew Greenbaum) that has been performed in New York City and Philadelphia. She has collaborated with David Rosenboom on AH! OPERA NO-OPERA, a pioneering collective work, that's been co-composed and performed by creators from around the globe. Its world premiere was in September 2009 (for more information, visit www.ah-opera.org) at REDCAT in L.A. Her novella 2X(SQUARED) has just been published by BlazeVOX [books].

Ms. Bellen's poetry has appeared in numerous anthologies, including SAINTS OF HYSTERIA: A HALF CENTURY OF COLLABORATIVE POETRY (Soft Skull Press), IN OUR OWN WORDS: A GENERATION DEFINING ITSELF (MWE), THE CONVERGENCE OF BIRDS: WRITING INSPIRED BY JOSEPH CORNELL (DAP) and THIS ART (Copper Canyon Press). She has been a recipient of the New York Foundation for the Arts, the Fund for Poetry, and the American Academy of Poets Award and has been awarded a residency by the Rockefeller Foundation at the Bellagio Center in Italy. Bellen is a contributing editor of the literary journal CONJUNCTIONS and is on the Belladonna* Collaborative.

 

Customer Reviews

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Average Customer Review
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1 of 2 people found the following review helpful:
3.0 out of 5 stars Japonisme finds a private new outlet here, bravely so., May 19, 1999
By A Customer
This review is from: Tales of Muraski and Other Poems (New American Poetry) (Paperback)
Japonisme, the vague contact with an oriental tradition of other love and other bliss, finds a new outlet here, bravely and meanderingly so. The book has a handsome cover as is true of Sun & Moon books where design often overrides the slightness of manifest content and irrelevance of politics: here, the collection of fragments has an atmosphere of vague longing and urbane lovelornness about it. One feels the high tradition of the great Lady Murasaki is being sifted through the intense lens of American solipsism, and the fit is selfindulgent, poised, posed, and unnerving. At least this author is moving out beyond the landscape of the self, is seeking to get beyond the babble of love bliss and self-therapy. A mixed offing, but suggesting more to come. This is not so much 'Japan bashing' as it is Japan blessing of courtly love. If the whole world now belongs to globalizing Americans, say, we might as well have some lyric fun shopping over the traditions and the advanced poetic goods! Let them eat sushi.
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1 of 3 people found the following review helpful:
5.0 out of 5 stars INTUITIVE MYTHS, May 27, 1999
By A Customer
This review is from: Tales of Muraski and Other Poems (New American Poetry) (Paperback)
It's rare that a book of poems nowadays can invoke the mythic, the mystical or even the erotic, without falling into an expected system of metaphors that no longer live up to the power we would like to find in them. Yet somehow Martine Bellen's elegant new collection does just that. Drawing on the spirit of Lady Murasaki's writings, she interweaves the classical with the contemporary to produce an intuitive and almost visionary kind of poetry that enables her to examine issues of gender and language from a sweeping perspective. "If a mother's blood is smeared on ancient/ coins, the currency will find her children no matter how/ long it circulates." As these poems travel through time and culture, we are invited to discover, along with the poet, the lineaments of self. Loss and longing become a guide: "She says she is leaving me/ but I hear, 'I am leading you'/ and follow." Passionate yet stylized. Melancholy yet radiant. Powerful yet subtle as water on stone. These poems continue to unfold in surprising new ways like "A manicurist digging for more." You will want to read them again and again, and each time, Tales of Murasaki will lead you further.
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