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Tales of a Punk Rock Nothing [Paperback]

Schweser Himelstein (Author)
4.1 out of 5 stars  See all reviews (23 customer reviews)

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Book Description

August 1, 1998
The classic underground novel about a Jewish kid from Tennessee, who moves to D.C. and hangs out with militant vegetarians, manifesto-writing shoplifters, and strippers who write feminist theory. The story is told through journals, letters and zines. It's got everything you could want out of a novel: a chase scene, a sex scene, plus angst-ridden critiques of American society.

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Editorial Reviews

Review

"The story is fun and engaging and will ring true to anyone who has ever spent any time debating the ethics of eating honey." -- Jessamyn, December 31, 2000

From the Publisher

Also by Abram Shalom Himelstein (co-author of Tales of a Punk Rock Nothing): "What the Hell Am I Doing Here? The 100 T-Shirt Project."

Product Details

  • Paperback: 160 pages
  • Publisher: Garrett County Press; 2 edition (August 1, 1998)
  • Language: English
  • ISBN-10: 0966646908
  • ISBN-13: 978-0966646900
  • Product Dimensions: 8.3 x 5.3 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #962,154 in Books (See Top 100 in Books)

 

Customer Reviews

23 Reviews
5 star:
 (12)
4 star:
 (5)
3 star:
 (3)
2 star:
 (2)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (23 customer reviews)
 
 
 
 
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16 of 16 people found the following review helpful:
4.0 out of 5 stars Entertaining yes, and also an engaging critique of punk, September 16, 2000
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This review is from: Tales of a Punk Rock Nothing (Paperback)
This is a fast-paced, gripping story; fun and true. As a member of the Seattle anarcho-punk scene during the same years (early-mid 1990s), I can say that the authors got it right. And they take you along on the ride, in the back of dirty vans, in punk shared houses, in trips to steal from K-mart. Yeah--it does read like a zine, but (A) that's a good thing and (B) it reads like a really good zine. But Schweser and Himelstein give us more than just a novel about DC punk life, they also critique it from within; showing its weaknesses and hypocrisies. They give particular attention to challenging a rabid, angst-ridden riot grrl, who's breed of feminism is uncomfortable with the world. The critique is weakened in its caricature, but it does raise some interesting questions about one narrow type of feminism, political intolerance, and fun in the punk scene. Hopefully some good discussions will be inspired by this book, which tells a lively tale, states its beefs, and celebrates the creativity and autonomy of anarcho-punk.
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14 of 14 people found the following review helpful:
4.0 out of 5 stars DIY Success, July 17, 2000
This review is from: Tales of a Punk Rock Nothing (Paperback)
This is a fairly cute and telling fictional journal/scrapbook of a New Orleans punk who, instead of going to college, decides to move to Washington, D.C. and live a more "punk" life. Elliot's two years in D.C. unfold in a series of letters to his former girlfriend, letters to his little sister back home, journal entries, and three issues of "Mindcleaner" a 'zine he starts. Elliot's punk experience runs the gamut, from living in the Positive Force house, a hazy relationship with a riot grrrrl, working in a health food store at Dupont Circle, trying to organize a collective, moving to Mt. Pleasant, and of course, being in a band and putting out a record. I believe the book is pretty much based on the co-author's experiences in moving to D.C. and I suppose it captures/satirizes a lot of the D.C. "scene" pretty accurately. Although the names have been changed, plenty of D.C. bands (Fugazi, Nation of Ulysses) and scenesters will be recognizable to people in the know. The book works better as a rabid cry to "do something" instead of posing--an aim that is always laudable. It's critique/satire of the D.C. scene gets a little stale by the end, it seems to me like a lot of Elliot's disillusionment stems from idealized expectations about D.C.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars This IS punk rock., June 23, 1999
By A Customer
This review is from: Tales of a Punk Rock Nothing (Paperback)
Anyone can play punk rock - well not everyone can OFF tune their guitars quite so - but anyone can play it. But only geniuses like these two authors can write punk rock.

In some sense punk is about reinventing oneself and the medium of one's expression. (Is Dylan the ultimate punk?) This story is about a young boy from a small town who reinvents himself - expresses his true self - by going to the big city (Washington, DC) and immersing himself in a sociogroup with ideals/goals he shares. The brilliant insights come when he realizes that being Jewish and from a small town are as much a part of who he is as his ideals. We see real insight into the human condition where the hero wrestles with his mixed inner voices, peeling away the layers to what is truly important about us, and what defines who each of us is.

We wait for more books from these obviously talented writers. I hope their angst continues, and they produce more fodder for all of us wrestling with these essential questions of identity and self.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
riot grrrl, punk scene
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Food Not Bombs, Elliot Rosenberg, King's Castle, Death Culture, Eros Auto Association, Aaron Pavapolous, Kenny Rogers, Rolls Royce, San Quentin, United States
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