From Publishers Weekly
The truthful tales are better than the tall ones in this rambunctious collection by the Scottish author of the well-received Poor Things. The title itself is a whopper: there are 12 stories, a prologue and an epilogue. The humorous entries range from silly to archly playful. "The Marriage Feast" parodies Kingsley Amis's account of a run-in with Dylan Thomas, casting Christ in the mad poet's role. In "The Trendelenburg Position," a dentist muses on the possibilities of virtual reality to a prone (and silent) patient. "Near the Driver" takes a mocking look at Britain's railroad future, in which computer-controlled trains announce precisely when they will crash. These pieces are amusing enough, but when Gray lays aside his trademark wit to deal with characters in his native Scotland ("Houses & Small Labour Parties" and "You") or to tenderly portray an elderly botanist ("Time Travel"), his deft prose and thoughtful insights render the cleverness of the other tales a bit shallow in comparison. Gray's witty touch is also evident in the quirky black-and-white drawings interspersed with the text.
Copyright 1994 Reed Business Information, Inc.
Venturing into a bizarre, malproportioned world, Gray's stories beggar categorization. They're a fake of the real, in keeping with the title's paradox; beyond that, they share only phantasms that leave an absurd satisfaction in reading. Ever been hostage to a dentist's palaver? "The Trendelenburg Position" relives, not relieves, the agony in 10 pages. Ever enjoy a drink in solitude in a tavern, while feeling close to God? "Are You a Lesbian?" alludes to what the outside world may think of the sight. In such strange but creative directions, Gray bends his imagination in these 14 tales (not 10--he fooled us again), from sf situations (a runaway train of the future) to a satirically scientific one in which a man uses "Baconian Induction" to solve the mystery of who put chewing gum between his toes. The lovelorn need not be forlorn in Gray's hands, either, for he serves a few romantic imbroglios in an appropriately existential sauce. Plainly written, partially fathomable, and distinctively quirky, these are stories for cutting-edge tastes.
Gilbert Taylor