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How to Talk About Books You Haven't Read Hardcover – October 30, 2007
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“I probably shouldn't bring any of this up, but Mr. Bayard holds that one of the best reasons for reading a book is that it allows you to talk about yourself. How to Talk About Books You Haven't Read is an amusing disquisition on what is required to establish cultural literacy in a comfortable way. Lightly laced with irony, the book nonetheless raises such serious questions as: What are our true motives for reading? Is there an objective way to read a book? What do we retain from the books we've read?” ―Joseph Epstein, Wall Street Journal
“Witty and charming and often fun.” ―Sam Anderson, New York Magazine
“I read and adored Pierre Bayard's book. It's funny, smart, and so true--a wonderful combination of slick French philosophizing and tongue-in-cheek wit, and an honest appraisal of what it means, or doesn't mean, to read.” ―Clare Messud, author of The Emperor's Children
“It may well be that too many books are published, but by good fortune, not all must be read…A survivor's guide to life in the chattering classes…evidently much in need.” ―New York Times
“In this work of inspired nonsense -- which nevertheless evokes our very real sense of insecurity about the gaps in our cultural knowledge -- reading is not only superfluous, it is meaningless. Our need to appear well-read is all.” ―Sarah Gold, Chicago Tribune
“In this hilarious and elaborate spoof, Bayard proves once again that being almost ridiculously erudite and screamingly funny are by no means mutually exclusive.” ―Booklist
“Brilliant…A witty and useful piece of literary sociology, designed to bring lasting peace of mind to the scrupulous souls who grow anxious whenever the book-talk around them becomes too specific.” ―London Review of Books
“With rare humor, Bayard liberally rethinks the social use [of literature] and the position of the reader…Read or skim How to Talk About Books You Haven't Read. Or simply listen to what people say about it so that you can talk about it with ease. In either case, you may not be able to forget it.” ―Les Inrockuptibles
About the Author
Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd?and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.
Top Customer Reviews
The author, a Professor of French Literature and a psychoanalyst, assures us that "it is sometimes easier to do justice to a book if you haven't read it in its entirety--or even opened it." Whew, what a relief! In addition, Bayard informs guilt-ridden non-readers that they are in very good company, since "mendacity is the rule" when it comes to reading. Few individuals who wish to be taken seriously by their peers will admit to never having read certain "canonical texts," so they simply lie and pretend to have read them. The whole spectrum of non-reading is covered here: books we've never cracked open, those we've merely skimmed, books that we've never laid eyes on but have heard about from others, and those that we read years ago and have long since forgotten. When books fade from our consciousness, we might as well not have read them at all, Bayard asserts. In many cases, "Our relation to books is a shadowy space haunted by the ghosts of memory....Read more ›
A teacher of French literature and a psychoanalyst, Bayard recognized the phenomenon of non-reading and apparently decided to address it. The surprising thing is that everyone in the book group confessed to being guilty of one sort of non-reading or another. Until Bayard laid it all out, some of us were not even aware of the different ways in which to "non-read" a work: there's skimming, not even opening the book, hearing about it from others, reading reviews, etc. Worst of all, there is reading it then forgetting one had ever done so. The latter I do disagree with, for even though I might not be able to recall anything about the content on my own, I can be reminded by someone else. And having read a work, it becomes part of who I am, even if subliminally.
By using the works of others to illustrate his points, Bayard brings to the reader the value of even well-known stories, and puts us in touch with obscure stories in which having read or not read something is a part. His including "Groundhog Day" was something of a surprise, yet it brought some of the discussion down from the heights of high literature, pointing out that some subjects are present in many genre. Hiding the fact that one has not read a book, or not being ashamed of not having read it, can be most cleverly done.
One of the charming things about this work is the beauty of the language. The translator did a marvelous job. Although the volume is slender, this is a work that should be savored, perhaps even re-read. It's worth the time and money.
This book seemed to go against every belief I have ever had about books and reading. I was told from when I was very young that the more I read the more I learn. I did not feel comfortable with the fact that this idea was being challenged. I began reading this book with intense skepticism and the intense desire to find something wrong with Bayard's argument. Instead, I found myself agreeing with him.
There are always books we cannot make ourselves read or we start reading them numerous times only to give up and put them back on the shelf. These books induce headaches, misery and coma-like sleep states. We force ourselves to sit through hours upon hours of unpleasant reading all the while retaining nothing of what we read. We could easily be reading something enjoyable or doing something more important. If we simply must read this book a skim is definitely preferable to hours of torture.
I found myself employing Bayard's techniques without even knowing it. I have a feeling I will keep doing so. The is the type of book that teaches you without you even knowing it. The only criticism I have is that there were simply too many quotes. It made the prose seem choppy. Other than that, this is definitely worth a read even if it seems you will not agree.
Most Recent Customer Reviews
This is basically a book on how to be a bulls***ter. While his idea of seeing books as part of a collective library and in relation to other books as well as how we each hold an... Read morePublished 2 months ago by Anonymous
“There is more than one way not to read, the most radical of which is not to open a book at all.”
That first sentence already sets the ironic tone of this book about our... Read more
The book is interesting in its dissection of the different types of "non-reading" as well as its example scenarios. Read morePublished 4 months ago by David Wynn
Three stars, not because it’s poorly written, but because the title is a tease. A better title would be “Why Not Talk About Books You Haven’t Read”. Read morePublished 6 months ago by Pierre Groussac
I don't know that I got exactly what Bayard wanted me to get from this book - but I gleaned that Bayard would say the book only exists in a reader's mind anyway. Read morePublished 9 months ago by Eugenia Luck
This is a really thoughtful read. As someone who (really does) read a LOT of books, I was most pleased to read about how to deal with the reality of forgetting books. Read morePublished 10 months ago by Ryan Mease
M. Bayard's book brings to mind a line from the movie Chariots of Fire, where, on the train on the way to the Olympics in France, the British Olympic Committee man remarks... Read morePublished 10 months ago by mc
I love to read nonfiction.. This book is heady, stuffy, and repetitive. I quit after two chapters.Published 11 months ago by AngelinaGB
My book club went around the room telling how many stars we'd give it. I told them that it was a folly to believe this text warranted stars at all. Read morePublished 13 months ago by Katzz