Talking Diamonds (New Issues Poetry & Prose) [Paperback]

Linda Nemec Foster (Author)

Book Description

Series: New Issues Poetry & Prose | Publication Date: October 5, 2009

''A humanist at heart, Linda Nemec Foster has demanded from her poetry an artfulness that engages ordinary life. With each new book her work has continued to mature, deepen, console, surprise, and Talking Diamonds is as wise as it is lovely.'' -- Stuart Dybek

Editorial Reviews

Review

In 'Vision,' one of many arresting poems in Talking Diamonds, Linda Nemec Foster's protagonist sees Our Lady of Guadalupe in an unlikely Hawaiian setting. Half waking from reverie, she recognizes that the Virgin is in fact tattooed, front and back, on a native man: 'And you tell yourself this isn't a miracle,' she writes, 'only a tattoo; this isn't anything/extraordinary, only your life . . .' But that is precisely what makes her new collection so compelling: from what Wordsworth called the simple produce of the common day a child's piano recital, a family photograph, a wretched piece of motel art Foster exacts an energy that is, precisely, visionary, even miraculous. This is an effort so widespread in contemporary poetry as itself to seem a commonplace, and one that generally fails. Not so in Talking Diamonds, which challenges, intrigues, awes, and ultimately gratifies, poem after excellent poem. --Sydney Lea

In this luminous new book of poems, Linda Nemec Foster shows us that there are no 'ordinary' lives, that each life is meaningful and even magical, whether we know it or not. The brilliance and power of Foster's language, which has been evident in earlier volumes, is even stronger in this book. --Lisel Mueller

About the Author

Linda Nemec Foster received her M.F.A. in creative writing from Goddard College in Vermont. She is the author of eight collections of poetry including Living in the Fire Nest (finalist for the Poets' Prize), Amber Necklace from Gdansk (finalist for the Ohioiana Book Award in Poetry), and Listen to the Landscape (short-listed for the Michigan Notable Book Award).

Product Details

• Paperback: 75 pages
• Publisher: New Issues Poetry & Prose; First edition (October 5, 2009)
• Language: English
• ISBN-10: 193097485X
• ISBN-13: 978-1930974852
• Product Dimensions: 9.8 x 6.5 x 0.3 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #2,157,357 in Books (See Top 100 in Books)

More About the Author

Linda Nemec Foster is the author of nine collections of poetry including Amber Necklace from Gdansk (finalist for the Ohio Book Award in Poetry), Listen to the Landscape (short-listed for the Michigan Notable Book Award), and Living in the Fire Nest (finalist for the Poet's Prize). Her most recent book, Talking Diamonds, was published by New Issues Press in 2009. Her poems have been published in The Georgia Review, Nimrod, North American Review, DoubleTake, Indiana Review, Quarterly West, Eclipse, and the Connecticut River Review, among others. She has also been included in the anthologies Concert at Chopin's House (New Rivers Press), Place of Passage (Story Line Press), Fresh Water (Michigan State University Press), and Contemporary Michigan Poetry (Wayne State University Press). Her poetry has been translated in Europe, exhibited in museums and galleries, produced for the stage (in Still Life with Conversation), and has inspired an original composition by jazz musician Steve Talaga (Contemplating the Heavens) that was nominated for the Pulitzer Prize in Music in 2007. The granddaughter of Polish immigrants, Foster was awarded the 2008 Creative Arts Award by the Polish American Historical Association in a ceremony at the Polish Embassy in Washington, D.C. Her poetry has been honored with other awards from the Arts Foundation of Michigan, ArtServe Michigan, the Michigan Council for the Arts, the National Writers Voice, and the Academy of American Poets. Foster taught creative writing workshops for Michigan's Creative-Writers-in-Schools Program from 1980-2002. From 2003-2005, Foster was selected to be the first poet laureate of Grand Rapids, Michigan. She founded the Contemporary Writers Series at Aquinas College in 1997 and is currently a member of the Series' programming committee.

Customer Reviews

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1 of 1 people found the following review helpful:

5.0 out of 5 stars Poems of beauty and wisdom, March 29, 2011

By 

oriana "oriana" (san diego) - See all my reviews

This review is from: Talking Diamonds (New Issues Poetry & Prose) (Paperback)

TALKING DIAMONDS BY LINDA NEMEC FOSTER
New Issues Poetry & Prose, Western Michigan University, 2009

The typical poem in this beautiful collection by Linda Nemec Foster, her eighth book, is quiet, elegant, and wise. These poems do not shout; they whisper - about aging and dying, a mother's frightful dementia (the mother no longer recognizes her daughter and calls her "Mom"), deformed children who are nevertheless a gift, and dead stars whose light still travels to us. They are filled with small, uncanny observations, for instance the demented mother saying "What a glorious burden" to the living room wall.

It is the poet's gift of compassion that makes such poems not only bearable, but a pleasure to read. For instance, we learn that the mother's own mother died when her daughter was only fifteen.

But me, I heard my mother calling
my name every day long after
we buried her . . . Always
the same voice from that dark place.
`Helen, Helen.' Her voice so clear
as if she was in the basement
calling me down to help her fold
clean, white sheets.

This is heartbreak presented in the most intimate, quiet voice. In a later poem, just as quietly, we are told her mother was conceived to take the place of two daughters who previously died. It's all muted colors and gray sky. A new kind of trinity presides over this volume: Mother, Daughter, and the Spirit "where everything begins and nothing ends."

Linda Nemec Foster's other great gift is her sensitivity to the astonishing in unlikely settings.

. . . nothing prepares you for this vision:
Our Lady of Guadalupe on Waikiki.
A blue ocean away from where she
first appeared to that dirt-poor
Indian peasant on Tepeyac Hill,
you can't miss her shape of glorious
colors coming toward you: deep teal,
bright vermilion, bronzed gold tattooed
on the chest of a huge Mexican from Baja.
Even his back is emblazoned with her back
and you're stunned by the accuracy
of detail; the little angel at her feet
holding a sliver of the crescent moon
as if she were a living, breathing icon.
. . .
This ocean, this beach at your feet
as if she were Boticelli's Venus
washed ashore with the sea foam,
washed ashore for your approval.
And you tell yourself this isn't a miracle,
only a tattoo; this isn't anything
extraordinary, only your life

Here is a poet who is always prepared for miracles, and who recognizes the deep affinity between Venus on her shell and Our Lady on the Crescent, typical of the icons of the Black Madonna. In another unforgettable poem, "The Blind and the Lame Swim at the Y," the transformation is even more startling:

But it's the crippled girl
with a slash for a mouth
that amazes the water. Tiny
deformed feet that curl
like tender shells forgotten
on some deserted beach,
become the shining, sleek fins
of a mermaid's tail.

The poem ends with a stanza of skillfully wrought wisdom: mothers will accept their handicapped children "without regret" -

Because the secret heart of every
fairy tale is locked deep within
these children. Because this heart
beats in goodness which is rarer
than perfection. Because this heart
is like water: uncaring yet
kind, transparent yet full.

Among my favorite poems is "Red Amaryllis, 1937," honoring an art lover, a man who even in a strip joint behaves in a courtly manner:

When a black girl
with erect nipples came to dance inches from your face,
you stood up, took her hand, and began to waltz.
. . . After the waltz, you kissed her hand.
She said her name was Jasmine. Flower of night air
and moonlight, you replied.

Another favorite is "The Nature of the Beast," with these lines about a cat bringing its offering of a nestling it killed:

But remember how it holds the gift
tenderly in its mouth, approaching
you like a child, a lover who wants
to give you the gift of its wildness.

Poetry is not the things themselves, it is in how we respond to them - quietly, lovingly, without judgment or bitterness, only with compassion and understanding, Linda Nemec Foster teaches us. In spite of heartbreak, there is beauty and grace in life. Everything can be transformed, transfigured into brilliance. In the title poem of the collection, she imagines diamonds talking

about their lives underground.
Never are they bitter or angry. Nor do they
even curse those dark
memories of suffocating black. They know
every facet of their brilliance began as mere
coal - a mere dark fist waiting
for a chance to be something
other than ordinary.

But then it turns out that nothing is merely ordinary. Simply to wake up to another day is already extraordinary, if we have the eyes to see. Linda Nemec Foster certainly has the eyes that are always ready for miracles, and the words with which to describe them. Through her, we see that life is indeed a glorious burden - with equal emphasis on "burden" and "glorious."