Talking Heads 77 [Live]

Peach Of Immortality | Format: Audio CD

Product Details

• Audio CD (April 23, 1996)
• Original Release Date: April 23, 1996
• Number of Discs: 1
• Format: Live
• Label: Caroline Distributio
• ASIN: B000001C4Z
• Also Available in: Vinyl
• Average Customer Review: 3.2 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #691,525 in Music (See Top 100 in Music)

Track Listings

1. 2 December 84

2. 15 December 84

3. 20 November 84

4. 2 December 84

5. 18 January 85

6. 24 January 85

Customer Reviews

Most Helpful Customer Reviews

31 of 39 people found the following review helpful:

1.0 out of 5 stars Don't be fooled, this is not a Talking Heads album., March 24, 1999

By A Customer

This review is from: Talking Heads 77 (Audio CD)

Peach Of Immortality: Talking Heads '77, from what I can tell, has nothing to do with the Talking Heads whatsoever. I bought this thinking it was some sort of Talking Heads material, so imagine my disappointment when I heard this CD of random sounds, no drumbeat or vocals, and no hint of the band I payed to hear. I wouldn't have bought this CD if there had been a review of it listed, but there was none. So, I felt it was my duty to write one and perhaps save someone from wasting their money like I did. This is not a good CD.

9 of 10 people found the following review helpful:

5.0 out of 5 stars This is a well-known avant-garde classic..., May 5, 2001

By A Customer

This review is from: Talking Heads 77 (Audio CD)

...however, do not be fooled into thinking that the group performing these recordings is Talking Heads! Peach of Immortality burst upon the predominantly hardcore punk and go-go oriented Washington, DC scene in 1984. They used tape-manipulated rock recordings (Captain Beerfheart, Little Richard, etc.) as canvases on which they spattered ambient-dub soundscapes. Most were rather unsettling in tone; in other words, GOOD. They had a marked disdain for the prevailing "evil" industrial music of the time, however, and found the misanthropic posturing of groups like Whitehouse to be ludicrous. They were pasasionate, fiery punk intellectuals, I suppose - two of the members of the group, Jared Louche and Tom Smith, have gone on to lengthy (underground) careers as writers and vocalists (Chemlab and To Live and Shave in L.A., respectively). They chose the name "Talking Heads '77" to mock what they considered to be the stratified and emotionally numb world of independent rock. It was released in 1985. They went on to release other albums, all of which are more than worth a trip to a collector vinyl shop to track down (no others have as yet been reissued on CD). Their version of "Talking Heads '77" was recorded in an art gallery, thus the many complaints about sound quality. This is how Peach of Immortality wanted it, apparently, so if you can get past the cassette recorder production values, this remains an amazing album, full of bizarre twists and turns... Many of its moments are flat-out brilliant, although it's easy to see why so many people misunderstand their intent. They gave no information on the original vinyl release, apart from a variety of - get this - purposely misleading literary clues. They even used another band's photo on their album cover! The 1996 reissue employed clip art from an old 70s porno novel to very amusing effect; they even included a photo of the original band! Buy it, yes, but remember, it's not a product of David Byrne and company!

11 of 13 people found the following review helpful:

4.0 out of 5 stars A peach indeed, of early avant garde noise., September 1, 1999

By A Customer

This review is from: Talking Heads 77 (Audio CD)

First of all, DO NOT, under any circumstances, confuse this album with the New Wave band led by David Byrne.

This album is an expiremental, free form, all out assault on song structure, with some very thrilling transitions and moments. Anyone interested in instrumentals similar to Sonic Youth's SYR 1,2, and (especially--) 3 recordings will find this album a unique and refreshing glimpse into the history of undergroudn music. Perhaps the only questionable thing about this album is the low-fi quality at which it was recorded; some, however, may find even that to be a bonus. "for the soon to be hearing impaired"