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Talking Heads' Fear of Music (33 1/3) [Paperback]

Jonathan Lethem
2.3 out of 5 stars  See all reviews (15 customer reviews)

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Book Description

April 26, 2012 33 1/3

It's the summer of 1979. A fifteen-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs "The Talking Heads have a new album, it's called Fear of Music"; - and everything spins outward from that one moment.
Jonathan Lethem treats Fear of Music; (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art.


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Editorial Reviews

About the Author

Jonathan Lethem is one of the most acclaimed American novelists of his generation. His books include Motherless Brooklyn, The Fortress of Solitude, and Chronic City. His essays about James Brown and Bob Dylan have appeared in Rolling Stone. He lives in Claremont, California.

Product Details

  • Paperback: 160 pages
  • Publisher: Bloomsbury Academic; 1 edition (April 26, 2012)
  • Language: English
  • ISBN-10: 1441121005
  • ISBN-13: 978-1441121004
  • Product Dimensions: 4.8 x 0.7 x 6.5 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 2.3 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #282,687 in Books (See Top 100 in Books)

More About the Author

Jonathan Lethem was born in New York and attended Bennington College.

He is the author of seven novels including Fortress of Solitude and Motherless Brooklyn, which was named Novel of the Year by Esquire and won the National Book Critics Circle Award and the Salon Book Award, as well as the Macallan Crime Writers Association Gold Dagger.

He has also written two short story collections, a novella and a collection of essays, edited The Vintage Book of Amnesia, guest-edited The Year's Best Music Writing 2002, and was the founding fiction editor of Fence magazine.

His writings have appeared in the New Yorker, Rolling Stone, McSweeney's and many other periodicals.

He lives in Brooklyn, New York.

Customer Reviews

There are hardly any good ideas in this book, and it is groan-inducingly bad in many places. agnostic  |  4 reviewers made a similar statement
Maybe it begins with this book. B. McGowan  |  4 reviewers made a similar statement
Most Helpful Customer Reviews
15 of 16 people found the following review helpful
Format:Paperback
Perhaps I've been out of the loop, but the question I have reading Jonathan Lethem's "Talking Heads Fear Of Music" is when did intentional Attention Deficit Disorder become celebrated with prose in popular culture? Maybe it begins with this book. I have tried repeatedly to plough through the author's series of ramblings on The Talking Heads "Fear Of Music," and each time, I lasted about three pages before calling it quits. It's not a question of my inability to scavenge through a torrent of art history debris. I've been confronted with dada, surrealism, shamanism, post WW I Lost Generation, Post WWII Eisenhowerism/John Cage(ism) and so on for many years now.
The only cohesion on offer in this zippy little book is a continual reference to the author's pre- teenage years when he first heard the album. He refers to this as, "the boy in the room," era of his development. It was nifty the first couple of times he used the term, and then it wore out its welcome as a structural point in his meta essay. And honestly, we don't know very much about this boy in the room. Did he also play with G.I. Joe? Why was this album his only friend, and possibly a substitute for something lacking? He might have explored that a little. He mentions having a college girlfriend, and sitting on a mattress on the floor in a student's apartment with this friend, listening to Al Green, and attempting to explain why Al Green is a luminary, not only in R and B circles, but in the wider American popular culture during the Vietnam years. I enjoyed reading about his college years, and I wanted to hear more, but that sort of content was meager.
The only thing I seem to be getting from this romp through experimentalism, and I'm not sure if I'll try again to pick it up to make sense of it (Oh, I get it, Stop Making Sense! Hey, that's neat!), is that Jonathan Lethem is too profoundly caught up in his attachment to the Talking Heads to offer anything like meaningful (structured) criticism. I mean, talk about an unabashed Band Crush. It's embarrassing. It's cringe worthy. And it's schmalzy the way he injects Talking Head song titles in a cutesy display of hipster banter. This is real geek territory being broached. I knew some folks like this in college, and while I was kind to them, I pitied them. Injecting pop music content into a conversation never impressed me as being all that witty. Pop music is in some respects an enforced mantra through endless rotation on FM radio and MTV. It's not all that clever to allow monosyllable audio packets to spill out of one's mouth during conversation. It's more like a case of severe social conditioning on display. Meaningful, original communication is replaced by throw away pop lines, "here we are now, entertain us." (That actually got a roar of laughter when an audience member in a suburban theater shouted it out at the beginning of a film in autumn 1991.)
The only question I'm left with is: Is the author attempting to duplicate the album's intense rhythmical and lyrical content by sounding angst ridden, paranoid, jittery, and all things David Byrne in the late 70's and early 80's when Byrne was deep into Bolivian marching powder? When Byrne himself suspects that he was suffering from Asberger's Syndrom? Is he helping us disrupt our sense of order in that Arthur Rimbaud/Jim Morrison tradition by presenting a non-linear essay that you the reader will struggle with, and then receive a profound insight much like a toy at the bottom of a kiddy cereal box? You got me. Charlie Brown got his rock after trick or treating. After reading thirty pages of Lethem's tome, all I got was annoyed.
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13 of 15 people found the following review helpful
2.0 out of 5 stars Can I play this one at 45RPM? June 29, 2012
Format:Paperback|Amazon Verified Purchase
One of the worst in the series. No insight into the making of the music. Simply the author's masturbatory ramblings and self-satisfying hyperbole. It would have been nice to include a few quotes from the band on the actual making of the record. Skip this one altogether. A total waste of a read.
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7 of 7 people found the following review helpful
2.0 out of 5 stars Truly terrible October 22, 2012
Format:Paperback|Amazon Verified Purchase
I hate to be critical of this author, because I consider him to be one of our greatest working novelists. Fortress of Solitude is probably my favorite novel of the past 20 years, at least. But he should not write music criticism. There are hardly any good ideas in this book, and it is groan-inducingly bad in many places. I would never have finished it if it weren't so short. It is almost entirely devoid of true inspiration or insight. The main theme of the book is this: This album really, really blew my mind when I was a precocious teenager in the greatest city in the whole world! Variations on this theme are interspersed with dull, wooden attempts at snappy but probing exegesis. You can feel him counting the words to meet his quota.

I'm sorry to pan this, but I consider it a public service. Upped a star because of how much I respect Lethem's fiction and other brilliant essays. I can't hang with this man intellectually, but I also can't hang with this book.
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Most Recent Customer Reviews
1.0 out of 5 stars What a mess!
I've read 'Gravity's Rainbow' and 'Infinite Jest'. I'm a reader who has NEVER in his life had to put a book down in response to being annoyed at the writer's style. Read more
Published 1 month ago by George W. Davis
1.0 out of 5 stars Lethem's poison pen
I'm not sure who this Alias Pending is, but I'm quoting him: "Medium Sized Review: Approaching the end of this work, I desperately wanted the meth-addled author to finally confess... Read more
Published 3 months ago by Internonymous
1.0 out of 5 stars Worst music book I have ever read
If you are buying this because you're a fan of Talking Heads, as I am, I can guarantee you that this egocentric and narcissistic book by Jonathan Lethem will anger you. Read more
Published 3 months ago by Duncan Dogg
2.0 out of 5 stars Boring!
I honestly could not make it more than 25 or 30 pages. I'm a huge fan of this record but the book just bored me to death.
Published 4 months ago by Kenneth E. Jones
3.0 out of 5 stars Incredibly Dense
Many years ago I was sat in my room watching TV one Christmas break. I happened to turn over to BBC2 and saw the most riveting concert ever. Read more
Published 10 months ago by Syriat
5.0 out of 5 stars The best of the 33-1/3 series so far.
Jonathan Lethem has written a small masterpiece of a book that deserves to be read by any music fan, whether or not you agree that the Talking Heads' Fear of Music is also a... Read more
Published 11 months ago by Designing Books
1.0 out of 5 stars a big disappointment
I was really excited to get this book. Fear of Music was a fave album for decades, I loved it the first time I heard it. Read more
Published 11 months ago by Duane Sherwood
5.0 out of 5 stars An illuminating addition to Lethem's oeuvre
If you like Talking Heads (and come on, who doesn't?), and if you like Jonathan Lethem... or maybe a better way to phrase that: if you are interested in the way that Lethem's brain... Read more
Published 11 months ago by Cliff Milledge
2.0 out of 5 stars Disappointing entry in the 33 1/3 series!
33 1/3rd: LOVE the series. Some books, not so much. I believe everyone wants slightly different things out of the books, so I'll let you know where I'm coming from. Read more
Published 11 months ago by Jason from Iowa
1.0 out of 5 stars kings lead hat
...people who make records like this enjoy the time and fortune in elysian fields to take some german lessons in how to compose themselves before open pray bien...
Published 12 months ago by Gregory J. Belcastro
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