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A Tally of Types: With Additions by Several Hands ; And With a New Introduction by Mike Parker [Paperback]

Stanley Morison; Brooke Crutchley (editor); Mike Parker (introduction) (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

May 1, 1999 1567920047 978-1567920048
This landmark book, first published in 1953 in a private keepsake edition and later revised and expanded, remains an indispensable reference for students of book design. It presents Stanley Morison at his best: opinionated, eclectic, offering his characteristic blend of erudition and insight. Finally available again after many years, A Tally of Types discusses twenty different faces, many cut under Morison's direct supervision, and most of them now translated into digital settings.

This is the real history behind the letters: who first cut them, how they were used (and should be used), and how the modern versions became accessible. Each essay is set in the typeface it discusses, making the book an exciting visual adventure as well as teaching of primary importance. An invaluable aid for modern practitioners and historians alike, this edition contains a new introduction by Mike Parker, former co-director of Typographic Development at the Mergenthaler Corporation.

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Book Description

Stanley Morison provided the impetus and judgement behind the programme of typographical revival carried through by the Monotype Corporation in the 1920s and early 1930s. The Tally is an account, historical, critical and functional, of the types cut under Morison's direction during this period. --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 144 pages
  • Publisher: David R Godine (May 1, 1999)
  • Language: English
  • ISBN-10: 1567920047
  • ISBN-13: 978-1567920048
  • Product Dimensions: 9.5 x 6.2 x 0.5 inches
  • Shipping Weight: 9.8 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,307,212 in Books (See Top 100 in Books)

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Average Customer Review
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14 of 14 people found the following review helpful:
4.0 out of 5 stars Definitely worth reading, April 7, 2000
This review is from: A Tally of Types: With Additions by Several Hands ; And With a New Introduction by Mike Parker (Paperback)
This book provides a great insight into the history and design of type, and quite a bit of the commentary is useful even today. Morison is well known, of course, for the Times New Roman face - and there is a section in the book on that face. But his commentary on the designing of faces like Plantin and Bembo is much more interesting, if you ask me. Also, if you are at all a fan of Eric Gill, you will like the section on Perpetua and Felicity. Anyone interested in the history of type should have this book, that much is certain.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars Visual and historical information, April 21, 2004
This review is from: A Tally of Types: With Additions by Several Hands ; And With a New Introduction by Mike Parker (Paperback)
Typography may be unique among arts in its historical ties to commerce. Type foundries create and sell fonts as a matter of business. Trades like printing and advertising have historically publicized type by using it, and driven the creation of new fonts. Typography is also distinctive in that, for such small field, it has so many large personalities.

Stanley Morison is one of those personalities, and one of the people who made 20th century typography what it was. He had a unique insight into the type trade of the first half of that century, as well as a wealth of history about several other centuries of type design and designers.

The most strinking feature of this book is the way each chapter about some important typeface is set in that face. Seeing and reading a whole page of body text, set and spaced in the usual way, is fundamentally different from seeing menu of "quick brown foxes" or pages of nonsense words. Reading the type is different from looking at letterforms, so this gives real information that specimen books can never provide. (As a personal matter, I realized just how much I dislike the italics with slope angles different in the capitals than in the lower case.)

Don't pick this up as a text on typography; beginners won't get much they can use. If you already appreciate that subtle art, if you want to learn more about its history and practice, this is a very enjoyable way to learn.

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