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  • Tamron AF 28-75mm f/2.8 SP XR Di LD Aspherical (IF) for Canon Digital SLR Cameras (Model A09E)
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Tamron AF 28-75mm f/2.8 SP XR Di LD Aspherical (IF) for Canon Digital SLR Cameras (Model A09E)

by Tamron
| 65 answered questions

Price: $499.00 and eligible for FREE Two-Day Shipping Details
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Canon
  • 28-75mm autofocus zoom lens with f/2.8 maximum aperture
  • Designed to meet performance characteristics of digital SLR cameras
  • Minimum focusing distance of 13 inches; rotation-type zoom
  • Smaller and lighter than most fast zoom lenses; weighs 18 ounces
  • Measures 2.9 inches in diameter and 3.6 inches long; 6-year warranty

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11 new from $499.00 21 used from $295.00 3 refurbished from $379.95
Important Warranty Information: By purchasing Tamron products from an authorized dealer, you can ensure the quality of the product, which will be also covered by Tamron USA's Six-Year Limited Warranty, the only warranty accepted by Tamron USA, Inc. in the USA as of October 1, 2007. In addition, only Tamron products purchased from Amazon.com or another authorized Tamron dealer qualify for Tamron's mail-in rebate program. To see a full list of authorized dealers visit the Tamron website at http://www.tamron-usa.com/dealers.php.

Frequently Bought Together

Tamron AF 28-75mm f/2.8 SP XR Di LD Aspherical (IF) for Canon Digital SLR Cameras (Model A09E) + Tiffen 67mm UV Protection Filter + Tiffen 67mm Circular Polarizer
Price for all three: $530.98

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Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras

Product Details

Style: Canon
  • Product Dimensions: 4 x 3 x 3 inches ; 4 pounds
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B0000A1G05
  • Item model number: 28-75mm Canon
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (468 customer reviews)
  • Amazon Best Sellers Rank:
  • Date first available at Amazon.com: June 13, 2003

Product Description

Style: Canon

From the Manufacturer

This ground-breaking high-speed mid-range zoom is prized by pros and serious shooters for its fast F/2.8 constant aperture, evenness of illumination, and its outstanding imaging performance, and by all photographers for its compact size and reasonable weight that make it feel like an ordinary standard zoom. These admirable characteristics have been achieved by the use of special XR and LD glass, the efficient use of aspherical elements, and non-rotating internal-focus (IF) design. This remarkable zoom lens also focuses down to 0.33m (13”) (1:3.9 magnification) at all focal lengths for satisfying close-up performance and is compatible with APS-C and full-frame-format SLRs. Not surprisingly it is widely acclaimed as a classic.

>SP70-300mm F/4-5.6 Di VC
Worlds smallest & lightest lens

The most compact and lightest in the history of fast zoom lenses. Thanks to the revolutionary downsizing "XR" technology employed by Tamron in the development of high-power zoom lenses such as the 28-200mm and 28-300mm, the dramatic compactness that makes this lens the world's smallest and lightest is achieved. Its compactness makes it look and feel like an ordinary standard zoom lens, yet the versatility that a fast constant maximum aperture offers will definitely reshape your photographic horizons.

SP AF28-75mm F/2.8 XR Di Features

Digitally Integrated (DI) Lenses for the Best Imaging Performance
Di (Digitally Integrated Design) is a Tamron designation that applies to lenses that have been optimized for digital capture using advanced multi-coating techniques and optical designs that assure excellent image quality across the entire picture field. Because of these characteristics, Di lenses provide outstanding performance on cameras with full-frame and APS-C format sensors as well as on 35mm film.

Low Dispersion (LD) Glass for Greater Lens Sharpness
Tamron 18-270mm lens highlights at Amazon.com
Low Dispersion (LD) glass reduces chromatic aberration
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)

Super Performance (SP) for Discriminating Shooters
Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.

Extra Refractive Index Glass (XR)
Tamron AF18-200mm F/3.5-6.3 XR Di II at Amazon.com
Special glass for better performance and more compact lens designs
Extra Refractive Index (XR) glass can bend light rays at steeper angles, thereby decreasing the physical length of the lens while enhancing imaging performance by minimizing optical aberrations. This has allowed Tamron to develop a line of shorter, smaller-diameter, lighter lenses without sacrificing lens speed, and actually upgrading image quality compared to older designs. XR glass is costlier than conventional glass but it yields enhanced optical power distribution, making possible many of the outstanding and innovative lens designs that bear the XR designation. XR glass, with its superior light-bending power, makes it possible to design a short-barrel lens with the same light-gathering ability (aperture value) as a long-barrel lens—even with a smaller lens diameter. By using this principle Tamron has been able to shorten the length of the entire optical system and produce lighter, more compact lenses of the same speed, and also to provide greater zoom ranges in lenses that are much more convenient to carry by hand.

Internal Focusing (IF) System
Internal focusing provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron’s Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.

Aspherical Lens Elements (ASL)
Tamron 18-270mm lens highlights at Amazon.com
Aspherical Lens Element
Tamron uses several hybrid Aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens element can take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.

Zoom Lock (ZL)
Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap.




Product Description

This lens displays the Di ( Digitally Integrated Design ) logo reserved for lenses that meet the performance characteristics of digital SLR cameras. The Di series represents the most compact and lightest in the history of fast zoom lenses, thanks to revolutionary downsizing "XR" technology. With a fast constant maximum aperture, this lens will definitely reshape your photographic horizon! Minimum Focal Distance - 13 Macro Magnification Ratio - 1 - 3 - 9 Weight - 18.0 ounces Dimensions - 73mm x 92mm For Canon mount

Customer Questions & Answers

Customer Reviews

This lens is very sharp, and auto focus is fast and accurate.
mike
I have enough Canon glass, which are very good, but this particular Tamron lens beats/matches my Canons in nearly every quality category.
Jump To It
Great colors, great bokeh, great contrast and great sharpness.
Relentless

Most Helpful Customer Reviews

848 of 857 people found the following review helpful By JanSobieski on November 2, 2004
Style Name: Canon Verified Purchase
I have never bought a non-Canon lens because I just love the look, feel, and optical quality of the Canon line particularly the L series lenses. But I kept reading glowing reviews about this lens. On multiple websites. So, I went out and took a look.

First impression: the build quality is not as good as a Canon L series lens. Duh! It costs about 1/4 as much for goodness sake. This is a plastic lens - not metal. But I must admit that the build quality was pretty darn good. Better, I think, than the Sigma lenses I've seen. Fit and finish was very nice and tight. I'd give the build quality a 4/5. Not bad. I figured I could live with it.

Next, I put the lens on my camera. I'd read reviews complaining about the speed of the focusing. It may not be quite as quick as my 200 f2.8 L series lens but it was pretty darn good and for my purposes, plenty fast. A 4.5/5

I'd read reviews complaining about the noise and the fact that the AF was not USM. I thought the AF worked very quietly. Not at all distracting and barely discernable. Noise - not an issue.

Then, I took pictures with the lens and I was absolutely floored! How in the world did Tamron manage to produce a lens that performed so well optically for such a reasonable price?! Beautiful contrast, excellent resolution, gorgeous colors, and extremely sharp, particularly above f2.8. But, f2.8 is very good as well.

Obviously the first comparison that comes to mind is between this lens and the Canon 24-70 f2.8 L. I would say, I kid you not, that this lens is in every respect optically the equal of the Canon or better than the Canon. I could not believe it.

I tested this lens directly against a brand new copy of the Canon 24-70 f2.8L.
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553 of 562 people found the following review helpful By John S on May 17, 2006
Style Name: Canon
I was a fool to have believed that the kit lens(18-55mm f/3.5-5) from the 350D was enough, but I was more than a fool when I thought the "nifty-fifty"(50mm f/1.8) was the only lens I needed. The kit lens was only a "so-so" lens at best. And the nifty-fifty was hard to take pictures when I must be standing at least 5 feet back to capture my subject. The 1.8 of the nifty-fifty was brilliant but having almost everything except one small spot in focus is not worth my "Kodak moments." I needed something more versatile, something efficient and cater to the budget photographer like myself.

I scoured the internet for a lens that could be titled as the "King of the Walk around Lenses." Many lenses were nominated by photographers across the net. Lenses such as the Canon 17-40 f/4L, the Canon 17-85 IS USM, Sigma 18-50 f/2.8, the Canon 50mm f/1.8(Nifty Fifty), Canon 24-70 f/2.8L, Canon's 28-135mm IS USM, and much more. A good walk around lens must have versatility, which for me meant a decent zoom range. Something that a prime lens like the "oh so perfect" 50mm f/1.8 nifty fifty cannot satisfy.

Here I shall digress a little and talk about the nifty fifty. It's definitely a great lens, a lens that is extremely affordable, approx 80USD. It is outstanding in low light and again, it is CHEAP. Many people love this lens for its value per price, myself included. That is why that the 50mm f/1.8 was my very first lens besides the kit lens. I began using it all the time but always found myself stepping back, way back, in order to achieve a good composition of the subject at hand. This annoyed me a little and I decided to continue my search for the best walk around lens.

Back on topic now, versatility is important, zoom range is important.
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206 of 211 people found the following review helpful By J. Caruso on August 2, 2007
Style Name: Canon Verified Purchase
Let me start by saying I didn't want to like this lens. I've been a Canon lens purist since my first camera. I've always considered second party lenses to be inferior and not worth my time. Recently, however, I acquired another body (EOS 1). I wanted a dedicated walk around lens for it, since I'd been alternating my 24-70L between my digital and this new body. Unfortunately, my funds are a bit limited at them moment, so I wasn't able to purchase another 24-70L as I would have liked. So I began an extensive search for a lens that would fit my needs AND budget.

After a while, I started leaning toward the 28-105 f/3.5-4.5. However, although I got close to purchasing one several times, I just couldn't pull the trigger. It seemed good enough, but I just wasn't convinced. Then just by accident, I read a review of the Tamron. The review went on and on about the performance and sharpness of the lens. I thought it was all just hot air. Then I saw a second review that stated the same thing. I became intrigued. I started my research. I went to several different sources and a clear picture began to emerge: this is a lens that a lot of people really like. This is a lens that consistently gets compared to my beloved 24-70L, and consistently holds its own--or even out performs it. At first I thought it unfair to compare it to the 24-70L, but then I saw sample images. I saw sharpness tests. I was impressed.

So I took the plunge, and I'm so glad I did. As soon as it arrived, the first thing I noticed was that it did not feel like a cheap lens. I had expected it to be feather-light and almost flimsy. Instead, it feel substantial. It also came with a lens hood.

I threw it on my 400D and fired off some shots and took a look. I was very happy with the results.
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